The Transition In English Historical Writing 1760 1830

Studies English historical writing in the late 1800's and early 1900's in two ways: first, as it saw a succession of works of merit, and second as it marked the transition from the rationalist ideals of traditional historic writings.

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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Two eminent scholars of historiography examine the concept of national identity through the key multi-volume histories of the last two hundred years. Starting with Hume’s History of England (1754–62), they explore the work of British historians whose work had a popular readership and an influence on succeeding generations of British children.

This text provides an analysis of 18th-century urban culture and local historical scholarship. The author shows how a sense of the past was crucial not only in instilling civic pride and shaping a sense of community, but also in informing contests for power and influence in the local community.

This work examines the development of narrative historical writing in early eighteenth century England. In addition, it explores the historical dimension of Augustan political ideologies and the character of the Enlightenment in England. Contents: Part One: Tory and Whig History in the Age of Anne: Tory and Whig, Clarendon and Burnet: White Kennett and Laurence Echard; Part Two: The Rise of Whig Historical Writing in the Age of Walpole: Rapin-Thoyras and the Court-Country Historical Debate; The Whig Liberals: John Oldmixon and Daniel Neal; Thomas Salmon: The Tory Rebuttal to Rapin; Part Three: History and Ideology after the Fall of Walpole: Thomas Birch and the Historians; Thomas Carte and the Historical Mind of Jacobitism; James Ralph; William Guthrie; David Hume.

A guide to historical literature on England between 1760 and 1837, emphasising more recent work.

First published in 1999. and Middlemarch and of a range of nineteenth-century historical works, including works by and about women that are discussed extensively here for the first time. The blurring of boundaries between historical and fictional narratives, stimulated by the enormous success of Walter Scott's novels, and the development of social history are shown to have been key factors in an uneven, controversial, but persistent feminization of history, the first because of the longstanding association of novels with women the second because social history focuses on the private sphere, traditionally women's domain. Along with the appearance of numerous historical texts written by women and taking women as their subjects, these developments challenged conventional beliefs about historical authority and relevance that had long relegated women to the margins, both literally and metaphorically. In its exploration of these changes and their implications, Gender and Victorian Historical Writing revises standard assumptions about Victorian ideas of history, finding an awareness of and experimentation with gender and genre that prefigure theoretical and scholarly concerns in contemporary women's history.