The Supervillain Book

As witty as it is heartpounding, this fresh take on the beloved superhero genre is all about finding your own way to shine even when it seems everyone else around you is, well... super. Never trust a guy in spandex. In Abby Hamilton’s world, superheroes do more than just stop crime and save cats stuck in trees—they also drink milk straight from the carton and hog the television remote. Abby’s older brother moonlights as the famous Red Comet, but without powers of her own, following in his footsteps has never crossed her mind. That is, until the city’s newest vigilante comes bursting into her life. After saving Abby from an attempted mugging, Morriston’s fledgling supervillain Iron Phantom convinces her that he’s not as evil as everyone says, and that their city is under a vicious new threat. As Abby follows him deeper into their city’s darkest secrets, she comes to learn that heroes can’t always be trusted, and sometimes it’s the good guys who wear black. Chosen by readers like you for Macmillan's young adult imprint Swoon Reads, The Supervillain and Me is a hilarious, sweet, and action-packed novel by debut author Danielle Banas that proves no one is perfect, not even superheroes. Praise for The Supervillain and Me: "Get ready for a wild ride in this zany, high-action thriller." —Booklist "Banas adeptly keeps readers guessing about Iron Phantom’s identity and provides plenty of romantic tension, which will satisfy even die-hard fans of the genre." —School Library Journal "Hilarious ... A zany, action-packed adventure." —VOYA

In this rollicking middle-grade adventure and national bestseller, Michael Fry's witty text and hysterical artwork combines superhero action with classic fish-out-of-water humor. Victor Spoil comes from a long line of famous supervillains and he's fully expected to join their ranks one day. But to his family's utter disappointment, Victor doesn't have a single bad-guy bone in his body. He won't run with scissors, he always finishes his peas, and he can't stand to be messy. Hopeless! As a last-ditch effort before they give up and let him be a -- gasp! -- civilian, Victor's exasperated parents send him to apprentice under a disgraced supervillain called The Smear. This matchup starts off as a complete disaster, but Victor and The Smear eventually find that they have a lot to learn from each other. When the stakes get high as Victor is forced to choose between his mentor and his family morals (or lack thereof) . . . what will the world's nicest bad guy do?

Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.

Victor Spoil realizes he's not cut out for life as a supervillain and instead decides to be...a librarian. Little does he know that librarians are a kick-butt secret society who will stop at nothing to control---and shush---the world! It's time for Victor Spoil to hang up his cape. After trying to be the supervillain his diabolical parents always wanted, it's time he followed his own dream to become a librarian. As a nice guy who likes quiet and order, Victor knows he'll be happy reading books for the rest of his life. But when his library is suddenly attacked by robot ninjas and he sees his boss leap into battle, Victor learns that librarians are actually a secret league working to bring order to the whole world. It all sounds wonderful to Victor...until he finds out that his friends are planning to destroy the librarians' plan for peace. Who's right and who's wrong? Sometimes it's hard to tell if you're a good guy...or a supervillain.

The oddest supervillains in comics history, in one amazing art-filled collection of overlooked crooked characters. From the golden age to the modern graphic novel, comic book superheroes need villains to battle. This collection affectionately spotlights the most ridiculous, bizarre, and cringe-worthy ever published, from fandom favorites like MODOK and Egg Fu to forgotten weirdos like Brickbat (choice of weapon: poison bricks). Casual comics readers and diehard enthusiasts alike will relish the hilarious commentary by author Jon Morris and vintage art from obscure old comics.

In a world where 'human' is only the beginning, and people can become something more, some will rise above, and become superheroes. But for every hero, there must be a villain. What drives someone to become a supervillain, and take on the heroes of the world? What would the life of someone who has accepted that they are no longer part of 'normal' society and devotes themselves to their own dreams and goals be like? What if a supervillain decided to write his memoirs, and speak about all these things?This is the memoir of the Supervillain known to the world as Iceblade. It chronicles his achievements and his failures, his loves and his losses. Learn about the theft of the Mona Lisa, the subjugation of Lady Victory, and the slaughter of the Holy Order of the Word. Hear for the first time about the death of Bytegeist. All from the point of view of the man himself.-----------------------------------------------------The setting is a world of superheroes and sci-fi, and our main character who may not be the most powerful out there, but is willing to do whatever it takes to win. No matter the cost. He is not a hero. He is not an anti-hero. He is not a vigilante. He is a villain, and knows what he is. He is amoral but ethical.Rated R: Definite language, violence, gore, sex, and all the horrible things that can happen in the world. If you have triggers, consider this your warning.

Everything you ever wanted to know about the bad guys in comics, film, and television! A must-read for anyone who was ever enthralled with mythic wickedness, The Supervillain Book: The Evil Side of Comics and Hollywood exhaustively explores the extraordinary lives and careers of hundreds of overachieving evildoers. Drawing from sources in comic books, film, live-action and animated television, newspaper strips, toys, and manga and anime, it is the definitive guide to nefarious masterminds, mad scientists, and destructive dominators who have battled super- and other fictional heroes. The Supervillain Book investigates each character’s origin, modus operandi, costumes, weapons and gadgetry, secret hideouts, chief henchmen, and minions, while serving up a supersized trove of fascinating trivia. It also takes you behind the scenes, describing the creation and development of these marvelously malicious, menacing, and malevolent characters. With 350 entries on pop culture’s most malicious evildoers, this comprehensive resource also includes 125 illustrations, a helpful resource section, and an extensive index, adding to its usefulness. What would a good guy be without the bad guy? Boring. You won’t be bored with this indispensable guide to the wicked world of supervillains!

Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.