The True Story Of The Vietnam War And One Man S Sufferings

This is a true story about what George Konaf thought about the truth of the Vietnam War before he would die of Agent Orange. He now walks with a cane for support. He wanted to tell you how the PX and the man who ran the Army, who was in charge of the whole Army, and every Marine, and Air Force, the general who assisted the president of the US, and how crooked he was, and all the other generals who made millions from every war. In my mind, all of them didn't care for the people of the US. What made me sick was that some of these kids went to war, but only a few actually went. The general and commander never told the US how Vietnam's Agent Orange kills, desert wars had bad effects on the soldiers, and uranium was the only weapon that would kill the enemy (Afghanistan) and other enemies that fought in the desert. They never told the soldiers of each war that within two to three years, they would be impotent for the rest of the lives. I, George Konaf, have been impotent now for thirty years, and in my mind, I should have been killed in Vietnam. But now, I am glad I was not and can tell the true story of these men, high ranking, and millionaires. The crooks who run this country. At last, I am writing to die. I am getting weaker every day, and now I need a cane to hold me up. If I had to do it again, I would, for my country and for my fellow Americans who are living here. I am a true American. And now that I told my story, I am ready to die.

"A magnetic, bloody, moving, and worm's-eye view of soldiering in Vietnam, an account that is from the first page to last a wound that can never heal. A searing gift to his country."-Kirkus Reviews The classic Vietnam war memoir, ...and a hard rain fell is the unforgettable story of a veteran's rage and the unflinching portrait of a young soldier's odyssey from the roads of upstate New York to the jungles of Vietnam. Updated for its 20th anniversary with a new afterword on the Iraq War and its parallels to Vietnam, John Ketwig's message is as relevant today as it was twenty years ago. "Solidly effective. He describes with ingenuous energy and authentic language that time and place."-Library Journal "Perhaps as evocative of that awful time in Vietnam as the great fictions...a wild surreal account, at its best as powerful as Celine's darkling writing of World War One."-Washington Post

Kien’s job is to search the Jungle of Screaming Souls for corpses. He knows the area well – this was where, in the dry season of 1969, his battalion was obliterated by American napalm and helicopter gunfire. Kien was one of only ten survivors. This book is his attempt to understand the eleven years of his life he gave to a senseless war. Based on true experiences of Bao Ninh and banned by the communist party, this novel is revered as the ‘All Quiet on the Western Front for our era’.

Based on classified documents and first-person interviews, a startling history of the American war on Vietnamese civilians The American Empire Project Winner of the Ridenhour Prize for Reportorial Distinction Americans have long been taught that events such as the notorious My Lai massacre were isolated incidents in the Vietnam War, carried out by just a few "bad apples." But as award-winning journalist and historian Nick Turse demonstrates in this groundbreaking investigation, violence against Vietnamese noncombatants was not at all exceptional during the conflict. Rather, it was pervasive and systematic, the predictable consequence of official orders to "kill anything that moves." Drawing on more than a decade of research into secret Pentagon archives and extensive interviews with American veterans and Vietnamese survivors, Turse reveals for the first time the workings of a military machine that resulted in millions of innocent civilians killed and wounded-what one soldier called "a My Lai a month." Devastating and definitive, Kill Anything That Moves finally brings us face-to-face with the truth of a war that haunts America to this day.

This is the story of the fictional warriors, heroes, villains, survivors and victims whose exploits thrill and appall us, capturing the existential appeal to men of war -- Ranges through 3,000 years of history, through epic poems, the modern novel and film scripts -- Case studies include Apocalypse Now, All Quiet on the Western Front, Thin Red Line, Master and Commander, and Dr. Strangelove

The first account of one of the most devastating ambushes of the Vietnam War. Unfortunate Sons goes inside the killing zone of an ambush of 92 American soldiers that in just 8 minutes leaves 49 of them dead and 28 wounded. The current war in Iraq provides a compelling reason to revisit this ambush to show what war is like so that the next time Americans are called upon to decided whether to go to war, they will know what they are asking of their sons and daughters.

How the startling image of an anti-war protested spitting on a uniformed veteran misrepresented the narrative of Vietnam War political debate One of the most resilient images of the Vietnam era is that of the anti-war protester — often a woman — spitting on the uniformed veteran just off the plane. The lingering potency of this icon was evident during the Gulf War, when war supporters invoked it to discredit their opposition. In this startling book, Jerry Lembcke demonstrates that not a single incident of this sort has been convincingly documented. Rather, the anti-war Left saw in veterans a natural ally, and the relationship between anti-war forces and most veterans was defined by mutual support. Indeed one soldier wrote angrily to Vice President Spiro Agnew that the only Americans who seemed concerned about the soldier's welfare were the anti-war activists. While the veterans were sometimes made to feel uncomfortable about their service, this sense of unease was, Lembcke argues, more often rooted in the political practices of the Right. Tracing a range of conflicts in the twentieth century, the book illustrates how regimes engaged in unpopular conflicts often vilify their domestic opponents for "stabbing the boys in the back." Concluding with an account of the powerful role played by Hollywood in cementing the myth of the betrayed veteran through such films as Coming Home, Taxi Driver, and Rambo, Jerry Lembcke's book stands as one of the most important, original, and controversial works of cultural history in recent years.