The Tuner Of Silences

A RADIO FRANCE-CULTURE/TÉLÉRAMA BEST WORK OF FICTION BY THE WINNER OF THE 2013 CAMÕES PRIZE AND THE WINNER OF THE 2014 NEUSTADT PRIZE “Quite unlike anything else I have read from Africa.""—Doris Lessing “By meshing the richness of African beliefs . . . into the Western framework of the novel, he creates a mysterious and surreal epic.”—Henning Mankell Mwanito was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears. Mwanito has been living in a former big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He’s been told that the rest of the world is dead, that all roads are sad, that they wait for an apology from God. In the place his father calls Jezoosalem, Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden. The eighth novel by the internationally bestselling Mia Couto, The Tuner of Silences is the story of Mwanito’s struggle to reconstruct a family history that his father is unable to discuss. With the young woman’s arrival in Jezoosalem, however, the silence of the past quickly breaks down, and both his father’s story and the world are heard once more. The Tuner of Silences has been published to acclaim in more than half a dozen countries. Now in its first English translation, this story of an African boy's quest for the truth endures as a magical, humanizing confrontation between one child and the legacy of war. PRAISE FOR MIA COUTO “On almost every page … we sense Couto’s delight in those places where language slips officialdom’s asphyxiating grasp.”—The New York Times "Even in translation, his prose is suffused with striking images.”—The Washington Post PRAISE FOR DAVID BROOKSHAW "David Brookshaw dexterously renders the novel's often colloquial, pithy Portuguese into lively English. Brookshaw's task is made more exacting by the particular quality of Couto's brilliance.”—The New York Times

An NPR Best Book of 2021 New and selected fiction, over half in English for the first time, from the winner of the 2014 Neustadt Prize. Known internationally for his novels, Neustadt Prize-winner Mia Couto first became famous for his short stories. Sea Loves Me includes sixty-four of his best, thirty-six of which appear in English for the first time. Covering the entire arc of Couto's career, this collection displays the Mozambican author's inventiveness, sensitivity, and social range with greater richness than any previous collection—from early stories that reflect the harshness of life under Portuguese colonialism; to magical tales of rural Africa; to contemporary fables of the fluidity of race and gender, environmental disaster, and the clash between the countryside and the city. The title novella, long acclaimed as one of Couto's best works but never before available in English, caps this collection with the lyrical story of a search for a lost father that leads unexpectedly to love.

"On almost every page of this witty magical realist whodunit, we sense Couto's delight on those places where language slips officialdom's asphyxiating grasp."--The New York Times Book Review on The Last Flight of the Flamingo "The most prominent of the younger generation of writers in Portuguese-speaking Africa, Couto passionately and sensitively describes everyday life in poverty-stricken Mozambique."--Guardian (London) "Quite unlike anything else I have read from Africa."--Doris Lessing As the civil war rages in 1980s Mozambique, an old man and a young boy, refugees from the war, seek shelter in a burnt-out bus. Among the effects of a dead passenger, they come across a set of notebooks that tell of his life. As the boy reads the story to his elderly companion, this story and their own develop in tandem. Written in 1992, Mia Couto's first novel is a powerful indictment of the suffering war brings. Born in 1955 in Mozambique, Mia Couto ran the AIM news agency during the revolutionary struggle. He now lives in Maputo where he works as an environmental biologist and heads the Mozambique side of the Limpopo Transnational Park. In 2007 he was the first African author to win the Latin Union Award for Romance Languages; in 2013 he was awarded the 100,000 Camoes Prize for Literature, in recognition of his life's work. In 2014 he received the $50,000 Neustadt Prize for Literature, and in 2015 he was shortlisted for the Man Booker International Prize.

AMERICAN LIBRARY ASSOCIATION NOTABLE BOOK OF 2012 IRISH TIMES BOOK-TO-READ FOR 2012 ATLANTIC BOOK AWARD WINNER FINALIST FOR THE GILLER PRIZE AND THE FRANK O'CONNOR AWARD A GLOBE & MAIL, QUILL & QUIRE, AND AMAZON.CA BEST BOOK OF THE YEAR "Engrossing, thrilling and ultimately satisfying: each story has the weight of a novel." —The Economist This was the day after Mike Tyson bit off Evander Holyfield’s ear. You remember that. It was a moment in history – not like Kennedy or the planes flying into the World Trade Center – not up at that level. This was something much lower, more like Ben Johnson, back when his eyes were that thick, yellow color and he tested positive in Seoul after breaking the world-record in the hundred. You might not know exactly where you were standing or exactly what you were doing when you first heard about Tyson or about Ben, but when the news came down, I bet it stuck with you. When Tyson bit off Holyfield’s ear, that cut right through the everyday clutter. —from "Miracle Mile" Two runners race a cargo train through the darkness of a rat-infested tunnel beneath the Detroit River. A drugstore bicycle courier crosses a forbidden threshold in an attempt to save a life and a young swimmer conquers her fear of water only to discover she's caught in far more dangerous currents. An auto-worker who loses his family in a car accident is forced to reconsider his relationship with the internal combustion engine. Alexander MacLeod is a writer of "ferocious intelligence" and "ferocious physicality" (CTV). Light Lifting, his celebrated first collection, offers us a suite of darkly urban and unflinching elegies that explore the depths of the psyche and channel the subconscious hopes and terrors that motivate us all. These are elemental stories of work and its bonds, of tragedy and tragedy barely averted, but also of beauty, love and fragile understanding.

From the nation that elected Barack Obama in the flames of economic disaster comes the first novel of the New Era, The Mere Future, by award-winning novelist, activist, and playwright Sarah Schulman. In this dystopian vision, New York City has morphed into an idealized version of itself, the result of what the newly elected mayor calls The Big Change. Rent is cheap, homelessness is over, and everyone works in Marketing. Despite the utopian surface, however, there is a disturbing malaise that infects the population. Our heroine, a lowly copywriter, and her girlfriend Nadine just want to fall in love all over again, but can't help noticing that the social packaging may not be recyclable.

NOMINATED FOR THE 2019 BEST TRANSLATED BOOK AWARD A VANITY FAIR HOT TYPE BOOK FOR APRIL 2018 A VULTURE MUST-READ TRANSLATED BOOK FROM THE PAST 5 YEARS A GLOBE AND MAIL BEST BOOK OF 2018 A LIT HUB FAVOURITE BOOK OF THE YEAR A WORLD LITERATURE TODAY NOTABLE TRANSLATION OF 2018 In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.

Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camões Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luís Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]

Captivating magical realism from a leading African writer.