The Survivor S Saga

While alien Agents stalk the earth, a team of exhausted scientists and military outcasts struggle to fight them amongst a planet on the brink. The brink of plague, the brink of war, and the brink of an invasion larger than they can possibly imagine.But they have allies. Two of the alien Agents have forsaken their homes, their families, their very species to stop the greatest act of genocide any of them has ever known. John and Shahim have great abilities. They carry with them the knowledge we need to save humanity and take us into a new and marvelous age.But Lana and the remaining enemy Agents are far from defeated. As they begin to reap havoc among the diseased and bereft, Neal, Ayala, and Barrett must find a way to achieve the impossible, by fair means or foul they must unite the world's disparate nations. And they must do so quickly.For the Armada is fast approaching, and behind the great fires of their decelerating engines, the huge fleet is readying itself for war.

Kashmir in 1406 is in deep throes. The native people are uncertain in deciding whether they should stay in their land or leave. At that time, Sikander, a zealot of the Sultan dynasty, embarked on a secret plan and ordered to kill his subjects if they refused to get converted to his religion en masse while staying in his dynasty. In this bewilderment, the decision-making propensity of the Hindus falters, and they prosecute different paths for survival which ends up in their massacre and expulsion a young woman, Srisobha, who proffers to marry the Sultan against the resentment of her conservative society, to save the people from getting killed or converted. The brutal king on the advice of his apostate minister ignores her and exiles her only to be saved by the military commander picked by him from the Damara community. This is a tragic story of a ferocious king victimizing his subjects, committing crimes atrociously. "Count The Survivors" is a saga of betrayal, love, longing and under hand plotting and inhumanity by a merciless king. This story, depicting the medieval Kashmir, narrates the suffering of its natives at the hands of a psychopathic king.

‘The Survivors of the Chancellor’ is a tale of shipwreck, betrayal, and intrigue. Written as journal entries from the perspective of passenger, JR Kazallon, the story starts innocently enough. Kazallon has decided to return to Liverpool from the United States and has booked passage on a ship, ‘The Chancellor.’ However, once the ship catches fire, Kazallon and his co-passengers must face all the dangers on, above, and below the unforgiving Atlantic Ocean. A masterful exploration of the lengths that people will go to to survive, ‘The Survivors of the Chancellor’ is a tense and gripping read. Jules Verne (1828 – 1905) was a French author, whose works are thought to have seen the beginnings of the science-fiction genre. During his career, Verne wrote more than 60 novels, 54 of which were part of the ‘Extraordinary Voyages’ series. Many f his famous works have been adapted for film and television, including ‘The Invisible Man,’ starring Elizabeth Moss,’20,000 Leagues Under the Sea,’ starring James Mason, and ‘Journey to the Center of the Earth,’ starring Brendan Fraser.

Inherited through the line of the berserker Angantýr and his war-loving daughter Hervor, the ever-lethal, shining sword Tyrfing and its changes of hands frame the uncanny story of The Saga of Hervor and Heiđrek. A second heroic saga, Hrólf Kraki and His Champions, recounts the daring deeds of the members and entourage of the ancient Danish house of Skjoldung. Passed down orally in pre-Christian Norse times, transmitted in writing in medieval Iceland, and here wielded by the hand of Jackson Crawford, the tales told in this volume retain their sharp edges and flashes of glory that never fail to slay.

Unique among the Icelandic sagas, part-history, part-fiction, the Saga of the Jómsvikings tells of a legendary band of vikings, originally Danish, who established an island fortress of the Baltic coast and launched and ultimately lost their heroic attack on the pagan ruler of Norway in the late tenth century. The saga's account of their stringent warrior code, fatalistic adherence to their own reckless vows and declarations of extreme courage as they face execution articulates a remarkable account of what it meant to be a viking. This translation presents the longest and earliest text of the saga, never before published in English, with a full literary and historical introduction to this remarkable work.

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The Norse men and women who sailed to Iceland brought stories with them-stories of their lives and their ancestors, passed down for centuries, going back in time to great Vikings, legendary heroes, and even the ancient gods and goddesses. A new wave of stories entered with Christianity-stories of exotic lands and beasts, of saints and holy men facing demons and monsters. A third wave of stories came to Iceland via Norway, whose king had commissioned translations of tales of chivalry-of the courtly love of gallant knights and beautiful ladies. And all of these blended together in Iceland, creating swashbuckling sagas unlike any other medieval literature. This book presents eleven sagas and six shorter texts tracing the growth of these sagas of adventure, from Norse legends of King Half and Asmund Champion's Bane, to the life of the Apostle Bartholomew, to tales of Parceval and King Arthur, to the sagas of heroes like Vilmund the Outsider and Yngvar the Far-Traveler and Samson the Fair.

Historians spend a lot of time thinking about violence: bloodshed and feats of heroism punctuate practically every narration of the past. Yet historians have been slow to subject 'violence' itself to conceptual analysis. What aspects of the past do we designate violent? To what methodological assumptions do we commit ourselves when we employ this term? How may we approach the category 'violence' in a specifically historical way, and what is it that we explain when we write its history? Astonishingly, such questions are seldom even voiced, much less debated, in the historical literature. Violence and Risk in Medieval Iceland: This Spattered Isle lays out a cultural history model for understanding violence. Using interdisciplinary tools, it argues that violence is a positively constructed asset, deployed along three principal axes - power, signification, and risk. Analysing violence in instrumental terms, as an attempt to coerce others, focuses on power. Analysing it in symbolic terms, as an attempt to communicate meanings, focuses on signification. Finally, analysing it in cognitive terms, as an attempt to exercise agency despite imperfect control over circumstances, focuses on risk. Violence and Risk in Medieval Iceland explores a place and time notorious for its rampant violence. Iceland's famous sagas hold treasure troves of circumstantial data, ideally suited for past-tense ethnography, yet demand that the reader come up with subtle and innovative methodologies for recovering histories from their stories. The sagas throw into sharp relief the kinds of analytic insights we obtain through cultural interpretation, offering lessons that apply to other epochs too.