The Trembling Of A Leaf Little Stories Of The South Sea Islands Scholar S Choice Edition

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Life in the South Pacific Colonial Islands “The tragedy of love is not death or separation. How long do you think it would have been before one or other of them ceased to care? Oh, it is dreadfully bitter to look at a woman whom you have loved with all your heart and soul, so that you felt you could not bear to let her out of your sight, and realize that you would not mind if you never saw her again. The tragedy of love is indifference.” - W. Somerset Maugham, The Trembling of a Leaf Spy for the British Empire, W. Somerset Maugham traveled many times to South Pacific and the Far East. There, he started creating series of short stories about the life of the colonialists and how the remoteness and strangeness of such far-away lands can ultimately destroy the very soul of the civilized man. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

THE Pacific is inconstant and uncertain like the soul of man. Sometimes it is grey like the English Channel off Beachy Head, with a heavy swell, and sometimes it is rough, capped with white crests, and boisterous. It is not so often that it is calm and blue. Then, indeed, the blue is arrogant. The sun shines fiercely from an unclouded sky. The trade wind gets into your blood and you are filled with an impatience for the unknown. The billows, magnificently rolling, stretch widely on all sides of you, and you forget your vanished youth, with its memories, cruel and sweet, in a restless, intolerable desire for life. On such a sea as this Ulysses sailed when he sought the Happy Isles. But there are days also when the Pacific is like a lake. The sea is flat and shining. The flying fish, a gleam of shadow on the brightness of a mirror, make little fountains of sparkling drops when they dip. There are fleecy clouds on the horizon, and at sunset they take strange shapes so that it is impossible not to believe that you see a range of lofty mountains. They are the mountains of the country of your dreams. You sail through an unimaginable silence upon a magic sea. Now and then a few gulls suggest that land is not far off, a forgotten island hidden in a wilderness of waters; but the gulls, the melancholy gulls, are the only sign you have of it. You see never a tramp, with its friendly smoke, no stately bark or trim schooner, not a fishing boat even: it is an empty desert; and presently the emptiness fills you with a vague foreboding.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A substantial volume of favourite poems chosen by 101 of the most well-known contemporary children's poets. Each of the 101 poets will choose one of their own favourite poems and write a short piece explaining their choice. This volume should contain a wide variety of rhyming, non-rhyming, humorous or serious poems, and introduce children to the poets in a very personal way. The collection includes: Kevin Crossley-Holland, Valerie Bloom, Pam Ayres, Roger McGough, Gareth Owen, Wes Magee, Colin West, Benjamin Zephaniah, Vernon Scannell, Coral Rumble, Jack Ouseby, Malorie Blackman, Allan Ahlberg, John Agard, Charles Causley, Debjani Chatterjee, Sue Cowling, Paul Cookson, Richard Edwards, Max Fatchen, Michael Dugan, Carol Ann Duffy, Eric Finney, Jenny Joseph and many more!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.