The Subject Of Experience

This book considers the conscious subject, the subject of experience, in particular the human subject-the self, the person. Galen Strawson examines the phenomenology of the self-he asks what is it like to have or be a self or to feel that one is or has a self-and the metaphysics of the self-Is there really such a thing as the self? If so, what is its nature? He develops a novel approach to the metaphysical questions out of the results of the phenomenological investigation, and argues, against those who say that the self is just the human being, that we can legitimately distinguish self and human being. At the same time he raises doubts about how long selves can be supposed to last, insofar as they are distinct from human beings. Moving on to the ethics and moral psychology of the self, Strawson asks whether we can really be said to lose anything in dying. He criticizes the popular notion of the narrative self, and emphasizes the differences between 'Endurers' or 'Diachronics'-people who feel that they are the same person when they consider their past and future-and 'Transients' or 'Episodics'-people who do not feel this. Strawson also considers the logic of the word T, the first-person pronoun, and the reflexive structure of conscious awareness, before examining Locke's, Humes and Kant's accounts of the mind and personal identity, and arguing that Locke and Hume have been badly mi sunder stood. The fourteen essays draw on literature and psychology as well as philosophy. Book jacket.

The Subject of Experience is about the self, the person. It takes the form of a series of essays which draw on literature and psychology as well as philosophy. Galen Strawson discusses the phenomenology or experience of having or being a self (What is the character of self-experience?) and the fundamental metaphysics of the self (Does the self exist? If so, what is its nature? How long do selves last?): he develops an approach to the metaphysical questions out of the results of the phenomenological investigation. He argues that it is legitimate to say that there is such a thing as the self as distinct from the human being. At the same time he raises doubts about how long selves can be supposed to last, insofar as they are distinct from human beings. He also raises a doubt about whether a self (or indeed a human being) can really be said to lose anything in dying. He criticizes the popular notion of the narrative self, and considers the differences between 'Endurers' or 'Diachronic' people, who feel that they are the same person when they consider their past and future, and 'Transients' or 'Episodic' people, who do not feel this. He considers the first-person pronoun 'I' and a number of puzzles raised by the phenomena of self-reference and self-knowledge. He examines Locke's, Hume's and Kant's accounts of the mind and personal identity, and argues that Locke and Hume have been badly misunderstood.

This innovative study proposes and explores a distinctly non-Cartesian dualism of self and body.

A book that produces sensory experiences while bringing the concept of experience itself into relief as a subject of criticism and an object of contemplation. Experience offers a reading experience like no other. A heat-sensitive cover by Olafur Eliasson reveals words, colors, and a drawing when touched by human hands. Endpapers designed by Carsten Höller are printed in ink containing carefully calibrated quantities of the synthesized human pheromones estratetraenol and androstadienone, evoking the suggestibility of human desire. The margins and edges of the book are designed by Tauba Auerbach in complementary colors that create a dynamically shifting effect when the book is shifted or closed. When the book is opened, bookmarks cascade from the center, emerging from spider web prints by Tomás Saraceno. Experience produces experience while bringing the concept itself into relief as an object of contemplation. The sensory experience of the book as a physical object resonates with the intellectual experience of the book as a container of ideas. Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historians, and neuroscientists, each of whom explores aspects of sensorial and cultural realms of experience. The texts include new essays written for this volume and classic texts by such figures as William James and Michel Foucault. The first publication from MIT's Center for Art, Science, & Technology, Experience approaches its subject through multiple modes. Publication design by Kimberly Varella with Becca Lofchie, Content Object Design Studio. Cover concept by Olafur Eliasson in collaboration with Kimberly Varella (Content Object). Contributors Tauba Auerbach, Bevil Conway, John Dewey, Olafur Eliasson, Michel Foucault, Adam Frank, Vittorio Gallese, Renée Green, Stefan Helmreich, Carsten Höller, Edmund Husserl, William James, Caroline A. Jones, Douglas Kahn, Brian Kane, Leah Kelly, Bruno Latour, Alvin Lucier, David Mather, Mara Mills, Alva Noë, Jacques Rancière, Michael Rossi, Tomás Saraceno, Natasha Schüll, Joan W.Scott, Tino Sehgal, Alma Steingart, Josh Tenenbaum, Rebecca Uchill

Traditional psychoanalysis views relationships as forged through individual drives--a satisfaction and fulfillment of needs and desires. Rucker and Lombardi contend, however, that all relationships cannot be explained so simply; rather, they argue that human relationships carry meanings which cannot be reduced solely to the psychic contributions of each of the individuals involved. Instead, Subject Relations discusses the existence of a related unconscious rooted in mutual subjective experience. The authors cite numerous clinical examples that show how the unconscious material generated by human interrelatedness comes to light. Drawing on the work of Matte-Blanco as well as traditional object relations theorists such as Melanie Klein, D.W. Winnicott, and Thomas Ogden, the authors examine how identifications that exist through unconscious processes manifest themselves in psychoanalytic theory and practice.

In The Subject of Aesthetics Tone Roald develops a psychology of art based on people’s descriptions of their own engagement with visual art

Experience and Education is the best concise statement on education ever published by John Dewey, the man acknowledged to be the pre-eminent educational theorist of the twentieth century. Written more than two decades after Democracy and Education (Dewey's most comprehensive statement of his position in educational philosophy), this book demonstrates how Dewey reformulated his ideas as a result of his intervening experience with the progressive schools and in the light of the criticisms his theories had received. Analyzing both "traditional" and "progressive" education, Dr. Dewey here insists that neither the old nor the new education is adequate and that each is miseducative because neither of them applies the principles of a carefully developed philosophy of experience. Many pages of this volume illustrate Dr. Dewey's ideas for a philosophy of experience and its relation to education. He particularly urges that all teachers and educators looking for a new movement in education should think in terms of the deeped and larger issues of education rather than in terms of some divisive "ism" about education, even such an "ism" as "progressivism." His philosophy, here expressed in its most essential, most readable form, predicates an American educational system that respects all sources of experience, on that offers a true learning situation that is both historical and social, both orderly and dynamic.

"Brilliant...as audacious as its title....Mr. Dennett's exposition is nothing short of brilliant." --George Johnson, New York Times Book Review Consciousness Explained is a a full-scale exploration of human consciousness. In this landmark book, Daniel Dennett refutes the traditional, commonsense theory of consciousness and presents a new model, based on a wealth of information from the fields of neuroscience, psychology, and artificial intelligence. Our current theories about conscious life-of people, animal, even robots--are transformed by the new perspectives found in this book.