The Twin

The instant New York Times bestseller! In this twisty psychological thriller from the #1 New York Times bestselling author of THE CELLAR, Ivy wants to share everything with her twin sister . . . until her twin starts to push her out of her own life. Ivy and Iris haven’t lived together for years—when their mother and father divorced, each parent got custody of one twin. But after a tragic accident takes their mom’s life, the devastated sisters are reunited, and Iris moves in with Ivy and their dad. Iris takes their mom’s death especially hard. She barely talks, spending hours alone in her room. Ivy can’t stand to see Iris so sad. She promised Iris that she can share her life now. After all, they’re sisters. Twins. It’s a promise that Iris takes seriously. And before long, Ivy’s friends, her teachers, and even her boyfriend fall under Iris’s spell. Soon Ivy begins to think there’s something wrong with her twin. It’s almost like Iris is out to get her. Ivy tells herself she’s being paranoid. It’s not like she’s in any danger from her twin. . . . The Twin is an unputdownable read that will keep you on the edge of your seat until the very end.

When his twin brother dies in a car accident, Helmer is obliged to return to the small family farm. He resigns himself to taking over his brother's role and spending the rest of his days 'with his head under a cow'. After his old, worn-out father has been transferred upstairs, Helmer sets about furnishing the rest of the house according to his own minimal preferences. 'A double bed and a duvet', advises Ada, who lives next door, with a sly look. Then Riet appears, the woman once engaged to marry his twin. Could Riet and her son live with him for a while, on the farm?'The Twin' is an ode to the platteland, the flat and bleak Dutch countryside with its ditches and its cows and its endless grey skies. Ostensibly a novel about the countryside, as seen through the eyes of a farmer, 'the Twin' is, in the end, about the possibility or impossibility of taking life into one's own hands. It chronicles a way of life which has resisted modernity, is culturally apart, and yet riven with a kind of romantic longing. --This text refers to an out of print or unavailable edition of this title.

In Victorian London, thirteen-year-old Lucy's comfortable world with her loving parents begins slowly to unravel the day that a bedraggled woman who looks exactly like her mother appears at their door.

Journalist Abigail Pogrebin is many things—wife, mother, New Yorker—but the one that has defined her most profoundly is “identical twin.” As children, she and her sister, Robin, were inseparable. But when Robin began to pull away as an adult, Abigail was left to wonder not only why, but also about the very nature of twinship. What does it mean to have a mirror image? How can you be unique when somebody shares your DNA? In One and the Same, Abigail sets off on a quest to understand how genetics shape us, crisscrossing the country to explore the varied relationships between twins, which range from passionate to bitterly resentful. She speaks to the experts and tries to answer the question parents ask most—is it better to encourage their separateness or closeness? And she paints a riveting portrait of twin life, yielding fascinating truths about how we become who we are.

"The Twin Paradox is one of the best science thrillers to come along since Andy Weir's The Martian." Chris Weitz, Screenwriter, Rogue One With ten years passing for every three minutes on a remote stretch of Texas coast, planes fall out of the sky, evolved species are on the hunt, and people die inside one of the most vicious ecosystems ever grown-all a result of the government's efforts to slow down time. A lot can happen in ten years. That's the point. Governments are always racing for supremacy, for scientific breakthroughs, for technological advantages-and these things take time. Until something goes wrong. With the grounded yet massive world building of READY PLAYER ONE, thrilling scientific questions of JURASSIC PARK, and the time-bending teen drama of BEFORE I FALL, Wachter's THE TWIN PARADOX is a brilliantly plotted tale that is both intimate and massive, relentless yet deliberate, and explores the themes of self-acceptance, self-confidence, and natural selection in a richly hued and unforgettable world. Ultimately the eternal question of Nature versus Nurture is boiled down into this fast-paced thriller told over the course of five days and culminates in one single question: Do we get to choose who we are?

"Lily?" My stomach dropped as a tall, dark-haired man stepped into view. Had he been hiding between the trees? "No. Sorry." Gulping, I took a step back. "I'm not Lily." He shook his head, a satisfied grin on his face. "No. You are Lily." "I'm Summer. You have the wrong person." You utter freak! I could hear my pulse crashing in my ears. How stupid to give him my real name. He continued to stare at me, smiling. It made me feel sick. "You are Lily," he repeated. Before I could blink, he threw his arms forward and grabbed me. I tried to shout, but he clasped his hand over my mouth, muffling my screams. My heart raced. I'm going to die. For months Summer is trapped in a cellar with the man who took her—and three other girls: Rose, Poppy, and Violet. His perfect, pure flowers. His family. But flowers can't survive long cut off from the sun, and time is running out...