The Trembling Of A Leaf Little Stories Of The South Sea Islands New York 1921

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Life in the South Pacific Colonial Islands “The tragedy of love is not death or separation. How long do you think it would have been before one or other of them ceased to care? Oh, it is dreadfully bitter to look at a woman whom you have loved with all your heart and soul, so that you felt you could not bear to let her out of your sight, and realize that you would not mind if you never saw her again. The tragedy of love is indifference.” - W. Somerset Maugham, The Trembling of a Leaf Spy for the British Empire, W. Somerset Maugham traveled many times to South Pacific and the Far East. There, he started creating series of short stories about the life of the colonialists and how the remoteness and strangeness of such far-away lands can ultimately destroy the very soul of the civilized man. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

In 1916, William Somerset Maugham (1874-1965) travelled to the Pacific to research his novel "The Moon and Sixpence," based on the life of Paul Gauguin. This was the first of those journeys through the late-Imperial world of the 1920s and 1930s which were to establish Maugham forever in the popular imagination as the chronicler of the last days of colonialism in India, Southeast Asia, China and the Pacific, although the books on which this reputation rests represent only a fraction of his output.---Maugham reused elements of his Pacific diaries in "The Trembling of a Leaf" (1921), which contains one of his most recognized stories, "Rain," adapted to the stage by John Colton and Clemence Randolph in 1922.

ContentsThe Pacific -- Macintosh -- The fall of Edward Barnard -- Red -- The pool -- Honolulu -- Rain -- Envoi.

William Somerset Maugham was one of the most popular and successful British writers of his time. From October 1897, when he completed his medical education at St. Thomas's Hospital in London, until his death in December 1965, Maugham wrote twenty novels, filled nine volumes with his short stories, wrote thirty-one plays, and published seven volumes of prose nonfiction. His writings reflect the tensions of the Boer War, World War I, and World War II; the lavishness of the highest levels of British and American society during the first six decades of the 20th century; the glamor of Hollywood, Paris, New York, San Francisco, and London; and the romance of China, Malaya, Borneo, and India. His popularity brought him prosperity. At a 1962 auction, 35 of his paintings sold for nearly $1.5 million; bequests in his will totaled $280,000; his royalties during the last ten years of his life averaged $50,000 per year; and his Riviera estate, purchased in 1927 for $48,000, sold for $730,000 in 1967. This reference book is a guide to Maugham's fascinating life and career. The volume begins with a brief discussion of the importance of Maugham's life and work, followed by a detailed chronology of important biographical and literary events. Through several hundred alphabetically arranged entries, the encyclopedia overviews Maugham's drama, fiction, and prose nonfiction; his family; the persons whom he knew and with whom he associated; the places where he lived and to which he journeyed, particularly the cities and villages that he inserted into his works; and the historical, cultural, social, and political issues that governed his life and career. Each entry closes with a brief bibliography, and the volume includes a selected bibliography of critical studies.

From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways.