The Stalin Era

This book provides a wide-ranging history of every aspect of Stalin's dictatorship over the peoples of the Soviet Union. Drawing upon a huge array of primary and secondary sources, The Stalin Era is a first-hand account of Stalinist thought, policy and and their effects. It places the man and his ideology into context both within pre-Revolutionary Russia, Lenin's Soviet Union and post-Stalinist Russia. The Stalin Era examines: * collectivisation * industrialisation * terror * government * the Cult of Stalin * education and Science * family * religion: The Russian Orthodox Church * art and the state.

Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.

This book brings together for the first time a collection of essays by western scholars about women in the Stalin era (1928-53). It explores both the realities of women's lived experience in the 1930s and 1940s, and the various forms in which womanhood and femininity were represented and constructed in these decades. Women in the Stalin Era challenges the scholarly neglect women's history has suffered at the hands, and pens, of Russian and western historians of the Stalin period.

Covering topics such as the Soviet monopoly over information and communication, violence in the gulags, and gender relations after World War II, this festschrift volume highlights the work and legacy of Sheila Fitzpatrick offers a cross-section of some of the best work being done on a critical period of Russia and the Soviet Union.

Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

This book looks at the entire Stalin era, and includes chapters on ideology, politics, economic development, social change, nationalities, culture and external relations. The final chapter deals with the Great Terror.

Since 1978, Anders Åman has been researching, photographing, and documenting the architectural style known as Socialist Realism. In the midst of the current statue toppling, this book records in over 200 illustrations the government-planned buildings, cities, parks, and monuments from the Stalinist postwar period in Eastern Europe, providing a valuable record and analysis of the relation between architecture and the state in Poland, Czechoslovakia, Hungary, Romania, Bulgaria, and former East Germany. Very little has been written on architecture and politics during the Cold War period for any country, and next to nothing is known about the architecture, or about state policies reflected in the architecture, of Eastern Europe. Åman not only illuminates these issues but also reveals the influence they had on the course of architectural history in the West. Following an overview of the Stalinist era and the ideological spread of Socialist Realism, Åman investigates several buildings in detail monumental structures such as the Palace of Culture in Warsaw and Stalinallee in East Berlin - and the socialist cities of Stalinstadt, Nowa Huta, Szt & a ́linv & a ́ros, and Dimitrovgrad. Sketching the lives of eight selected architects, he illuminates how their profession was affected by Socialist Realism. Åman also takes up such political works of art as the influential Polish painting "Pass me a brick!" and the Stalin monuments in Budapest and Prague, noting that even as history is being obliterated, Socialist Realism remains a key to understanding pictorial art and the built environment in Eastern Europe. He concludes with a discussion of how architecture is related to political ideologies. Anders Åman is Professor of the History and Theory of Art at Ume & a ́ University, Sweden. An Architectural History Foundation Book