The Sword Of Luchana

The Sword of Luchana is the first full-length biography of Baldomero Espartero, the most important figure in Spain's modern history.

Born into obscurity in a rural backwater of central Spain in the waning years of the eighteenth century, Baldomero Espartero (1793–1879) led a life resembling that of a character created by Stendhal or Gabriel García Márquez. As a seventy-five-year-old man he was offered – and turned down – the throne of an industrializing nation. During his illustrious life, he fought against Napoleon, Simón Bolívar, and other Latin American independence leaders; won a seven-year civil war; served as regent for the child queen Isabella II; and spent years in exile in England. He governed as prime minister and also received multiple noble titles, including that of prince, which was normally reserved for members of the royal family. By his sixties, Espartero represented an almost mythical figure. Based on comprehensive archival research in Spain, Argentina, and the United Kingdom, The Sword of Luchana explores the public and private lives of this archetypal nineteenth-century hero. Adrian Shubert gives voice to the mass of ordinary Spaniards who revered Espartero as the embodiment of liberty and freedom, and to Jacinta Martínez de Sicilia y Santa Cruz, his wife of more than fifty years who played a key role in his public career. Including unprecedented access to Espartero’s personal papers, and set against the background of wars and revolutions in Spain and its American empire, The Sword of Luchana is a compelling account of the history of a crucial period of war, revolution, and political and social change.

Fashioning Spanish Cinema provides a critical examination of the intersections between fashion, costume design, and Spanish cinema.

Portraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.

Religion and politics have historically clashed in modern Spain but the complexity of the controversial and sometimes violent relationships between Catholic values and modern political regimes continue to ride a precarious line of spiritual accommodation versus public policy. Leading experts on religious Spanish tradition and recent historiographic findings set out to define and interrogate grey areas in the last two centuries beyond the reductive conventional notion of an ever-warring "Two Spains." The Soul of the Nation unravels the role of religion in the country's public life following the imperial crisis of 1808 when the Catholic Monarchy put the role of the Church at heart of political and cultural debates.

A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929. Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and planetary framework, including divergent experiences of modernity, forms of experimental poetics, and understandings of history. It sheds light on topics, such as the relation between Portuguese futurism and European colonialism in West Africa, the Latin American avant-garde’s critique of European historicism, the development of Brazilian modernism in relation to the European avant-garde, the comparative poetics of modernism in the Philippines, and the 1929 Barcelona World’s Fair. Grounded in extensive archival research, A Planetary Avant-Garde provides a new understanding of the historical avant-garde from a global and multilingual perspective.