The Tragic Vision And The Hebrew Tradition

In this discerning study of the relationship of the tragic vision to the Hebrew, W. Lee Humphreys suggests various ways in which Israel confronted the power of the tragic vision at certain points in its tradition. Humphreys demonstrates how Òtragedy,Ó the literary genre, and Òthe tragic visionÓ maintain a delicate but vital balance between fate and law. In conclusion, he contends that the tragic vision finds fullest expression at points of radical dislocation in human history. At these times, the essential questions of existence are reopened, rehearsed, and relived as the tragic vision questions all previous answers and dogmatic claims to the meaning of life.

A fascinating intertextual study of the classic biblical tragedy of Saul, the first king of Israel, as first narrated in biblical narrative and later reworked in Lamartine's drama Saul: Tragédie and Thomas Hardy's novel The Mayor of Casterbridge. Plot and characterization are each explored in detail in this study, and in each of the narrations the hero's tragic fate emerges both as the result of a character flaw and also as a consequence of the ambivalent role of the deity, showing a double theme underlying not only the biblical vision but also its two very different retellings nearer to our own times.

Offering an alternative to classic Christian theodicies (justification of God's goodness and omnipotence in view of the existence of evil), Wendy Farley interprets the problem of evil and suffering within a tragic context, advocating compassion to describe the power of God in the struggle against evil.

Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age. This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy. Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute

Apart from the occasional recognition of comic forms or motifs in biblical dress, the vast majority of interpreters have usually discounted or even disdained the possibility of the Bible having any significant place for the comic vision. This book attempts to make amends for this short-sighted, prejudicial perspective.

Collection of essays discussing many unresolved or largely unaddressed issues about this unique deity.

An encyclopedic guide to the interpretation and understanding of biblical literature. Though written by members of the National Association of Baptist Professors of Religion, the 1,450 original entries by some 225 contributors are diverse in viewpoint and devoid of theological prescription. They're