The Twilight Zone Radio Dramas Collection 3

The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.

For the first time in print, Spencer's radio plays "Amazing Struggles, Astonishing Failures, and Disappointing Success", together with the follow-up four-part audio drama "Cult Stories", tell the tales of disillusioned science fiction writers over the course of the mid-20th century. AMAZING STRUGGLES! In the Golden Age of science fiction, a group of aspiring young authors, the Fabulists, is ready to wow the world with tales of interplanetary heroism and technological supremacy. ASTONISHING FAILURES! Unfortunately, their dreams of fame and fortune are consistently dashed by the dastardly rejections of the compulsively conservative and out-of-touch editor of Tremendous Stories of Super Science. DISAPPOINTING SUCCESS (PARTS I & II)! While some of the Fabulists see middling success as teachers and television writers, another becomes a science fiction mega-star whose writing (and the author's own pathology) spawns a cult religion with wild ideas that may be a bit less bogus than his short stories. CULT STORIES! And like an artistic pandemic, some forms of science fiction can get very ugly. Only extreme measures will save us. "Virtually every line is written to amuse and amaze, yet it’s bang on accurate in its overall account of the actuality of the decade. A lot of thought went into noting the humour inherent in the activities and pretensions of First Fandom." - Amazing Stories "A delightfully cracked and deeply savvy romp through the history of science fiction, and perforce our world, all told through two quartets of scripts for radio plays! You’ll meet real people, thinly veiled characters, and even fully dressed folk you never heard of in this mind’s ear theater that could have appeared in Mad Magazine. What, me worry? No, but I’d love to hear these scripts enacted in a podcast." - Paul Levinson, author of It’s Real Life, award-winning alternate history radio play

The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

Ben Chambers is a private investigator at the end of his career, an arc best viewed through the bottom of a whiskey bottle. He has investigated missing persons, adulterous lovers, embezzling partners... and none of it has ever changed anything. Now, Ben looks at his life and wonders what was it all for, really? He resignedly takes on one last case, investigating the unsolved murder of corporate CEO Jason Black's son, an Iraq veteran killed shortly after an anti-war rally. Ben expected that his investigation would take him into the past through photos, research, and interviews. What he never expected was that the trip into earlier years would be literal... as he time travels back to the night of the murder! Will Detective Chambers be able to save the young man's life, and if so, what kind of consequences might it have on the present? From the mind of J. Michael Straczynski, Hugo Award-winning creator of Babylon 5 and writer for the blockbuster films Thor, Changeling, and World War Z!