The Torah Ark In Renaissance Poland

The book explores the patronage, formation, and symbolism of the Renaissance Torah ark in Polish synagogues.

Monumental carved wooden Torah arks were an outstanding feature of east European synagogues between the seventeenth and the nineteenth centuries, yet virtually none survived the Second World War. Bracha Yaniv therefore breathes a new life into a lost genre with this extensively researched, meticulously documented, and richly illustrated book. She is the first to paint a vivid portrait of their history and to offer a detailed explanation of the motifs that adorned them.

Moshe Rosman's revolutionary approach has become a cornerstone of Polish Jewish historiography. Challenging conventions, he asserts that the 'marriage of convenience' between the Jews and the Polish--Lithuanian Commonwealth was a dynamic relationship that, though punctuated by crisis and persecution, developed into a saga of overall achievement and stability. With that fundamental message this book forges a thematic survey of Jewish history in early modern Poland. These essays, written by Rosman over the course of a distinguished career, have all been updated and enhanced with new detail and nuanced arguments, taking account not only of new archival material and research but also of the ongoing evolution of the author’s own knowledge and perspectives. Some appear here in English for the first time. The volume's structure highlights key topics for understanding the Polish Jewish past: relations between Jews and other Poles; Jewish communal life; Polish Jewish women; and hasidism. One section analyses how this past has been presented in both scholarly and popular modes. The essays are crafted to place them in dialogue with each other. Analytical introductions weigh their significance in the light of modern and postmodern Jewish and Polish historiography. An extensive general introduction sets the context of the history portrayed here, while a thoughtful conclusion elucidates the larger motifs that emerge.

A richly illustrated and documented survey of the evolution of synagogue textiles spanning fifteen centuries, offering a detailed analysis of the design and production of mantles, wrappers, Torah scroll binders, and the Torah ark curtain and valance, including the text of inscriptions marking the circumstances of donation.

Codes of Jewish law may look similar, but they represent very different ways of thinking about the law.

Teresa Pac provides a much-needed contribution to the discussion on shared culture as foundational to societal survival. Through the examination of common culture as a process in medieval Kraków, Poznań, and Lublin, Pac challenges the ideology of difference—institutional, religious, ethnic, and nationalistic. Similarly, Pac maintains, twenty-first century Polish leaders utilize anachronistic approaches in the invention of Polish Catholic identity to counteract the country’s increasing ethnic and religious diversity. As in the medieval period, contemporary Polish political and social elites subscribe to the European Union’s ideology of difference, legitimized by a European Christian heritage, and its intended basis for discrimination against non-Christians and non-white individuals under the auspices of democratic values and minority rights, among which Muslims are a significant target.

The original research in this book analyzes the artistic activity of Santi Gucci (1533– c.1600), a Florentine sculptor active in Poland in the second half of the sixteenth century, and his workshop. Chapters examine the organization of the artistic workshop (sculpting and masonry) and the model of the artist’s functioning as an entrepreneur in Renaissance Poland, using Santi Gucci’s activity as an example. Gucci shaped the image of Polish sculpture in the sixteenth century for more than 50 years, even though his work has not yet been fully examined. The author sets Gucci’s emigration within the context of the cultural exchanges between Italy and Poland that contributed to the development of the Polish Renaissance. The book will be of interest to scholars working in art history, Renaissance studies, architectural history and economic history.

"For Nazi Germany, the ghetto was a conceptual tool used to facilitate social and political exclusion and further their anti-Jewish campaign. For the Jews who lived in them, the ghetto became the center of their lives--even though they were also sites of immense suffering. Combining thorough historical research with an interdisciplinary analysis of the relationship between space and violence, Violent Space provides a unique insight into the history and the socio-spatial topography of the Jewish ghetto in German-occupied Warsaw (1939-1943). Using rare archival materials and firsthand accounts, many of which have never been translated into English, Anja Nowak traces out the trauma that the space of the ghetto inflicted on its Jewish inhabitants, and how it alienated, disoriented, and harmed them. While the physical ghetto--its buildings, boundaries, and streets--has been reabsorbed and redefined by modern-day Warsaw's urban structure, Violent Space shows us that its presence still lingers in the narratives of those who were forced into this first phase of the Holocaust"--