The Teeth Of The Comb Other Stories

Wonderful short stories that sharpen awareness, from a brilliantly gifted Syrian refugee Personified animals (snakes, wolves, sheep), natural things (a swamp, a lake, a rainbow, trees), mankind’s creations (trucks, swords, zeroes) are all characters in The Teeth of the Comb. They aspire, they plot, they hope, they destroy, they fail, they love. These wonderful small stories animate new realities and make us see our reality anew. Reading Alomar’s sly moral fables and sharp political allegories, the reader always sits up a little straighter, and a little wiser. Here is the title story: Some of the teeth of the comb were envious of the class differences that exist between humans. They strived desperately to increase their height, and, when they succeeded, began to look with disdain on their colleagues below. After a little while the comb’s owner felt a desire to comb his hair. But when he found the comb in this state he threw it in the garbage.

A New Directions Poetry Pamphlet by one of the most well-respected Arabic poets writing today, with an introduction by Lydia Davis

Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast. In Sweet Tooth and Other Stories, Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love.

This Is A Rare Collection Of Mohan BhandariýS Stories, Vaguely Reminiscent Of The Punjab Tragedy. The Stories Create Images That, At Once, Enthrall And Terrify. Despite Being Variations On The Same Leitmotiv, These Stories Display An Uncanny Freshness, Vigour And Richness In Their Choice Of Subject Matter And Style. It Is As Though Each Story Weaves Its Own Tale Of The Times Gone Awry, Unmasking An Insanely Terrifying Through Sensitively Humane Images Of Men And Women Grapping With The Dread Of Violence, Both Inside And Outside. A Living History Of Its Own Times, This Collection Offers Some Intensely Memorable Portrayals Of Characters/Situations.

In 1851, at the age of twenty-two, Tolstoy joined the Russian army and travelled to the Caucasus as a soldier. The four years that followed were among the most significant in his life, and deeply influenced the stories collected here. Begun in 1852 but unfinished for a decade, The Cossacks describes the experiences of Olenin, a young cultured Russian who comes to despise civilization after spending time with the wild Cossack people. Sevastopol Sketches, based on Tolstoy's own experiences of the siege of Sevastopol in 1854-55, is a compelling consideration of the nature of war, while Hadji Murat, written towards the end of his life, returns to the Caucasus of Tolstoy's youth to explore the life of a great leader torn apart by a conflict of loyalties. Written at the end of the nineteenth century, it is amongst the last and greatest of Tolstoy's shorter works.

In this “outstanding volume” (Boston Herald) that “ought to be at the top of everyone’s must-read list” (Essence), Black women and men evocatively explore what could make a smart woman ignore doctor’s orders; what could get a hardworking employee fired from her job; what could get a black woman in hot water with her white boyfriend? In a word: hair. In a society where beauty standards can be difficult if not downright unobtainable for many Black women, the issue of hair is a major one. Now, in this evocative and fascinating collection of essays, poems, excerpts, and more, Tenderheaded speaks to the personal, political, and cultural meaning of Black hair. From A’​Leila Perry Bundles, the great-granddaughter of hair care pioneer Madam C.J. Walker celebrating her ancestor’s legacy, to an art historian exploring the moving ways in which Black hair has been used to express Yoruba spirituality, to renowned activist Angela Davis questioning how her message of revolution got reduced to a hairstyle, Tenderheaded is as rich and diverse as the children of the African diaspora. With works from authors including Toni Morrison, Alice Walker, bell hooks, Henry Louis Gates Jr., and more, this “remarkable array of writings and images” (Publishers Weekly) will stay with you long after you turn the final page.

AN AUSPICIOUS DEBUT EXAMINING THE CULTURE OF HAIR FROM THE RONA JAFFE FOUNDATION AWARD-WINNING CARTOONIST Hot Comb offers a poignant glimpse into Black women’s lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story “Hot Comb” is about a young girl’s first perm—a doomed ploy to look cool and to stop seeming “too white” in the all-black neighborhood her family has just moved to. In “Virgin Hair” taunts of “tender-headed” sting as much as the perm itself. It’s a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. The story “My Lil Sister Lena” traces the stress resulting from being the only black player on a white softball team. Her hair is the team curio, an object to touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Among the series of cultural touchpoints that make you both laugh and cry, Flowers recreates classic magazine ads idealizing women’s needs for hair relaxers and product. “Change your hair form to fit your life form” and “Kinks and Koils Forever” call customers from the page. Realizations about race, class, and the imperfections of identity swirl through Flowers’ stories and ads, which are by turns sweet, insightful, and heartbreaking. Flowers began drawing comics while earning her PhD, and her early mastery of sequential storytelling is nothing short of sublime. Hot Comb is a propitious display of talent from a new cartoonist who has already made her mark.