The Space Between Worlds

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging. WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD • “Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security. But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse. “Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)

A crew of outcasts tries to find a legendary ship before it falls into the hands of those who would use it as a weapon in this science fiction adventure series for fans of The Expanse and Firefly. A washed-up treasure hunter, a hotshot racer, and a deadly secret society. They're all on a race against time to hunt down the greatest warship ever built. Some think the ship is lost forever, some think it's been destroyed, and some think it's only a legend, but one thing's for certain: whoever finds it will hold the fate of the universe in their hands. And treasure that valuable can never stay hidden for long. . .

Six years ago, schoolgirls Evelyn and Philippa Hapwell were swept from a war-time bunker to a fantasy kingdom. Now almost grown-up, they've returned to the real world, but grieving Evie will do almost anything to go back to the magical Woodlands that holds her heart ...

Art at the edge of the Anthropocene, from a pioneering multimedia artist From social inequality to population growth to climate change, New Orleans-based multimedia artist Dawn DeDeaux (born 1952) does not shy from exploring difficult topics. One of the first American artists to connect questions about social justice to environmental concerns, DeDeaux responds to a future imperiled by runaway population growth, breakneck industrial development and the looming threat of climate change. Since the 1970s, she has been probing humanity's present and future through videos, performances and installations. This catalog, published for her first comprehensive museum exhibition at the New Orleans Museum of Art, presents DeDeaux's work spanning five decades: from early multimedia works using radio and satellite to recent works from her MotherShipseries, in which she imagines humanity's escape from a destroyed Earth. For DeDeaux, art is always closely intertwined with philosophy, science and new technologies.

In the title novella, Cotman imagines a group of near-immortals living in Pittsburgh in an uneasy truce with Lord Decay. Their truce is threatened when one of them takes pity on a young woman who knows their secret. In “Among the Zoologists,” a game writer on their way to a convention falls in with a group of rogue Darwinists whose baggage contains a great mystery. A volleyball tournament devolves into nightmare and chaos in “Mine.” In Cotman’s hands, the conventions of genres from fairytales to Victorian literature to epic fantasy and horror give shape to marvelously new stories.

Melinda Ashley has a plan for her life, and a trip to Mars isn't part of it. When she receives a spaceliner ticket as a high school graduation gift from her dad, she is dismayed, but reluctantly agrees to go with him--in part because she's infuriated by her fiance's high-handed declaration that she can't. Her outlook begins to change when she meets Alex Preston, a second-generation Martian colonist who is going home after college on Earth. Alex believes settling Mars is important. He's looking forward to the role he expects to play in the colony's future. Melinda finds this hard to understand, yet she is more and more drawn to him and, while on Mars, to his family. Torn between what she has always wanted and upsetting new feelings, she wonders if she can ever again be content. It takes tragedy and a terrifying experience on the Martian moon Phobos to make her aware of what really matters to her.

A study of Everquest that provides a snapshot of multiplayer gaming culture, questions the truism that computer games are isolating and alienating, and offers insights into broader issues of work and play, gender identity, technology, and commercial culture. In Play Between Worlds, T. L. Taylor examines multiplayer gaming life as it is lived on the borders, in the gaps—as players slip in and out of complex social networks that cross online and offline space. Taylor questions the common assumption that playing computer games is an isolating and alienating activity indulged in by solitary teenage boys. Massively multiplayer online games (MMOGs), in which thousands of players participate in a virtual game world in real time, are in fact actively designed for sociability. Games like the popular Everquest, she argues, are fundamentally social spaces. Taylor's detailed look at Everquest offers a snapshot of multiplayer culture. Drawing on her own experience as an Everquest player (as a female Gnome Necromancer)—including her attendance at an Everquest Fan Faire, with its blurring of online—and offline life—and extensive research, Taylor not only shows us something about games but raises broader cultural issues. She considers "power gamers," who play in ways that seem closer to work, and examines our underlying notions of what constitutes play—and why play sometimes feels like work and may even be painful, repetitive, and boring. She looks at the women who play Everquest and finds they don't fit the narrow stereotype of women gamers, which may cast into doubt our standardized and preconceived ideas of femininity. And she explores the questions of who owns game space—what happens when emergent player culture confronts the major corporation behind the game.

Sorcery of a Queen by Brian Naslund is a fast-paced adventure perfect for comic readers and fans of heroic fantasy They called her the Witch Queen... Driven from her kingdom, the would-be queen now seeks haven in the land of her mother, but Ashlyn will not stop until justice has been done. Determined to unlock the secret of powers long thought impossible, Ashlyn bends her will and intelligence to mastering the one thing people always accused her of, sorcery. Meanwhile, having learned the truth of his mutation, Bershad is a man on borrowed time. Never knowing when his healing powers will drive him to a self-destruction, he is determined to see Ashlyn restored to her throne and the creatures they both love safe. Dragons of Terra Series Blood of an Exile Sorcery of a Queen At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.