The Sugar King Of Havana

"Fascinating...A richly detailed portrait." -Michiko Kakutani, The New York Times Known in his day as the King of Sugar, Julio Lobo was the wealthiest man in prerevolutionary Cuba. He had a life fit for Hollywood: he barely survived both a gangland shooting and a firing squad, and courted movie stars such as Joan Fontaine and Bette Davis. Only when he declined Che Guevara's personal offer to become Minister of Sugar in the Communist regime did Lobo's decades-long reign in Cuba come to a dramatic end. Drawing on stories from the author's own family history and other tales of the island's lost haute bourgeoisie, The Sugar King of Havana is a rare portrait of Cuba's glittering past—and a hopeful window into its future.

Documents the career of an influential Cuban sugar magnate whose life mirrored the turbulent course of post-independence Cuba's republic, discussing his celebrity affairs, brushes with death, and strained relationship with Che Guevara.

"Fascinating...A richly detailed portrait." -Michiko Kakutani, The New York Times Known in his day as the King of Sugar, Julio Lobo was the wealthiest man in prerevolutionary Cuba. He had a life fit for Hollywood: he barely survived both a gangland shooting and a firing squad, and courted movie stars such as Joan Fontaine and Bette Davis. Only when he declined Che Guevara's personal offer to become Minister of Sugar in the Communist regime did Lobo's decades-long reign in Cuba come to a dramatic end. Drawing on stories from the author's own family history and other tales of the island's lost haute bourgeoisie, The Sugar King of Havana is a rare portrait of Cuba's glittering past—and a hopeful window into its future.

A novel about the murder of a Russian man in Cuba.

Roberto "Bobby" Maduro (1916-1986) was a visionary baseball team owner and executive. His dedication to promoting the game internationally from the 1950s through the 1970s remains unrivaled. He headed Havana-based clubs in the Cuban Winter League and teams in the U.S. minor leagues, which helped brand Caribbean baseball in the eyes of North American fans. He co-built the first million-dollar ballpark in Latin America. His Havana stadium was confiscated by Castro's revolution, along with all his accumulated wealth. Maduro began a new life in exile in the U.S., first as a minor league owner, then as a front office executive. He founded the short-lived Inter-American League in 1979, composed of five Caribbean-basin teams and one U.S. entry from his adopted hometown of Miami. Commissioner Bowie Kuhn said of his many achievements, "No one was more dedicated, more knowledgeable or more concerned about the game than Bobby Maduro."

“This evocative memoir is a joyous, rhythmic history” of the 11-sister dance band that broke musical and cultural barriers in 1930s Cuba and beyond (Publishers Weekly). In the 1930s, Havana was the place to be for tourists, ex-pats, celebrities, and excitement-seekers. Nights were filled with drinking, dancing, romance, and the roar of infectious music spilling from cafés into the streets. It was a time and place immortalized by Hemingway, and a macho mecca where only men took the stage. That is until Alicia Castro, a thirteen-year-old greengrocer’s daughter, picked up a saxophone and led her sisters into the limelight. With infectious melodies and saucy lyrics, the Sisters Castro—professionally known as Anacaona—became a dance-band of irresistible force. In her jubilant memoir, Queens of Havana, Alicia Castro tells of her incredible rise beyond her native city, to international stardom—swinging alongside legends from Dizzy Gillespie and Celia Cruz to Duke Ellington and Cab Calloway. In an age that insisted women be seen and not heard, Alicia Castro and her unstoppable sisters grabbed the world by the ears and got it dancing to their beat. At eighty-seven-years old, Alicia’s stories are intoxicating and gloriously punctuated with more than 100 vintage photos, posters, and other memorabilia in a book that “reverberates with exotic echoes of a fabulous long-ago era” (Publishers Weekly).

A “darkly hilarious” (Elle) novel about a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge by the National Book Award finalist Cristina García, this “clever, well-conceived dual portrait shows what connects and divides Cubans inside and outside of the island” (Kirkus Reviews). Vivid and teeming with life, King of Cuba transports readers to Cuba and Miami, and into the heads of two larger-than-life men: a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. García’s masterful twinning of these characters combines with a rabble of other Cuban voices to portray the passions and realities of two Cubas—on the island and off— in a pulsating story that entertains and illuminates.

In this award-winning environmental history of Cuba since the age of Columbus, Reinaldo Funes Monzote emphasizes the two processes that have had the most dramatic impact on the island's landscape: deforestation and sugar cultivation. During the first 300 years of Spanish settlement, sugar plantations arose primarily in areas where forests had been cleared by the royal navy, which maintained an interest in management and conservation for the shipbuilding industry. The sugar planters won a decisive victory in 1815, however, when they were allowed to clear extensive forests, without restriction, for cane fields and sugar production. This book is the first to consider Cuba's vital sugar industry through the lens of environmental history. Funes Monzote demonstrates how the industry that came to define Cuba--and upon which Cuba urgently depended--also devastated the ecology of the island. The original Spanish-language edition of the book, published in Mexico in 2004, was awarded the UNESCO Book Prize for Caribbean Thought, Environmental Category. For this first English edition, the author has revised the text throughout and provided new material, including a glossary and a conclusion that summarizes important developments up to the present.