The Stolen Island Searching For Atu

‘What had happened to the stolen islanders? Had any survived slavery?’ One day in 1863 a strange ship stopped at ‘Ata, a tiny island in the wild seas between Tonga and New Zealand, and sailed away with one hundred and forty-four men, women and children. The ‘Atans were never heard from again, and in Tonga their fate became the subject of legends and superstitions. Uncovering the tragedy of ‘Ata takes Scott Hamilton on a journey to the kava circles and caves of Tonga and back to the streets of Auckland. The Stolen Island is a twenty-first century true sea story revealing slavers, mutinies, castaways, pirates and a cruel streak in Pacific history that is often overlooked but not forgotten.

One day in 1863 a strange ship stopped at `Ata, a tiny island in the wild seas between Tonga and New Zealand, and sailed away with one hundred and forty-four men, women and children. The `Atans were never heard from again, and in Tonga their fate became the subject of legends and superstitions. Uncovering the tragedy of `Ata takes Scott Hamilton on a journey to the kava circles and caves of Tonga and back to the streets of Auckland. The Stolen Island is a twenty-first century true sea story revealing slavers, mutinies, castaways, pirates and a cruel streak in Pacific history that is often overlooked but not forgotten.

Myths, stories and legends which once guided the lives of young Cook Islanders reveal a panorama of history, place names and genealogical identity. The mystique of the tales fascinated many young people who gathered around their elders to hear them illuminate the past.

A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance. First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern classics. Now fully revised and updated, this educational edition includes chapter summaries, comprehension questions, discussion points, classroom activities, a biographical profile of Golding, historical context relevant to the novel and an essay on Lord of the Flies by William Golding entitled 'Fable'. Aimed at Key Stage 3 and 4 students, it also includes a section on literary theory for advanced or A-level students. The educational edition encourages original and independent thinking while guiding the student through the text - ideal for use in the classroom and at home.

The book uncovers the versatility and literary skills of oral narrators in a small African island. Relying on the researches of three French ethnographers who interviewed storytellers in the 1970s-80s, Lee Haring shows a once-colonised people using verbal art to preserve ancient values in the postcolonial world, when the island of Mayotte was transforming itself from a neglected colony to an overseas department of France. The author’s innovation is to read ethnographic researches as play scripts—to see printed folktales as accounts of live performances. One storyteller after another comments symbolically on what it is like to be a formerly colonised population. Storytelling women, in particular, combine diverse plots and characters to create traditional-sounding stories, which could not have been predicted from the African, Malagasy, Indian, and European traditions coexisting in Mayotte. Haring’s account shows them to be particularly skilled at irony and ambiguity, conveying both submissive and rebellious attitudes in their tales. He makes Mayotte storytelling accessible to a new, English-speaking audience and demonstrates that traditional storytellers in those years were preserving, but also critiquing, their inherited social order in a changing world. Their creative intentions, cultural influences and widely different narrative styles constitute Mayotte’s system of the arts of the word. Literary specialists, folklore enthusiasts, and people who like reading stories will find much to appreciate in this engaging and sophisticated book.

This report examines the use of these entities in nearly all cases of corruption. It builds upon case law, interviews with investigators, corporate registries and financial institutions and a 'mystery shopping' exercise to provide evidence of this criminal practice.

Longlisted, Man Booker International Prize, 2018 Six-time Winner of the China Times Open Book Award and ‘Author of the Year’, Eslite Bookstore A writer embarks on an epic quest in search of his missing father’s stolen bicycle and soon finds himself caught up in the strangely intertwined stories of Lin Wang, the oldest elephant who ever lived, the soldiers who fought in the jungles of South-East Asia during the Second World War and the secret worlds of the butterfly handicraft makers and antique bicycle fanatics of Taiwan. The Stolen Bicycle is both a majestic historical novel and a profound, startlingly intimate meditation on memory, family and home. Award-winning novelist Wu Ming-Yi is also an artist, designer, photographer, literary professor, butterfly scholar, environmental activist, traveller and blogger, and is widely considered the leading writer of his generation in his native Taiwan. A long-time resident of Taipei, Darryl Sterk has interests in Taiwan’s local literature and indigenous cultures. He translated the first of Wu Ming-Yi’s novels to be published in English, The Man with the Compound Eyes. Taiwan Literary Award, 2015 (Taiwan) China Times Open Book Award (Six-time winner, including 2015) (Taiwan) Eslite Bookseller Award for Author of the Year, 2015 (Taiwan) Dream of the Red Chamber Award, Judge Recommendation 2016 (Hong Kong) UDN Grand Literary Award, 2016 (Taiwan) Publishers Weekly International Hot Book Properties, 2015 Turnaround Favourite Fiction of 2017 ‘A work of astonishing energy, in which Wu beautifully touches on loss, life and death, fate and destiny, establishing emotional connections between memory and objects, and between the natural world and war... a novel that provides comfort and reconciliation from a wounded past.’ Thinking Taiwan ‘The novel, inspired by his love for bicycles and Taiwanese history, brings readers back to a simpler time when life moved more slowly and people spent more time face-to-face with friends and neighbors. Riding a bike allowed people to appreciate and digest the details of the world around them.’ Taipei Times ‘A profoundly moving novel, such is the power of words and depth of feeling by Taiwanese author Wu Ming-Yi...He turns events into linguistic gold with his poetic, dreamlike language.’ Good Reading ‘A visionary ride through flame-scorched lands and machine-clutching trees and metamorphoses into metal and earth..."World is crazier and more of it than we think,/Incorrigibly plural", Louis MacNeice wrote...Multiply that by 10 or so and you get some sense of Wu’s astonishing, often-affecting kaleidoscope.’ NZ Listener ‘Unusual insights and vividly observed detail abound in this witty and sensitive story.’ Toowoomba Chronicle ‘Beautifully written and beautifully translated. . . . [Ming-Yi] guides us to see the entirety of experience as bumping flotsam in an unending ocean of life colliding and making a mess of things or making something new. . . . Lyric, simple, soft, the story crests and recedes and comes back again.’ The Bloomington Sun-Current ‘Offering a heady dose of realism, surrealism, and magic realism, with several shots of allegory, award-winning Chinese author Wu [Ming-Yi] offers a work for ‘literary fiction’ readers, but not in the snobbish sense. It’s really for any curious, intelligent reader.’ STARRED review, Library Journal ‘The authors uses conversation, flashbacks of memory, war diaries, memoir and voice recordings to create a network of literary tributaries in bringing together this ambitious, far-reaching narrative that touches so many unique aspects of Taiwan’s history, culture, development and influences.’ Word by Word