The Theatre Of God S Judgments Against

A collection of stories relating to the sins of famous and historical figures, including an account of the death of Marlowe.

How can a God of love also be a God of judgment? If God loves everyone, what is the point of judgment? Does God change from being wrathful in the Old Testament to loving in the New Testament? Can we discern God's judgments in current events, such as hurricanes and personal tragedies? Is it ever right for humans to judge? These are not just daunting issues for theologians to ponder. They are urgent questions for everyone. Our answers profoundly affect how we relate to God and how we live with one another. Coming to grips with these issues is vital for our spiritual journeys. Many people today emphasize God's love and downplay his judgment. The problem with this approach is that God's judgment is taught in Scripture from the beginning of Genesis to the end of Revelation, and it is a core part of the gospel preached by Jesus and his apostles. There are problems at the other end of the spectrum too, when we believe in a God of judgment who is not also a God of love. It is impossible for us to find spiritual peace when we live in constant dread of God, pictured as a harsh judge whom we can never please. This book calls us to embrace a more full, biblical image of God--one that joins his love and judgment together. Additionally, the book shows that, as those who are made in God's image, we can fuse love and judgment together constructively in our own daily lives.

First published in the early 17th century, this book explores the justice of God as it is revealed through history. With vivid descriptions of divine punishment and redemptive narratives, this book is both thought-provoking and inspiring. It's an essential read for anyone interested in theology or the history of religion. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.