The Stealers Of Light

Light has a fundamental role to play in our perception of the world. Natural or artificial lightscapes orchestrate uses and experiences of space and, in turn, influence how people construct and negotiate their identities, form social relationships, and attribute meaning to (im)material practices. Archaeological practice seeks to analyse the material culture of past societies by examining the interaction between people, things, and spaces. As light is a crucial factor that mediates these relationships, understanding its principles and addressing illumination's impact on sensory experience and perception should be a fundamental pursuit in archaeology. However, in archaeological reasoning, studies of lightscapes have remained largely neglected and understudied. This volume provides a comprehensive and accessible consideration of light in archaeology and beyond by including dedicated and fully illustrated chapters covering diverse aspects of illumination in different spatial and temporal contexts, from prehistory to the present. Written by leading international scholars, it interrogates the qualities and affordances of light in different contexts and (im)material environments, explores its manipulation, and problematises its elusive properties. The result is a synthesis of invaluable insights into sensory experience and perception, demonstrating illumination's vital impact on social, cultural, and artistic contexts.

This volume investigates identity discourses and self-constructions/de-constructions in various texts through imagological readings of films, narratives, and art works, examining different layers of cultural identities, on the one hand, and measuring the literary reception of ethnic identity constitution to reveal both the self and hetero images, on the other. The book features theoretical and analytical approaches with insights borrowed from multiple disciplines, and mainly focuses on the application of imagological perspectives in the fields of literature and translation, and specifically in literary works “carried over” from one culture to another. It will be of interest for scholars and researchers working in the fields of literature, translation, cultural studies, and imagology, as well as for students studying in these fields.

In the far future, the Doctor, Rose and Captain Jack find a world on which fiction has been outlawed. A world where it's a crime to tell stories, a crime to lie, a crime to hope, and a crime to dream. But now somebody is challenging the status quo. A pirate TV station urges people to fight back. And the Doctor wants to help until he sees how easily dreams can turn into nightmares. With one of his companions stalked by shadows and the other committed to an asylum, the Doctor is forced to admit that fiction can be dangerous after all. Though perhaps it is not as deadly as the truth. Featuring the Ninth Doctor as played by Christopher Eccleston, together with Rose and Captain Jack as played by Billie Piper and John Barrowman in the hit Doctor Who series from BBC Television.

Weyland has been at war. Invaded by a technologically advanced enemy, the cities sacked, and what fragile peace remained torn apart by a civil war. All anyone should want is a return to peace. But Jacob Carneham still wants his revenge; and if he can lure the invaders into the mountain he can have it. He can kill them all. If he does, there may never be peace again. If he doesn't, Weyland will never be free of the threat of invasion. The northern horse lords are planning an attack. A future Empress is fighting to save her daughter. Jacob's son is trying to restore peace and stability to Weyland, alongside the rightful King. And behind it all is a greater struggle, which may spell the end for them all . . .

This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light. Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.

Septern chooses to ignore the war which rages outside his borders and continues to train Balaia's young mages. For his students it is the opportunity of a lifetime. For Septern, it is peace from the demands of the colleges of magic while he continues his research. He needs peace because he is close to creating the ultimate spell.

Nexa Rhosly was transported to a different planet from her hometown in Rose Rock, Oklahoma. After waking up there, a mysterious girl in white appeared and told her that her questions will be answered by the rulers of this planet. As she got there, she met four boys named Henry, Danny, Lenny, and Marco, all of whom are half human, half creatures. Now they travel with her to other planets to find six gems that'll grant her wish, but they will encounter some enemies sent by an evil organization wanting to stop them from interfering with their plans, including an evil counterpart named Naman who's created by the organization to stop Nexa and the boys. Everything that Nexa would encounter will either be reality or a dream.