The Spirit Of 74

How ordinary people went from resistance to revolution: “[A] concise, lively narrative . . . the authors expertly build tension.” —Publishers Weekly Americans know about the Boston Tea Party and “the shot heard ’round the world,” but sixteen months divided these two iconic events, a period that has nearly been lost to history. The Spirit of ’74 fills in this gap in our nation’s founding narrative, showing how in these mislaid months, step by step, real people made a revolution. After the Tea Party, Parliament not only shut down a port but also revoked the sacred Massachusetts charter. Completely disenfranchised, citizens rose up as a body and cast off British rule everywhere except in Boston, where British forces were stationed. A “Spirit of ’74” initiated the American Revolution, much as the better-known “Spirit of ’76” sparked independence. Redcoats marched on Lexington and Concord to take back a lost province, but they encountered Massachusetts militiamen who had trained for months to protect the revolution they had already made. The Spirit of ’74 places our founding moment in a rich new historical context, both changing and deepening its meaning for all Americans.

James Kinn offers a remarkable and new appreciation of the importance of the Holy Spirit in Christian theology and personal spirituality today. By concentrating on the Holy Spirit in Scripture, prayer, and the Christian tradition, Kinn is able to show how the Spirit becomes our personal contact with Christ and the one who continues the work of Christ in us. Explicitly grasping the role of the Spirit can only lead to an enriched experience of the divine in our lives.

Marshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.

Ostad Elahi's Knowing the Spirit provides a concise and remarkably illuminating philosophic account of our unique place in the universe: of the creative expressions of the divine Spirit throughout nature, and of the process of the soul's deepening perfection through all the challenges and lessons of our existence in this world and beyond. This revealing book draws together in a single vision those symbolic teachings and spiritual insights familiar to many Western readers today through the classical mystical poetry of Rumi, Hafez, and Attar. The historical context and language of this study are marked by the confluence of classical Islamic philosophy and spirituality, including Sufi thought, and their scriptural sources. But Elahi's thought integrates those influences and marks them with the magisterial imprint of his own profound spiritual experience and characteristic simplicity, openness, and directness of expression. This volume offers a singular masterpiece of recent spiritual thought, opening up fundamental human perspectives and possibilities too often clouded by the distractions of current events. The emphatic universality of both the subject and presentation of Knowing the Spirit points the way to unsuspected bridges between different civilizations and religious traditions, indeed to the prospect of an inclusive "science of spirituality" based on the common ground of each person's spiritual life and experience. Book jacket.

In Ruling the Spirit, Claire Taylor Jones revises the narrative of women's involvement in the German Dominican order, arguing that Dominican women did not lose their piety and literacy in the fifteenth century as is commonly believed, but instead were encouraged to reframe their practice around the observance of the Divine Office.

A key figure during the Great Awakening, Jonathan Edwards wrote this important discourse, The Distinguishing Marks of a Work of the Spirit of God, in 1741, just after the revival had reached its peak. In his thorough exploration of the true and false signs of revival, drawn from 1 John 4, Edwards concludes that while a movement may be accompanied by excesses and questionable actions, these signs do not necessarily disqualify it as authentic. In a refreshing way Edwards embraces a genuine enthusiasm in these manifestations while stressing the need for biblical discernment. His critique is kind and gentle as he points to the true marks of revival: love and humility. In The Spirit of Revival, Parrish makes Edwards's entire work more accessible by modernizing the text and adding explanatory notes. R. C. Sproul's extended introduction compares the great theologian's time to our own, and the preface by Edwards's contemporary William Cooper rings resoundingly to the people of God today. Edwards's message provides more than just insight into the Great Awakening. It is a map to follow for all revivals in all times.

In many parts of the contemporary world, spirit beliefs and practices have taken on a pivotal role in addressing the discontinuities and uncertainties of modern life. The myriad ways in which devotees engage the spirit world show the tremendous creative potential of these practices and their innate adaptability to changing times and circumstances. Through in-depth anthropological case studies from Indonesia, Malaysia, Thailand, Myanmar, Laos, and Vietnam, the contributors to this book investigate the role and impact of different social, political, and economic dynamics in the reconfiguration of local spirit worlds in modern Southeast Asia. Their findings contribute to the re-enchantment debate by revealing that the "spirited modernities" that have emerged in the process not only embody a distinct feature of the contemporary moment, but also invite a critical rethinking of the concept of modernity itself.

The first full-length study of the evolution of self and agency in ancient Israelite anthropology Conceptions of “the self” have received significant recent attention in philosophy, anthropology, and cultural history. Scholars argue that the introspective self of the modern West is a distinctive phenomenon that cannot be projected back onto the cultures of antiquity. While acknowledging such difference is vital, it can lead to an inaccurate flattening of the ancient self. In this study, Carol A. Newsom explores the assumptions that govern ancient Israelite views of the self and its moral agency before the fall of Judah, as well as striking developments during the Second Temple period. She demonstrates how the collective trauma of the destruction of the Temple catalyzed changes in the experience of the self in Israelite literature, including first‑person-singular prayers, notions of self‑alienation, and emerging understandings of a defective heart and will. Examining novel forms of spirituality as well as sectarian texts, Newsom chronicles the evolving inward gaze in ancient Israelite literature, unveiling how introspection in Second Temple Judaism both parallels and differs from forms of introspective selfhood in Greco‑Roman cultures.