The Television Manual

The Survivor Manual is the real deal--based on techniques taught to the U.S. Armed Forces and tested in actual survival situations over decades, the information in this book could help you beat any weather condition, any circumstance, any odds. This fully illustrated guide will show you how to: --find direction and orienteer --perform first aid --travel over every type of terrain from glaciers to quicksand --identify edible plants --fish and trap --spot poisonous plants and snakes --withstand a blizzard --build a raft --construct a shelter --live through an avalanche --survive in groups --and much, much more CBS' "Survivor" is the most successful new television show of the 21st century. Mark Burnett is the show's Executive Producer along with creator Charlie Parsons.

The broadcasting industry’s trade association, the National Association of Broadcasters (NAB), sought to sanitize television content via its self-regulatory document, the Television Code. The Code covered everything from the stories, images, and sounds of TV programs (no profanity, illicit sex and drinking, negative portrayals of family life and law enforcement officials, or irreverence for God and religion) to the allowable number of commercial minutes per hour of programming. It mandated that broadcasters make time for religious programming and discouraged them from charging for it. And it called for tasteful and accurate coverage of news, public events, and controversial issues. Using archival documents from the Federal Communications Commission, NBC, the NAB, and a television reformer, Senator William Benton, this book explores the run-up to the adoption of the 1952 Television Code from the perspectives of the government, TV viewers, local broadcasters, national networks, and the industry’s trade association. Deborah L. Jaramillo analyzes the competing motives and agendas of each of these groups as she builds a convincing case that the NAB actually developed the Television Code to protect commercial television from reformers who wanted more educational programming, as well as from advocates of subscription television, an alternative distribution model to the commercial system. By agreeing to self-censor content that viewers, local stations, and politicians found objectionable, Jaramillo concludes, the NAB helped to ensure that commercial broadcast television would remain the dominant model for decades to come.