The Twilight Of The Goddesses

In this extraordinarily rich book, Madelyn Gutwirth examines over one hundred prints and paintings, dozens of texts, and the work of a great many cultural critics in order to consider how gender politics were played out during a highly volatile era. Finding evidence of a crisis in gender relations during the eighteenth century, she traces its evolution in the politics of rococo art, demographic trends, plans for the control of prostitution, maternal nursing and wet-nursing practices, folklore, the salon, and in the theater of Diderot and the polemics of Rousseau. Gutwirth shows how a hostile gender ideology consigned women to a solely mothering role before the political revolution began, and how women who struggled to participate in the nascent First French Republic found themselves hobbled by the representational practices of the revolutionaries, especially their use of allegory. The artificiality and anachronism of the Revolution's representation of women were ratified by the Napoleonic Code. Once depicted as erotic goddesses by the rococo, then as goddesses of liberty (Marianne), the dominant figuration of women around 1800 would become the dying waif. As modern republics began their struggle toward legitimacy, women's posture within them had been reduced, by representation, to feeble marginality. Gutwirth combines perspectives from literature, history, sociology, demography, psychology, and art history and criticism in her delineation of this crisis.

Goddess worship is among the original forms of human religious expression. Thomas Cleary and Sartaz Aziz show how the Divine Feminine has never really disappeared from religion-in spite of its suppression by patriarchal culture. Whether conceptualized as divine person, saint, mythic figure, archetype, or abstract principle, the Divine Feminine inevitably arises, manifesting in hidden as well as obvious ways. This book is a guided tour of the feminine principles, symbols, and imagery found in Hinduism, Taoism, Buddhism, and the Sufi tradition of Islam, with insightful meditations on the deep meanings of these manifestations of the Divine.

Popular images of women were everywhere in revolutionary France. Although women's political participation was curtailed, female allegories of liberty, justice, and the republic played a crucial role in the passage from old regime to modern society. In her lavishly illustrated and gracefully written book, Joan B. Landes explores this paradox within the workings of revolutionary visual culture and traces the interaction between pictorial and textual political arguments. Landes highlights the widespread circulation of images of the female body, notwithstanding the political leadership's suspicions of the dangers of feminine influence and the seductions of visual imagery. The use of caricatures and allegories contributed to the destruction of the masculinized images of hierarchic absolutism and to forging new roles for men and women in both the intimate and public arenas. Landes tells the fascinating story of how the depiction of the nation as a desirable female body worked to eroticize patriotism and to bind male subjects to the nation-state. Despite their political subordination, women too were invited to identify with the project of nationalism. Recent views of the French Revolution have emphasized linguistic concerns; in contrast, Landes stresses the role of visual cognition in fashioning ideas of nationalism and citizenship. Her book demonstrates as well that the image is often a site of contestation, as individual viewers may respond to it in unexpected, even subversive, ways.

To the contrary: whether conceptualized as deity, saint, mythic figure, archetype, or abstract principle, the Divine Feminine has manifested in ways both hidden and overt in all four traditions."--BOOK JACKET.

A stirring and sobering diagnosis of the challenges that confront anyone laboring to renew America’s tradition of ordered liberty. Classicist Bruce Thornton’s Plagues of the Mind is a forceful vindication of the West’s tradition of rational, critical inquiry—a legacy now largely jettisoned in favor of a host of new deities, environmentalism, feminism, primitivism, New Age, and the cult of the therapeutic among them.

Introduces a spiritual path of personal transformation and rebirth. This book draws on the wisdom of shamans, Tibetan Buddhists, and ancient Egyptians, Michelle Belanger and illuminates death as a beautiful gateway to change and regeneration.--Worldcat.

Angels, Spirit Guides & Goddesses is a lavishly illustrated guide to 100 celestial helpers who are ready to provide guidance—all you need to do is ask. Celestial helpers surround us in abundance, simply awaiting our call. Angels, Spirit Guides & Goddesses is a lively reference to who’s who in the celestial realms. Featuring 100 divinities from spiritual traditions both current and ancient, this guide shows you how to call upon divine help in all areas of your life, from relationships, to career and money, to home and family. Angels, Spirit Guides & Goddesses offers an overview of each deity, their purpose, and how you can call upon them for assistance. Need protection? Call upon Archangel Michael. To find your true soul mate, open your heart to the Hindu god, Krishna. Want assistance with healing or communicating with animals? Invoke Saint Francis. Is your life in need of excitement? Call upon Hawaiian volcano goddess Pele to stoke your passion and inner fire! Beautifully illustrated in full color, Angels, Spirit Guides & Goddesses helps you to easily connect with the essence of each guide and call upon them for magical help and support.

Teutonic Mythology: Gods and Goddesses of the Northland in 3 volumes is a historical work by Swedish author Viktor Rydberg which deals with Germanic tradition and Norse mythology. One of Rydberg's mythological theories developed in this book is that of a vast World Mill which rotates the heavens, which he believed was an integral part of Old Norse mythic cosmology.