The Strange Life Of Charles Waterton 1782 1865

"From 1782 to 1865 there lived, mainly at Walton Hall in the county of Yorkshire in England, a man whose name was Charles Waterton. He was the Last Great Eccentric. Squire Waterton was also a farmer, a naturalist, and such a traveler as only an Englishman can be. His whole life made a pattern of odd adventure, some of whose highlights were his encounters with a boa constrictor, which he disposed of by a punch to the jaw; with a crocodile, which he rode up and down the Essequibo River; and with an unfortunate donkey. which he first poisoned experimentally with curare and then revived by means of a bellows..." -- Book Jacket.

Charles Waterton was the first conservationist who fought to protect wild nature against the destruction and pollution of Victorian industrialisation. During his lifetime he was famous for his eccentricities, but also for his achievements and his opinions. A Yorkshire landowner, he turned his park into a sanctuary for animals and birds. As an explorer he learned to survive in the tropical rain forests of South America without a gun or the society of other white men. He was an authority on the poisons used by South American Indians and a taxidermist of note. The huge public that read his books included Dickens, Darwin and Roosevelt. Since his death the memory of Waterton's personal eccenticities has flourished, while the originality of his ideas and work has often suffered. Using his surviving papers, Julia Blackburn has redressed the balance in a biogr aphy that restores Waterton to his place as the first conservationist of the modern age.

The story of Richard Aldington, outstanding Imagist poet and author of the bestselling war novel Death of a Hero (1929), takes place against the backdrop of some of the most turbulent and creative years of the twentieth century. Vivien Whelpton provides a remarkably detailed and sensitive portrayal of the writer from the age of thirty-eight to his death from a heart attack in 1962. The first volume, Richard Aldington: Poet, Soldier and Lover, described Aldington's life as a stalwart of the pre-war London literary scene, his experience as an infantryman on the Western Front and his postwar personal and creative crises; this second volume seeks to balance the stories of Aldington's subsequent public and private lives through a careful reading of his novels, poems and letters with his circle of acquaintances. The ways in which Aldington's dysfunctional childhood and survivor's guilt continued to haunt him through the inter-war years and beyond are masterfully untangled by an authorwith gifted psychological insight into her subject. Volume Two covers Aldington's personal and public lives as he transformed himself from poet to novelist and from novelist to biographer and explores his debacles and triumphs, particularly in the wake of his hugely controversial attack on the reputation of T.E. Lawrence. This authoritative biography recounts the life of one of the most underrated writers of the last century.

The concept of eccentricity was central to how people in the 19th century understood their world. This book explores how, from the turn of the century, discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order.

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals

From contemporary deployments of taxidermy, magic lanterns and microscopy to the visualization of forgotten lives, marginalized narratives and colonial histories, this book explores how the work of artists including Mat Collishaw, Yinka Shonibare, Tessa Farmer, Mark Dion, Dorothy Cross and Ingrid Pollard reimag(in)es the Victorians in the ‘present’. Examining how recent paintings, sculptures, photographs, installations and films revisit and re-present nineteenth-century technologies, practices and events, the book’s rich interdisciplinary approach applies literary, media and linguistic theories to its analysis of visual art, alongside in-depth discussions of the Victorian inventions, concepts and narratives that they invoke. The book’s emphasis on how – and why – we represent the historical past makes its contribution particularly timely. And by drawing attention to the importance of historiography to the work of these artists, it also unravels the complicated history of History itself. This book will speak to diverse audiences including those interested in art history, visual culture, Victorian and neo-Victorian studies, as well as literature, histories of science and media, postcolonialism, museology, gender studies, postmodernism and the history of ideas.