The Song Forever New

A daily devotional inspired by the hymns of Charles Wesley, this book paves the way for spiritual pilgrimage throughout this sacred period of the Christian year. Wesley’s lyrical theology and hymns represent a monumental devotional treasure within both the Anglican and Methodist heritage. Sacred texts from Wesley’s Redemption Hymns and Resurrection Hymns are particularly well suited to the themes of Lent and Easter. Selections from both these collections are featured in the volume, including “Love Divine, All Loves Excelling,” as well as hymns, such as “Christ the Lord is Risen Today,” drawn from a wider selection of Wesley’s works. The hymns are arranged around themes tied to scriptural texts proper to each day. Each of the fifty-four meditations includes a biblical text, the Wesley hymn selection (with a recommended tune for singing from the Episcopal Hymnal 1982), a brief meditation, and a prayer for the day. Suggestions are also provided for the use of these materials in a pattern of either Morning or Evening Prayer.

A young woman holds her newborn son And looks at him lovingly. Softly she sings to him: "I'll love you forever I'll like you for always As long as I'm living My baby you'll be." So begins the story that has touched the hearts of millions worldwide. Since publication in l986, Love You Forever has sold more than 15 million copies in paperback and the regular hardcover edition (as well as hundreds of thousands of copies in Spanish and French). Firefly Books is proud to offer this sentimental favorite in a variety of editions and sizes: We offer a trade paper and laminated hardcover edition in a 8" x 8" size. In gift editions we carry: a slipcased edition (8 1/2" x 8 1/4"), with a laminated box and a cloth binding on the book and a 10" x 10" laminated hardcover with jacket. And a Big Book Edition, 16" x 16" with a trade paper binding.

Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could see actresses as either "broads" or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his brother, Jack), Bernard Dick offers a radically different portrait of the man who ran Columbia Pictures—and who "had to be boss"—from 1932 to 1958.

Experience daily the timeless truths contained in the many celebrated songs of the Christian faith. Each day's devotional includes the text of a classic hymn or song, the inside story about the author or origin of the song, and a related Scripture passage. Be refreshed and strengthened each day by the mighty words that have uplifted God's people through the ages.