The Telegony

In the last fifty years major developments have taken place, both in the field of Homeric studies and in the rest of early Greek epic. These developments have not only created a more solid basis for studying the Homeric epics, but they have also broadened our horizons with respect to the place of Homeric poetry within a larger cultural milieu. The impressive advances in Hesiodic studies, the more systematic approach to the Epic Cycle, the more nuanced use and re-evaluation of dominant twentieth-century theories like Neoanalysis and Oral Theory, the study of other fragmentary Greek epic, the cognitive turn, narratology, the performance of epic poetry in the ancient and modern world, the fruitful utilization of Indo-European material, and the widely accepted recognition of the close relation between Homer and the mythology and literature of the ancient Near East have virtually shaped anew the way we read and understand Homer, Hesiod, and early Greek epic. The studies collected in this volume are informed by most of the aforementioned sub-fields and span four research areas: (i) Homer; (ii) Hesiod; (iii) the Epic Cycle; (d) the performance of epic.

Presents a challenge to Homer's authority on the history and legends of the Trojan War, placing the Iliad and Odyssey in the larger context of the entire body of Greek epic poetry of the Archaic Age.

From Homer to Sophocles and Greek Middle Comedy, and from Plato and Protagoras to Ovid, this volume features a panoramic and cross-generic overview of the diverse handling and ad hoc elaboration of the overarching literary notions of "time" and "space". The twenty-one contributions of this volume written by an international group of esteemed scholars provide an equal number of hermeneutic approaches to individual, distinct aspects of Greek and Latin literature. The volume is purposely designed not as a linear display of knowledge, but rather as an anthology of select paradigms that aim to demonstrate the multidimensional function and multifaceted role of the twin notions of "time" and "space" throughout ancient Greek and Latin literary texts. The volume opens with analyses of conspicuous cases from epic poetry, proceeds with examples from drama (tragedy and comedy), and concludes with diverse instances of chronotopes (empirical, imaginary, and even shifting ones), in various literary genres. The volume is of greatest relevance since it meets the cultural and theoretical trends of today’s Classics. It therefore will attract not only the interest of specialised Classicists but it is also intended for a wider general readership.

No detailed description available for "Some Traces of the Pre-Olympian World in Greek Literature and Myth".

Discusses the oral tradition as a theory of literary composition and its applications to Homeric and medieval epic.

In classical times, the story of the Trojan War was told in a series of eight epic poems known as the Epic Cycle, of which only the Iliad and Odyssey by Homer survive to the present day. The final poem in the sequence was Eugammon of Cyrene's Telegony-an obscure, largely forgotten post-script to the Odyssey, which told of the hero's adventures in the years after his return to Ithaca, and his eventual death at the hands of Telegonus, his eponymous son by the goddess Circe. The Telegony is now lost, but fragments of Odysseus' post-Homeric life are preserved in the works of later authors. Following on from his 2017 reconstruction of the Cypria, editor D. M. Smith provides an exhaustive compilation of these many and varied sources, illustrating how Eugammon's poem was just one of several competing traditions concerning Odysseus' eventual fate. Included are excerpts from Apollodorus' Bibliotheca, Hyginus' Fabulae, Parthenius' Erotica Pathemata, and the fictional Trojan War diary of Dictys Cretensis, as well as the writings of Oppian, Plutarch, Servius, and the second-century geographer Pausanias. Smith also presents two medieval interpretations of the Telegonus story by the Middle English poets John Gower and John Lydgate. The Telegony may be gone forever, but in its absence, this comprehensive anthology will at least shed some light on what became of the wily son of Laertes after Homer left off.

This is the second volume on the mechanisms of oral communication in ancient Greece, focused on epic poetry, a genre with deep roots in orality. Considering the critical debate about orality and its influence on the composition, diffusion and transmission of the archaic epic poems, the survey provides a reconsideration and a reassessment of the traces of orality in the archaic epic poetry, following their adaptation in the synchronic and diachronic changes of the communicative system. Combining the methods of cognitive science, and the historical and literary analysis of the texts, the research explores the complexity of the literary message of the Greek epic poetry, highlighting its position in a system of oral communication. The consideration of structural and formal aspects, i.e. the traces of orality in the narrative architecture, in the epic diction, in the meter and the formulaic system, as well as the vestiges of the mixture of orality and writing, allows to reconstruct a dynamic frame of communicative modalities which influenced and enriched the archaic epic poetry, providing it with expressive potentialities destined to a longlasting permanence in the history of the genre.

The suitors in the Odyssey strikingly resemble a very specific audience of iambic poets such as Archilochus or Semonides. Justifying these young men's deaths, the Odyssey engages in a polemic intertext with Archilochus' attacks against the threatening epic discourse. This study is concerned with reading both the traces of this often hidden quarrel in the Odyssey and the answers we can find within the iambic texts. Although iambus and epos have been connected in earlier studies, the direct portrait of the iambic audience within the Odyssey has not been examined. This book allows the reader to see these issues in the larger social context.