The Time Machine And The Domaine

Why have so many cultures created what we call imaginative literature in the past, and still do? What prompts so many people to read literature? And how are we to understand the economy that links these producers and consumers? These and related questions plagued the author for a couple of decades before he began to set down the results of his research into the roles and functions that creative writing has had in various societies. More and more, the evidence seemed to point towards our feelings about the effects of time on our lives, and our memories of special places that enchanted or changed us. He illustrates his findings by examining a wide range of literary artifacts.

Do you want to read The Time Machine? If so then keep reading... H.G. Wells, a pioneer in the science fiction genre, produced awesomely imaginative novels whose technologies seem impossibly sophisticated for a writer living in an era before automobiles and the widespread application of electricity. In his work The Time Machine, Wells' Time Traveller, a gentleman inventor living in England, traverses first thousands of years and then millions into the future, before bringing back the knowledge of the grave degeneration of the human race and the planet. One wonders if Wells could truly see into the future, as over 100 years after its publication date his visions seem timelier than ever. What are you waiting for The Time Machine is one click away, select the "Buy Now" button in the top right corner NOW!

English novelist, historian and science writer Herbert George Wells (1866–1946) abandoned teaching and launched his literary career with a series of highly successful science-fiction novels. The Time Machine was the first of a number of these imaginative literary inventions. First published in 1895, the novel follows the adventures of a hypothetical Time Traveller who journeys into the future to find that humanity has evolved into two races: the peaceful Eloi — vegetarians who tire easily — and the carnivorous, predatory Morlocks. After narrowly escaping from the Morlocks, the Time Traveller undertakes another journey even further into the future where he finds the earth growing bitterly cold as the heat and energy of the sun wane. Horrified, he returns to the present, but soon departs again on his final journey. While the novel is underpinned with both Darwinian and Marxist theory and offers fascinating food for thought about the world of the future, it also succeeds as an exciting blend of adventure and pseudo-scientific romance. Sure to delight lovers of the fantastic and bizarre, The Time Machine is a book that belongs on the shelf of every science-fiction fan.

When the Time Traveller courageously stepped out of his machine for the first time, he found himself in the year 802,700—and everything had changed. In this unfamiliar, utopian age creatures seemed to dwell together in perfect harmony. The Time Traveller thought he could study these marvelous beings—unearth their secret and then return to his own time—until he discovered that his invention, his only avenue of escape, had been stolen. H. G. Wells’s famous novel of one man’s astonishing journey beyond the conventional limits of the imagination first appeared in 1895. It won him immediate recognition and has been regarded ever since as one of the great masterpieces in the literature of science fiction.

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Why have so many cultures created what we call imaginative literature in the past, and still do? What prompts so many people to read literature? And how are we to understand the economy that links these producers and consumers? These and related questions plagued the author for a couple of decades before he began to set down the results of his research into the roles and functions that creative writing has had in various societies. More and more, the evidence seemed to point towards our feelings about the effects of time on our lives, and our memories of special places that enchanted or changed us. He illustrates his findings by examining a wide range of literary artifacts.

H.G. Wells' "The Time Machine" launched the science fiction genre. Over time, it has been adapted into different formats, and with each adaptation, changes from the original had to be made. This edition is the one as Wells himself wrote it for the very first time, in 1895.

It goes without saying that this book is a science fiction classic in every sense of the word and that H.G. Wells was a founding father of the genre. This book proves that science fiction does not necessarily need to be heavily technical but does need to deal with grand themes such as the nature of society; man's hopes, dreams, and fears; and the very humanity of man. Wells does not go to great lengths in describing the time machine nor how it works. He lays the foundation of the story in science and then proceeds with his somewhat moralistic and certainly socially conscious story. This makes his writing much more enjoyable than that of a Jules Verne, who liked to fill up pages with scientific and highly technical nomenclature. One of the more striking aspects of the novel is Wells' treatment of the actual experience of time travel--moving in time is not like opening and walking through a door. There are physical and emotional aspects of the time travel process--in fact, some of the most descriptive passages in the book are those describing what the Time Traveler experiences and sees during his time shifts.Basically, Wells is posing the question of What will man be like in the distant future? His answer is quite unlike any kind of scenario that modern readers, schooled on Star Wars, Star Trek, and the like, would come up with. He gives birth to a simple and tragic society made up of the Eloi and the Morlocks. In contrasting these two groups, he offers a critique of sorts of men in his own time. Clearly, he is worried about the gap between the rich and the poor widening in his own world and is warning his readers of the dangers posed by such a growing rift. It is most interesting to see how the Time Traveler's views of the future change over the course of his stay there. At first, he basically thinks that the Morlocks, stuck underground, have been forced to do all the work of man while the Eloi on the surface play and dance around in perpetual leisure. Later, he realizes that the truth is more complicated than that. The whole book seems to be a warning against scientific omniscience and communal living. The future human society that the Time Traveler finds is supposedly ideal--free of disease, wars, discrimination, intensive labor, poverty, etc. However, the great works of man have been lost--architectural, scientific, philosophical, literary, etc.--and human beings have basically become children, each one dressing, looking, and acting the same. The time traveler opines that the loss of conflict and change that came in the wake of society's elimination of health, political, and social issues served to stagnate mankind. Without conflict, there is no achievement, and mankind atrophies both mentally and physically.