The Tekenu And Ancient Egyptian Funerary Ritual

Attested from the Fifth Dynasty until, and including, the Saite Period, the Tekenu is a puzzling icon depicted within funerary scenes in the tombs of some ancient Egyptian nobles. In this work four distinct types of Tekenu are identified and classified and then a Corpus Catalogue is formed.

Historical and Archaeological Aspects of Egyptian Funerary Culture, a thoroughly reworked translation of Les textes des sarcophages et la démocratie published in 2008, challenges the widespread idea that the “royal” Pyramid Texts of the Old Kingdom after a process of “democratisation” became, in the Middle Kingdom, accessible even to the average Egyptian in the form of the Coffin Texts. Rather they remained an element of elite funerary culture, and particularly so in the Upper Egyptian nomes. The author traces the emergence here of the so-called “nomarchs” and their survival in the Middle Kingdom. The site of Dayr al-Barshā, currently under excavation, shows how nomarch cemeteries could even develop into large-scale processional landscapes intended for the cult of the local ruler. This book also provides an updated list of the hundreds of (mostly unpublished) Middle Kingdom coffins and proposes a new reference system for these.

This study takes a linguistic approach to Ancient Egyptian funerary ritual, focusing on the definition of the word h3i and its performance. Whilst h3i has the connotation of "ritually transport" with the express purpose of revivifying or rejuvenating the deceased, it has been translated as emotionally connected both to rejoicing and mourning.

"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.

Concepts in Middle Kingdom Funerary Culture presents a collection of archaeological and philological papers discussing how ancient Egyptians thought, and modern scholars may think, about Egyptian funerary practices of the early 2nd millennium BCE.

Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could interact with the dead. The private statue cult, where images of individuals were venerated as intermediaries between people and the Gods is also discussed. Collective gatherings and ritual feasting accompanied the burial rites with separate, mortuary banquets serving to maintain ongoing ritual practices focusing on the deceased. Something of a contradiction in attitudes is expressed in the evidence for tomb robbery, the reuse of tombs and funerary equipment and the ways in which communities dealt with the death and burial of children and others on the fringe of society. This significant study furthers our understanding of the complex relationship the ancient Egyptians had with death and with their ancestors; both recently departed and those in the distant past.

The Mummy, A Handbook of Egyptian Funerary Archaeology is linguist and Orientalist E.A. Wallis Budge's detailed overview of Egyptian funeral practices and beliefs. Included is a history of Egypt, as well as the translation of common hieroglyphs, to augment readers' understanding of Egyptian culture. He describes in detail the wrapping and burying of mummies, the attendants to the tombs and the dead, drawings and hieroglyphs found on tomb walls, coffins and sarcophagi, treasures buried with the dead, and scarabs, among other things. This book is a beautiful complement to The Book of the Dead, which describes the Egyptian afterlife and the motivations for detailed and drawn-out burials. This edition is the revised and enlarged edition, originally published in 1925. SIR ERNEST ALFRED THOMPSON WALLIS BUDGE (1857-1934) was born in Bodmin, Cornwall in the UK and discovered an interest in languages at a very early age. Budge spent all his free time learning and discovering Semitic languages, including Assyrian, Syriac, and Hebrew. Eventually, through a close contact, he was able to acquire a job working with Egyptian and Iraqi artifacts at the British Museum. Budge excavated and deciphered numerous cuneiform and hieroglyphic documents, contributing vastly to the museum's collection. Eventually, he became the Keeper of his department, specializing in Egyptology. Budge wrote many books during his lifetime, most specializing in Egyptian life, religion, and language.

Looks at the beliefs and death rituals of the ancient Egyptians, highlighting mummification.