The Spectacular City

"I've got you, and you've got me - so we'll be all right . . ." One day, adventurous Mouse determines to set off to the bright lights of the spectacular city, accompanied by his friend Bear. But the city is full of distractions and dangers, and Mouse might need his steadfast friend more than he realises . . . A follow-up to The Marvellous Moon Map, this is Teresa and David's second lyrical and atmospheric tale of Mouse, Bear, and their touching friendship.

DIVThis study analyzes a popular festival and vigilante lynching, examining them as a form of political spectacle performed by improverished people who want to gain access to the potential benefits of citizenship in a modern city./div

Seattle's project of 'downtown revitalization' is often touted as a civic endeavour that serves the community as a whole. Gibson questions that assumption. He examines the trade-off between the gain produced by redevelopment and the loss of public space.

Winner, Katherine Singer Kovacs Prize, Modern Language Association, 2010 The Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture—cities, festivals, and wonder—from the sixteenth to the seventeenth century, from the Old World to the New, and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography, and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.

Everyday Life in the Spectacular City is a groundbreaking urban ethnography that reveals how middle-class citizens and longtime residents of Dubai interact with the city's so-called superficial spaces to create meaningful social lives. Rana AlMutawa shows that inhabitants adapt themselves to top-down development projects, from big malls to megaprojects. These structures serve residents' evolving social needs, transforming Dubai's spectacular spaces into personally important cultural sites. These practices are significant because they expand our understanding of agency as not only subversive but also adaptive. Through extensive fieldwork, AlMutawa, herself an Emirati native to Dubai, finds a more nuanced story of belonging. This story does not seek to uncover the "real" city that lies beneath the veneer of the spectacle, but rather to demonstrate that social meanings and forms of belonging take place within the spectacle itself. By offering an alternative to the discourse of authenticity and elucidating the dynamics of ambivalent belonging, AlMutawa belies stereotypes that portray Dubai's developments as alienating and inherently disempowering. Everyday Life in the Spectacular City speaks beyond the Middle East to a globalized phenomenon, for Dubai's spectacles are unexceptional in today's changing world.

It’s taboo to regret motherhood. But what would happen if you did? Shifting perspectives and time periods, The Spectacular is a multi-generational story exploring sexuality, gender and the weight of reproductive freedoms, from the author of The Best Kind of People It’s 1997 and Missy’s band has finally hit the big time as they tour across America. At age twenty-two, Missy gets on stage every night and plays the song about her absent mother that made the band famous. The only girl in the band, she’s determined to party just as hard as everyone else, loving and leaving someone in every town—until she’s left stranded at the border because of a forgotten party favour. Forty-something Carola is just surfacing from a sex scandal at the yoga centre where she has been living when she sees her daughter, Missy, for the first time in ten years—on the cover of a music magazine. Ruth, eighty-three, is planning her return to the Turkish seaside village where she spent her childhood. But when her granddaughter, Missy, crashes at her house, she decides it’s time the strong and stubborn women in her family find a way to understand one another again. In this book, by turns sharp and provocative, Zoe Whittall captures three generations of very different women who struggle to build an authentic life in the absence of traditional familial and marital structures. Definitions of family, romance, gender and love will radically change as they seek out lives that are nothing less than spectacular.

Sutter's the guy you want at your party. Aimee's not. She needs help and it's up to Sutter to show Aimee a splendiferous time and then let her go forth and prosper. But Aimee's not like other girls and before long he's over his head. For the first time in his life he has the power to make a difference in someone else's life - or ruin it forever.

Liz Conor explores the role of media technology in the emergence of the 'modern woman' in the 1920s. At once liberating & confining, the media images of women set standards of appearance that were closely tied to ideas about the roles a woman could fulfill, from city girl to mannekin to flapper.