The Tears Of Eros

The Tears of Eros is the culmination of Georges Bataille's inquiries into the relationship between violence and the sacred. Taking up such figures as Giles de Rais, Erzebet Bathory, the Marquis de Sade, El Greco, Gustave Moreau, Andre Breton, Voodoo practitioners, and Chinese torture victims, Bataille reveals their common obsession: death. This essay, illustrated with artwork from every era, was developed out of ideas explored in Erotism: Death and Sexuality and Prehistoric Painting: Lascaux or the Birth of Art. In it Bataille examines death--the ""little death"" that follows sexual climax, the proximate death in sadomasochistic practices, and death as part of religious ritual and sacrifice. Georges Bataille was born in Billom, France, in 1897. He was a librarian by profession. Also a philosopher, novelist, and critic he was founder of the College of Sociology. In 1959, Bataille began The Tears of Eros, and it was completed in 1961, his final work. Bataille died in 1962.

Keuze uit het werk van de Franse filosoof (1897-1962).

A concise guide to the life and work of the French intellectual Georges Bataille, best known as the author of the celebrated The Story of the Eye.

Death, my dear, is only the beginning... Freud once theorized that human beings are subject to two drives: love (Eros) and death (Thanatos). While his psychoanalytic theory has long been expanded upon, no one can argue how fundamental love and death is to our existence. Within this collection are twelve stories that explore the fine line between these concepts. It also features a diverse group of authors whose often unheard voices tell stories of resilience, strength, and triumph through tragedy. Haunting as any Quill & Crow anthology, these stories seek to intrigue, inspire, and give a whole new meaning to "until death do us part."

Artist, writer and skateboarder Mark Gonzales is always in motion and his work is a real-time product of that unceasing movement. His visual output ranges from drawings and paintings to dolls and in this case, photographs taken with that contemporary equivalent of the Kodak Brownie, the cell phone. This collection of Gonzales' cell-phone pictures takes Jerry Chadwick's poem "Instead of Eros avenged" as its starting point. The photographs depict a life of joyful and chaotic spontaneity, showing Gonzales posing with fans, hanging out with family and friends and performing wallrides.

When Sartre referred to Georges Bataille as a "new mystic," he meant the label as an insult. Sartre considered mysticism to be a less rigorous mode of inquiry than philosophy—especially dangerous where the writings of mystics adapt philosophical terminology for different purposes. In Georges Bataille and the Mysticism of Sin, Peter Connor argues that literary scholars, eager to represent Bataille as a philosopher or as an early deconstructionist, have tended to neglect or misunderstand Bataille's interest in mysticism. Connor's study corrects this distorted view of Bataille, giving us a more complete picture of the complex and influential writer. With careful attention to Bataille's historical and intellectual context, Connor raises many important questions: What drew Bataille to the mystics? How did he conceive of their thought in relation to his own? And what is the connection between mysticism and morality? This last question raises an especially interesting issue for Bataille, an atheist whom readers generally associate with images of transgression and sin. Through examination of Bataille's writings—including Inner Experience and his underappreciated final book, Tears of Eros—Connor shows the surprising connection between Bataille's mysticism and his sense of personal and political ethics. Mysticism, Connor argues, lies at the heart of Bataille's double identity as an intellectual and as a kind of anarchic prophet.

Revised and expanded 2nd edition of the award winning Reclaiming Eros - Independent Publishers National Bronze Award for New Age, Mind-Body Spirit. This beautiful, profound and tender book puts Eros and sexuality back where they belong, with all of life that is sacred and beautiful.