The Teller S Tale

Innkeeper’s daughters Adele and Eleda are “mirror twins”—identical twins whose looks are reflections of each other’s—and their special talents are like mirrors, too. Adele is a Safe-Keeper, entrusted with hearing and never revealing others’ secrets; Eleda is a Truth-Teller, who cannot tell a lie when asked a direct question. The town of Merendon relies on the twins, no one more than their best friend, Roelynn Karro, whose strict, wealthy father is determined to marry her off to the prince. When the girls are seventeen, a handsome dancing-master and his apprentice come to stay at the inn, and thus begins a chain of romance, mistaken identity, and some very surprising truths and falsehoods.

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.

Nestled within our green and pleasant land lies pockets of emerald trees. Their roots search deep into the ground and the branches reach high towards the sun. For centuries some of these have stood watching and listening to the human creatures living among them, hearing their stories and remembering. What mysteries could these woodlands tell if the trees could speak? Stories of brave deeds and foolish, star-crossed lovers, of monsters, giants and witches, hobs and kings. Discover the secrets of our forests in this engaging collection of folk tales.

Have you ever been swept away by a story? If you have, you know the magic of the storyteller--and you know that magic is real. This is seventeen-year-old Toren's magic . . . but is she brave enough to accept the power she holds? When Toren returns home, her little sister, Noa, is full of questions. Why does Toren awake only at night? What causes her almost constant pain? And above all, why, after completing her apprenticeship, has she has decided not to become a wizard? To answer, Toren weaves a tale about a journey that leads her to discover the greatest source of magic in her world--herself. It is a revelation that comes at a high price. Through her darkest years, Toren finds solace and strength in the stories she tells. But her greatest tale is not yet finished. Together with Noa, she sets out on a new adventure. And in the end, she must choose. Will she continue to cling to her dream of an ordinary life, or will she dare to let her own magic shine? TOREN: THE TELLER'S TALE is an inspirational fantasy about the enchantment of literature, because in Toren's parallel world there is no greater magic than the magic of storytelling. TOREN: THE TELLER'S TALE is the first book in the Toren the Teller series.

Two features distinguish the Canterbury Tales from other medieval collections of stories: the interplay among the pilgrims and the manner in which the stories fit their narrators. In his new book, Warren Ginsberg argues that Chaucer often linked tellers and tales by recasting a coordinating idea or set of concerns in each of the blocks of text that make up a 'Canterbury' performance. For the Clerk, the idea is transition, for the Merchant it is revision and reticence, for the Miller it is repetition, for the Franklin it is interruption and elision, for the Wife of Bath it is self-authorship, for the Pardoner it is misdirection and subversion. The parts connect because they translate one another. By expressing the same concept differently, the portraits of the pilgrims in the "General Prologue," the introductions and epilogues to the tales they tell, and the tales themselves become intra-lingual translations that begin to act like metaphors. When brought together by readers, they give the ensemble its inner cohesiveness and reveal what Walter Benjamin called modes of meaning. Chaucer also restaged events across his poem. They too become intra-lingual translations. Together with the linking passages that precede and follow a story, these episodes are the ligaments that stabilize the Tales and underwrite its remarkable elasticity. As much as the conceits that frame the work, the pilgrimage and the tale-telling contest, Chaucer's internal translations guided the construction of his masterpiece and the way his audiences have continued to read it.

Vaak verrassende portretten van de klassieke (westerse) sprookjesschrijvers.

More than 30 stories from the rich Asian cultural panorama illuminate the wisdom and humor of Eastern cultures. In her search for stories, Cathy Spagnoli has slid through Indian rice fields, sipped sake with Japanese epic singers, met with monks in Thailand and Korea, and hiked the Himalayas with Tibetan dancers.

Winner of the 1999 Edgar Award for Best Biographical Work, this is "an excellent biography of the man who created Sherlock Holmes" (David Walton, The New York Times Book Review) This fresh, compelling biography examines the extraordinary life and strange contrasts of Sir Arthur Conan Doyle, the struggling provincial doctor who became the most popular storyteller of his age. From his youthful exploits aboard a whaling ship to his often stormy friendships with such figures as Harry Houdini and George Bernard Shaw, Conan Doyle lived a life as gripping as one of his adventures. Exhaustively researched and elegantly written, Daniel Stashower's Teller of Tales sets aside many myths and misconceptions to present a vivid portrait of the man behind the legend of Baker Street, with a particular emphasis on the Psychic Crusade that dominated his final years--the work that Conan Doyle himself felt to be "the most important thing in the world."