The True Story Of Catch 22 Illustrated

In 1961, Joseph Heller completed his first novel, Catch-22. This book of chaotic originality, wicked humor, and sobering insights into WWII, became a classic, a masterpiece of fiction. Heller was a B-25 bombardier with the 340th Bomb Group during the war but, after publication, he usually chose to deny any connection between his novel's unforgettable characters and his war mates. In 2012, however, another book was published. The True Story of Catch-22, written by Patricia Chapman Meder, daughter of the final commander of Heller's bomb group proved that all was not as it seemed and that profit/loss czar Milo Minderbinder, frantic Hungry Joe, severed Kid Sampson, and a bevy of Joseph Heller's richly created characters were, in fact, based upon the true-life men of that 340th which was based on Corsica in 1944. Here is that book's Companion! The True Story of Catch-22 ILLUSTRATED is the visual compliment and partner to The True Story. In rich, vibrant color the full-blown characters of Heller's novel surge forward to face their true-life counterparts. The illustrated fictional characters colorfully lighting up each left page come to life in the manner of Catch-22, sometimes irreverent, sly, rarely subtle, and often absurdly funny. In stark contrast, and anchoring the opposing right page, are their rock-steady and combat trained opposite numbers each offering unique first person narratives. Their sepia-toned pages are enriched by an abundance of rare and previously unpublished photographs. Its larger 8.5"x11" format does justice to the details of 82 pages of art, photography, and narrative. With the current publication of The True Story of Catch-22 and its colorful Companion, a new perspective has been added as they highlight the missing ingredient in Heller's original novel, that of actual fact. Now, at long last, these two books add the final dimension to the lionized Catch-22.

Millions of people worldwide have relished the uniqueness of Catch-22, one of the great novels of literary fiction. Few, however, are aware of how heavily author Joseph Heller relied on his real-life experiences as a bombardier flying in B-25's during World War ll. Here is the final piece of the puzzle that is Catch-22.In this book written by the daughter of the 340th Bomb Group's last commander, Colonel Willis F. Chapman, famously lampooned as Colonel Cathcart in Catch-22, we finally encounter the real men and combat missions on which the novel was based. Here readers will meet the actual individuals who served as inspiration for some of the most memorable fictional characters in literature.After the publication of his bestselling novel Heller usually chose to deny that any of his richly drawn characters were based on his actual war mates. However, to those who served with Heller in that group, the novels characters were highly recognizable - the hard-drinking, and vengeful Chief White Half Oat, young sliced-in-half Kid Sampson, shrieking Hungry Joe, General Dreedle, Yossarian, and that capitalist supreme, Milo Minderbinder, among others. While Heller's fully developed characters stand solidly on their own merits, The True Story, proves that any resemblance to persons living or dead is, in fact, actual.This exceptionally illustrated book blends fact, fancy, and history with rare previously unpublished photos of these daring USAAF flyers and their Corsican-based B-25 Mitchell bombers. Along with descriptions of the 340th's real wartime events plus an introduction written by Scott Carpenter, NASA astronaut, the work includes twelve men of the Bomb Group relating richly told tales of their own.Also included is unparalleled film footage recently discovered deep in the recesses of the National Archives in Washington, D.C. and untouched since 1945. By astonishing coincidence, who were to appear in this documentary but Joseph Heller and Colonel Chapman.A crack in a parallel universe began to open as footage showed Colonel Chapman stepping forward and extending a welcoming hand to Lt. Joseph Heller, both sporting grins. Colonel Chapman greets Lt. Heller. Colonel Cathcart greets Yossarian. Here it began.

After the publication of his bestselling novel Catch-22, Joseph Heller usually chose to deny that any of his richly drawn characters were based on his actual war mates. However, to those who served with Heller in the 340th Bomb Group the novelÕs characters were indeed recognizableÑthe hard-drinking, vengeful, and disillusioned Chief White Half Oat, young, sliced-in-half Kid Sampson, shrieking, frenzied Hungry Joe, Colonel Cathcart, General Dreedle, Yossarian and that capitalist supreme, Milo Minderbinder. In this book, written and colorfully illustrated by the daughter of the 340th Bomb GroupÕs commander, Colonel Willis Chapman, we finally encounter the real men and combat missions on which the novel was based. While HellerÕs fully developed characters stand solely, solidly and uniquely on their own merits, The True Story of Catch-22 proves that any resemblance to persons living or dead is, in fact, actual. This three-part book blends fact, fancy, and history with full-blown original illustrations and rare, previously unpublished photos of these daring USAAF flyers and their Corsican-based B-25 Mitchell. Along with descriptions of the 340thÕs real wartime events, the work includes twelve men of the Bomb Group relating twelve richly told tales of their own. Now all of the men upon whom Heller based his characters are gone. However, the last survivor, George L. Wells, was an extraordinary combat pilot who tied the record for the number of bombing missions flown in WWII with 102. George, the model for Catch-22s Capt. Wren, is the common thread who weaves through this book, allowing the reader to truly feel the war and even thumb through George's well-worn mission book describing attacks on Axis ports, ships, bridges, and the notorious Brenner Pass. In this book the reader will discover that truth is indeed as fascinating as fiction! Author Patricia Chapman Meder has been a professional artist in both fine and commercial art for the past 35 years, 13 of them in Europe. When Catch-22 was published it was quickly apparent that this book was based on the Bomb Group her father commanded in World War II. This true-life parallel book thus begged to be written. Pat Meder has also written a full-color companion work to "The True Story of Catch-22," containing her delightful original artwork and caricatures of the individuals, "The True Story of Catch-22 Illustrated".

Professors, students, and anyone who loves to read will want this fascinating and attractive volume. Beginning with great works from Antiquity to the Middle Ages, this literary timeline gallops from Mesopotamian pictograms and Julius Caesar’s Commentaries on the Gallic to Renaissance and Baroque masterworks by Machiavelli and Moli�re, and on to modernism. Along the way, it presents the birth of the novel, Gothic chills, Thomas Paine’s rabble-rousing, as well as landmark French and Russian authors, Emerson’s essays, and the first detective story by Poe. Victoriana, the Aesthetic Movement, Utopian Literature, and Naturalism make their appearance, all the way up to today’s Tom Stoppard and Tony Kushner. There’s a detailed introduction, plus color-coding to show whether a work is poetry, fiction, non-fiction, or drama.

The term "friendly fire" was coined in the 1970s but the theme appears in literature from ancient times to the present. It begins the narrative in Aeschylus's Persians and Larry Heinemann's Paco's Story. It marks the turning point in Homer's Iliad, Virgil's Aeneid, the Chanson de Roland, Stephen Crane's The Red Badge of Courage and Tim O'Brien's Going After Cacciato. It is the subject of transformative disclosure in Jaan Kross's Czar's Madman, Ron Kovic's Born on the Fourth of July, O'Brien's In the Lake of the Woods and A.B. Yehoshua's Friendly Fire. In some stories, events propel the characters into a friendly-fire catastrophe, as in Thomas Taylor's A Piece of this Country and Oliver Stone's 1986 film Platoon. This study examines friendly fire in a broad range of literary contexts.