The Spartan Drama Of Plato S Laws

The Spartan Drama of Plato's Laws is the first interpretation of the Laws to give sustained consideration to Megillos, the only character from Sparta that Plato created. Eli Friedland shows the profound importance of character to the Laws, and the rich drama of Plato's longest, and supposedly driest, work.

Plato's Cretan City is a thorough investigation into the roots of Plato's Laws and a compelling explication of his ideas on legislation and social institutions. A dialogue among three travelers, the Laws proposes a detailed plan for administering a new colony on the island of Crete. In examining this dialogue, Glenn Morrow describes the contemporary Greek institutions in Athens, Crete, and Sparta on which Plato based his model city, and explores the philosopher's proposed regulations concerning property, the family, government, and the administration of justice, education, and religion. He approaches the Laws as both a living document of reform and a philosophical inquiry into humankind's highest earthly duty.

This volume illuminates one underexplored aspect of Plato's Laws: its uniquely rich discussion of cultural matters. This requires the contributions of scholars whose expertise resides beyond the boundaries of pure philosophical inquiry, spanning art theory and criticism, social anthropology, and comparative literature.

"Laws" is one of the last dialogues written by the ancient Greek philosopher Plato. It is a lengthy and comprehensive exploration of the role that law and legislation play in the lives of individuals and communities. Unlike his other dialogues, Plato himself speaks in "Laws" instead of using characters like Socrates. The dialogue takes place between three characters: an Athenian stranger, a Spartan named Megillus, and a Cretan named Clinias, who discuss laws, politics, and the nature of justice while on a pilgrimage to the cave of Zeus in Crete. Throughout the dialogue, the Athenian stranger elaborates on the ideal laws that would govern a perfect city-state, touching on a wide range of topics including education, family, property, and the nature of the soul.

An insightful commentary on Plato’s Laws, his complex final work. The Laws was Plato’s last work, his longest, and one of his most difficult. In contrast to the Republic, which presents an abstract ideal, the Laws appears to provide practical guidelines for the establishment and maintenance of political order in the real world. Classicist Seth Benardete offers a rich analysis of each of the twelve books of the Laws, which illuminates Plato’s major themes and arguments concerning theology, the soul, justice, and education. Most importantly, Benardete shows how music in a broad sense, including drama, epic poetry, and even puppetry, mediates between reason and the city in Plato’s philosophy of law. Benardete also uncovers the work’s concealed ontological dimension, explaining why it is hidden and how it can be brought to light. In establishing the coherence and underlying organization of Plato’s last dialogue, Benardete makes a significant contribution to Platonic studies.

This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.

Previous scholars and writers have either celebrated the idealism in Plato's Laws or denounced its totalitarianism. Ryan K. Balot, by contrast, refuses to interpret the dialogue as a political blueprint, whether admirable or misguided. Instead, he shows that it constitutes Plato's greatest philosophical investigation of political life. In this transformative re-appraisal, Balot reveals that Plato's goal was to cultivate a tragic attitude toward our political passions, commitments, and aspirations.

Long understudied, Plato's Laws has been the object of renewed attention in the past decade and is now considered to be his major work of political philosophy besides the Republic. In his last dialogue, Plato returns to the project of describing the foundation of a just city and sketches in considerable detail its constitution, laws and other social institutions. Written by leading Platonists, the essays in this volume cover a wide range of topics central for understanding the Laws, such as the aim of the Laws as a whole, the ethical psychology of the Laws, especially its views of pleasure and non-rational motivations, and whether and, if so, how the strict law code of the Laws can encourage genuine virtue. They make an important contribution to ongoing debates and will open up fresh lines of inquiry for further research.