The Ten Grandmothers

?Once in a blue moon (which means a fairly long cycle in my case) one who deals professionally with new books comes upon something that seems to him truly noteworthy and memorable-a reading experience which he will cherish for the rest of his life. And when this book is original and, indeed, unique-when it achieves something that has never been done before-one's impulse is to rent a billboard, to hire a hall, in some way to underline and emphasize the excitement and enthusiasm of his discovery, so that other readers may share his pleasure. "This has been my experience with The Ten Grandmothers, by Alice Marriott. It was the custom of certain tribes of Indians of the Great Plains to keep a 'winter count,' or calendar, of important events. Each year an officially designated scribe or historian of the tribe inscribed on a specially selected and prepared buffalo hide (which was a sacred tribal possession) a colored pictograph commemorating the most noteworthy event of the year-the happening or circumstance for which the year would be remembered in the oral literature and traditions of the tribe. "Miss Marriott's book is based upon such a tribal history of the Kiowas, an important and tenacious nation of the southern Great Plains, for more than a hundred years. She has taken representative incidents from this story and built each into a unified narrative of personal experience, concrete and dramatic. The thirty-three narratives fall into four groups reflecting the major phases of Kiowa history in the last century; they are called, since Kiowa .economy was based on the buffalo, The Time When There Were Plenty of Buffalo; The Time When Buffalo Were Going; The Time When Buffalo Were Gone; and Modern Times. Since the same characters appear recurringly, the book has the effect of a loosely constructed novel. "Miss Marriott is an ethnologist. Her book is based on eight years of work with the Kiowas?work that certainly consisted of much more than superficial interviews with aged Indians. There is evidence everywhere, not only of accurate scientific knowledge of the material to be presented, but of profound human insight and understanding. "Miss Marriott is also a creative artist of extraordinary powers. Her book has abundant humor, drama and melodrama, beauty and sordidness, pathos and tragedy: all presented sharply, objectively, with economy, restraint, and dignity. The narrative of the long journey of Wooden Lance, to see for himself and for his tribe whether the leader of the Ghost Dance movement (that inspired the last desperate, irrational struggle of the plains Indians against the whites) had 'true power is unforgettable in its simplicity and reality. The story of the Kiowa girl Leah's return from her years at a boarding school in the East to her family on the reservation is as true and socially significant as it is poignant and dramatic. "The great achievement of Miss Marriott's book is that it makes accessible to the reader of today the essence of a culture, a way of life and thought, now almost vanished from the earth. "We have an uneasy feeling that some special meaning and value for Americans of today and tomorrow must lie in the older cultures of our continent which our own has so largely displaced. American writers from Longfellow on have tried with varying degrees of success to capture that meaning for us. "Miss Marriott's book shows that our feeling was justified. No discerning reader will fail to find in the men and women who are so vivid in its pages-Sitting Bear and Eagle Plume, old Quanah and Spear Woman, and the Kiowa boys riding in their jeep to enlist for the present World War-in their vision and knowledge of life and their essential experience, abundant meaning for today."

Directed by anthropologist Alexander Lesser in 1935, the Santa Fe Laboratory of Anthropology sponsored a field school in southwestern Oklahoma that focused on the neighboring Kiowas. During two months, graduate students compiled more than 1,300 pages of single-spaced field notes derived from cross-interviewing thirty-five Kiowas. These eyewitness and first-generation reflections on the horse and buffalo days are undoubtedly the best materials available for reconstructing pre-reservation Kiowa beliefs and rituals. The field school compiled massive data resulting in a number of publications on this formerly nomadic Plains tribe, though the planned collaborative ethnographies never materialized. The extensive Kiowa field notes, which contain invaluable information, remained largely unpublished until now. In Kiowa Belief and Ritual, Benjamin R. Kracht reconstructs Kiowa cosmology during the height of the horse and buffalo culture from field notes pertaining to cosmology, visions, shamans, sorcery, dream shields, tribal bundles, and the now-extinct Sun Dance ceremony. These topics are interpreted through the Kiowa concept of a power force permeating the universe. Additional data gleaned from the field notes of James Mooney and Alice Marriott enrich the narrative. Drawing on more than thirty years of field experiences, Kracht’s discussion of how Indigenous notions of “power” are manifested today significantly enhances the existing literature concerning Plains religions.

Saynday's People brings together two related volumes by the distinguished ethnologist and author Alice Marriott. The Saynday of the title and the central figure of Winter-Telling Stories is a combination of trickster and hero peculiar to Asiatic and American Indian mythology. He could do almost anything when he was using his medicine power for good, but Saynday was a great joker and when playing tricks often got what was coming to him. Indians on Horseback is both a history of the Kiowas and a vivid account of their way of life. The narrative is enriched not only by detailed descriptions of how these first Americans made moccasins and cradles, thread and arrows and tipis, but also by a Plains Indian cookbook which includes recipes for such dishes as pemmican and stone-boiled buffalo.

THE book for grandmothers about grandmothers and by grandmothersBecoming a grandmother is both exciting and challenging. In this book, 27 women describe - in their own words - how they responded to the many new pleasures and demands of being a grandmother. You will read about how their new role changed the texture of their lives, their family relationships and their sense of themselves. Whether you find that being a grandmother is a source of great joy - or of some pain due to sheer distance or family problems - it will speak to you. And you will gain many good ideas about how to do the best for both your adult children and your grandchildren.Note to parents of babies or young children - an excellent and original present for new and experienced grandmothers alike.'A book to warm your heart about being a grandparent, and also one to reassure you that you're not alone when you experience new relationships and complex family patterns.'Virginia Ironside, agony aunt and novelist 'Confirms, in a direct and delightful way, just how special the grandmother-grandchild relationship is....Very interesting and heart-warming'Jane Fearnley-Whittingstall, author of The Good Granny Guide

This exciting collection presents an in-depth, up-to-date analysis of the unprecedented phenomenon of increasing numbers of grandparents worldwide, co-existing and interacting for longer periods of time with their grandchildren. The book contains analyses of topics that have so far received relatively little attention, such as transnational grandparenting and gender differences in grandparenting practices. It is the only collection that brings together theory-driven research on grandparenting from a wide variety of cultural and welfare state contexts - including chapters on Europe, North America, Africa, Asia and Australia - drawing broad lines of debate rather than focusing at a country level. Building on the success of ‘Contemporary grandparenting’, edited by Virpi Timonen and Sarah Arber, this book further deepens our understanding of how social structures continue to shape grandparenting across a wide range of cultural and economic contexts. The book is essential reading and reference for researchers, students and policy-makers who want to understand the growing influence of grandparents in ageing families and societies across the world.

The warmth and whimsy of Mary Engelbreit's work is even better when shared with a friend-and When a Child Is Born, So Is a Grandmother is the perfect way to spread the joy. When a Child Is Born, So Is a Grandmother makes the perfect gift for the new grandmother or grandma-to-be. Illustrated by the one-and-only Mary Engelbreit and authored by Jan Girando, this book speaks to the very essence of the close bond that grandmothers will forever share with their precious grandchildren. Let Mom and Dad handle the discipline and the scolding and leave grandma to do the cuddling and the holding. One of the most popular pieces of art from America's favorite illustrator is her "When a Child is Born, So Is a Grandmother" image. Featuring that well-known drawing as its centerpiece, this book illustrates the joy and excitement every grandmother feels when their precious grandchild arrives into the world.