The Tempest And Hag Seed Student Book

Our greatest literary innovator and beloved novelist has reimagined Shakespeare's final, great play of magic and illusion. Entertaining, gripping, emotionally rich and wise, Hag-Seed is an homage to a master, positioned for the fall celebrations of the 400th anniversary of the Bard's death. "It's got a thunderstorm in it. And revenge. Definitely revenge." Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge. After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his motley crew of inmate actors will put on his Tempest, and snare the traitors who destroyed him. But will it remake Felix as his enemies fall? Margaret Atwood's novel take on Shakespeare's play of enchantment, revenge and second chances leads us on an illusion-ridden journey filled with new surprises and wonders of its own.

"O felt her presence behind him like a fire at his back.” Arriving at his fourth school in six years, diplomat’s son Osei Kokote—“O” for short—knows he needs an ally if he is to survive his first day, so he is lucky to hit it off with Dee, the most popular girl in school. But one boy, used to holding sway in the world of the school­yard, can’t stand to witness the budding relationship. When Ian decides to destroy the friendship between the black boy and the golden girl, the school and its key players—teachers and pupils alike—will never be the same again. The tragedy of Othello is vividly transposed to a 1970s suburban Washington school, where kids fall in and out of love with each other before lunchtime, and practice a casual racism picked up from their parents and teachers. The world of preadolescents is as passionate and intense, if not more so, as that of adults. Drawing us into the lives and emotions of four eleven-year-olds—Osei, Dee, Ian and his reluctant girlfriend Mimi—Tracy Chevalier’s powerful drama of friends torn apart by love and jealousy, bullying and betrayal, is as moving as it is enthralling. It is an unfor­gettable novel.

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

"A collection of 250 or more epigraphs arranged thematically and chosen from a broad range of books and genres, approximately half of which will be annotated with original commentary by the author"--