The Statue In The Air

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Have you ever flown into New York City and marveled out the plane windows at the incredible view of the skyline from the air? With unprecedented access from both helicopter and rooftop vantages, here are 200 of the most stunning, never-before-seen New York City photographs ever assembled. From sunrise to sunset, New York City is the most photographed city in the world. No other city is captured more each year, anywhere. Award-winning photographer Paul Seibert takes us on a breath-taking journey high above New York, from sweeping panoramic views to details of the architecture that make the city a photographer’s dream. Seibert’s years as the official photographer for FlyNYON helicopter tours allowed him to know where and when to be for the most extraordinary light. Seibert brings his unique and unmatched aerial vistas of New York City to life—every angle, every moment, every season. Tourists and native New Yorkers alike will see New York for the first time, all over again.

While discussions in the field of Irish Studies traditionally gravitate towards themes of struggle, oppression and death, the present book originates from a contradictory impulse. Without losing sight of Ireland’s troubled history and the complexities that shape its present, it centres on instances of playfulness, light(ness) and air in Irish literature and culture. Refracted through the prism of contemporary philosophy (notably of Italo Calvino, Luce Irigaray and María Lugones), these categories serve as the basis for thirteen essays by academics from Poland, the UK, Germany and Spain. Some of these offer fresh readings of such seminal authors as W. B. Yeats, Louis MacNeice, Seamus Heaney and John Banville; others look at lesser-known figures, such as Eimar O’Duffy and Forrest Reid, who, before now, have received little scholarly attention.

While our physical surroundings fashion our identities, we, in turn, fashion the natural elements in which or with which we live. This complex interaction between the human and the non-human already resonated in Shakespeare's plays and poems. As details of the early modern supra- and infra-celestial landscape feature in his works, this dictionary brings to the fore Shakespeare's responsiveness to and acute perception of his 'environment' and it covers the most significant uses of words related to this concept. In doing so, it also examines the epistemological changes that were taking place at the turn of the 17th century in a society which increasingly tried to master nature and its elements. For this reason, the intersections between the natural and the supernatural receive special emphasis. All in all, this dictionary offers a wide variety of resources that takes stock of the 'green criticism' that recently emerged in Shakespeare studies and provides a clear and complete overview of the idea, imagery and language of environment in the canon.