The Sorrow Of Angels

It is three weeks since the boy came to town, carrying a book of poetry to return to the old sea captain-the poetry Bárour died for. Three weeks, but already Bárour's ghost has faded. Snow falls so heavily that it binds heaven and earth together. As the villagers gather in the inn to drink schnapps and coffee while the boy reads to them from Hamlet, Jens the postman stumbles in half-dead, having almost frozen to his horse. On his next journey to the fjords Jens is accompanied by the boy, and both must risk their lives for each other, and for an unusual item of mail. The Sorrow of Angels is a timeless and powerful story that evokes the struggle of man against the ferocious majesty of nature. Asked by The Independent what inspired him to write these three novels, Stefánsson named his first visit to the landscape of Iceland's West Fjords. "It was like a punch in the solar plexus . . . The mountains seemed to be saying, 'Why aren't you writing about us?"

After coming through the blizzard that almost cost them everything, Jens and the boy are far from home, in a fishing community at the edge of the world. Taken in by the village doctor, the boy once again has the sense of being brought back from the grave. But this is a strange place, with otherworldly inhabitants, including flame-haired Álfhei?ur, who makes him wonder whether it is possible to love two women at once; he had believed his heart was lost to Ragnhei?ur, the daughter of the wealthy merchant in the village to which he must now inexorably return. Set in the awe-inspiring wilderness of the extreme north, The Human Heart is a profound exploration of life, love, and desire, written with a sublime simplicity. In this conclusion to an audacious trilogy, Stefánsson brings a poet's eye and a philosopher's insight to a tale worthy of the sagasmiths of old.

It is three weeks since the boy came to town, carrying a book of poetry to return to the old sea captain-the poetry BArour died for. Three weeks, but already BArour's ghost has faded. Snow falls so heavily that it binds heaven and earth together. As the villagers gather in the inn to drink schnapps and coffee while the boy reads to them from Hamlet, Jens the postman stumbles in half-dead, having almost frozen to his horse. On his next journey to the fjords Jens is accompanied by the boy, and both must risk their lives for each other, and for an unusual item of mail. The Sorrow of Angels is a timeless and powerful story that evokes the struggle of man against the ferocious majesty of nature. Asked by The Independent what inspired him to write these three novels, StefAnsson named his first visit to the landscape of Iceland's West Fjords. "It was like a punch in the solar plexus...'he mountains seemed to be saying, 'Why aren't you writing about us'"

A modern saga spanning the whole of the 20th century, by one of Iceland's most celebrated writers. At the beginning of this story there is death, and yet it is a celebration of life - the passion between a man and a woman, forbidden love, violence, sorrow, betrayal. Happiness and misfortune are passed down from one generation to the next. The sorrow over what was and what might have been weighs heavily on the characters and at the end of this chain, for now, stands Ari, on his way to his dying father, with a score still to be settled. The raw beauty of life is written into the dramatic Icelandic landscape, and into a society that has undergone great transformation within a century. In language both archaic and lyrical, and yet entirely contemporary and full of humour, Jón Kalman Stefánsson proves himself one of the finest European writers of his generation. A companion volume to Fish Have No Feet (longlisted for the Man Booker International Prize 2017). Translated from the Icelandic by Philip Roughton

In the fall of 1941, the Philippines was a gardenia-scented paradise for the American Army and Navy nurses stationed there. War was a distant rumor, life a routine of easy shifts and dinners under the stars. On December 8 all that changed, as Japanese bombs began raining down on American bases in Luzon, and this paradise became a fiery hell. Caught in the raging battle, the nurses set up field hospitals in the jungles of Bataan and the tunnels of Corregidor, where they tended to the most devastating injuries of war, and suffered the terrors of shells and shrapnel. But the worst was yet to come. After Bataan and Corregidor fell, the nurses were herded into internment camps where they would endure three years of fear, brutality, and starvation. Once liberated, they returned to an America that at first celebrated them, but later refused to honor their leaders with the medals they clearly deserved. Here, in letters, diaries, and riveting firsthand accounts, is the story of what really happened during those dark days, woven together in a deeply affecting saga of women in war. Praise for We Band of Angels “Gripping . . . a war story in which the main characters never kill one of the enemy, or even shoot at him, but are nevertheless heroes . . . Americans today should thank God we had such women.”—Stephen E. Ambrose “Remarkable and uplifting.”—USA Today “[Elizabeth M. Norman] brings a quiet, scholarly voice to this narrative. . . . In just a little over six months these women had turned from plucky young girls on a mild adventure to authentic heroes. . . . Every page of this history is fascinating.”—Carolyn See, The Washington Post “Riveting . . . poignant and powerful.”—The Dallas Morning News Winner of the Lavinia Dock Award for historical scholarship, the American Academy of Nursing National Media Award, and the Agnes Dillon Randolph Award

An unforgettable reminder of the resilience of human compassion, even in the face of the worst horrors of our history. In the autumn of 1940, Anna Hirsch and her friends and family are rounded up by Nazis and deported to Gurs, a refugee camp in the south of France. Food is scarce, and the living conditions inhumane. Even worse is the ever-present fear that they will be relocated once again -- this time to one of the death camps. But when word comes that Anna and the other children are to be moved, their destination is not Auschwitz or Buchenwald, but Le Chambon-sur-Lignon: a tiny village whose citizens have agreed to care for deported Jewish children. Based on the true story of a French village that banded together to protect the Jews during WWII, this unforgettable tale honours the contagious goodness that permeated one corner of a region otherwise enveloped in evil, and celebrates the courage of all those who put their lives at risk to save others.

Jon Kalman Stefansson is the winner of the Icelandic Prize for Literature and has been nominated three times for the Nordic Council Prize for Literature. Heaven and Hell, is a perfectly formed, vivid and timeless story, lyrical in style, and as intense a reading experience as the forces of the Icelandic landscape themselves. Der Spiegel said it was "like an oyster--a glinting treasure in a rough shell." In a remote part of Iceland, a boy and his friend Barour join a boat to fish for cod. A winter storm surprises them out at sea and Barour, absorbed in "Paradise Lost", succumbs to the ferocious cold and dies. Distraught from the murky circumstances of Barour's death, the boy leaves the village, intending to return the book to its original owner. The extreme hardship and danger of the journey is of little consequence to him--he has already resolved to join his friend in death. But once in the town he immerses himself in the stories and lives of its inhabitants, and decides that he cannot be with his friend just yet.

Harriet Scott Chessman’s Ohio Angels is an intimate and a lyrical story about friendship and family struggles. Hallie, a painter who now lives in Brooklyn, returns to her family home in Ohio, where she unearths a secret about her parents. Her discovery sheds light on her mother’s depression, which shadowed her own childhood, and helps her understand her own inability to have children. In her hometown, Hallie reconnects with a beloved childhood friend, Rose, who is now a writer and pregnant with her third child. Chessman beautifully evokes the childhood memories of the two friends, illuminating their very different lives. As in Lydia Cassatt Reading the Morning Paper, Chessman’s compassionate and perceptive gaze reveals an entire new world for us—one that is subtle, alive, and deeply honest.