The Ultimate Oil Painting Solution For Landscape Art Portraiture And Still Life

A bulky, comprehensive book on oil painting various subject matter. Ever had trouble drawing ellipses, mixing skin colours or painting skies? This bumper oil painting book tackles 78 such painting ‘peeves’ with suggested solutions. The Ultimate Oil Painting Solution comprise three full-length art books: Why do my Clouds Look Like Cotton Wool? a problem-solver for landscape painting; Why do my Skin Tones Look Lifeless? a problem-solver for portrait painting, and Why do my Ellipses Look Like Doughnuts? a problem-solver for still life painting. Each book can be purchased singly if interested in just one subject area. However, purchasing the three in this bundle book will work out a little cheaper than buying the three books individually. Each book comprises 26 common ‘peeves’ (in the form of chapters) associated with the oil painting area concerned, and therefore you will find 78 such peeves and suggested solutions collectively within. The book has 73,000 words, 78 chapters and around 400 images. Each book also possesses a step by step painting demonstration associated with the subject area. These are Castlerigg Stone Circle (for landscape art); David’s Oath of the Horatii (for portraiture) and painting strawberries (for still life). The ‘peeves’ selected represent common problem areas that students have experienced in my art classes. Such peeves include the rendering of foreshortenings, darkening skin colours, suggesting ripples in water, painting clouds, mixing greens, suggesting soft hair, painting noses, reflections in eyes, moisture on fruit, portrait photography, measuring tones, darkening snow colours and a myriad of other peeves. As each book are in themselves separate entities, where applicable, similar information is presented in context of landscape art, portraiture and still life painting, although the information is presented differently. Examples of this are the art materials needed for painting and the nature of pigments. However, such occurrences are mostly confined to the introductory chapters of each book and occur seldom elsewhere. Key chapters in this book cover the colour theory, perspectives, drawing ellipses, the golden section, tonal values, underglazing, art techniques, the nature of pigments, essential art materials, monochromatic painting, composing an arrangement, negative shapes, painting en plein air, drawing foreshortenings, creating mood, making a viewfinder, colour temperatures, drawing methods, the rules of reflections, painting on a budget, types of gessoes, skin colours and much, much more. The aim of this book is to find a ‘cure’ for a given issue and enable the developing artist to improve in the future. Most of all, to encourage creativity and growing confidence. Dimensions of print book: 10x8in and 234 pages.

An oil painting demonstration on portrait painting with sfumato like the old masters. This in depth painting demonstration explores a tailored approach in achieving sfumato effects when painting Leonardo da Vinci’s the Mona Lisa in oils. Taken from my other book, Skin Tones in Oil: 10 Step by Step Guides from Old Masters, this painting project has proved to be sufficiently lengthy to warrant a book in its own right. The chief section of this book comprises step by step images with accompanying text that gives full instructions on how the Mona Lisa was completed via 5 stages. Find also extra features, such as managing tonal balances, attaining soft shadowy effects, working in glazes, dry brushing, troubleshooting and making the most of simple art materials. Learn how such a momentous project can be broken down into manageable pieces. Painting the Mona Lisa with sfumato could prove an invaluable experience for any portraitist. Note: this book does not explain the painting processes of the Renaissance period such as grinding pigments or the old masters’ method of underpainting. Such practices may exclude artists who do not have the room or the resources to prepare in such a way. This book’s aim is to make painting the Mona Lisa more inclusive. This means getting on with the painting with minimal fuss. Contemporary art materials and modified art techniques have therefore been used. However, this book offers a way of achieving great sfumato effects in the style of Leonardo. Preparatory sections, a troubleshooting guide and glossary are included. Book’s dimensions: 10x8in and 48 pages.

What does the artist paint after receiving oil painting materials? Find 10 simple oil painting demonstrations with step by step images and instructions to get the paint brush moving..The projects include landscapes, still life, animals and a colour mixing exercise. Achievable within 2 hours. Includes a guide to the art materials and glossary. With 360 images.

Learn oil painting techniques for portraiture including skin colours, hair and eyes from this step by step art book. Portraiture would seem an art form reserved for the most intrepid and experienced of artists. Now with large images for tablets, this oil painting step-by-step guidebook for beginners to intermediate aims to break down this seemingly exacting subject matter into manageable pieces. Within you will find step-by-step instructions on completing 10 portraits from old masters in oil. Leaving no stone unturned, portrait painting would seem more possible. Each demonstration comprises an overview of a particular oil painting technique to be explored, in-depth step-by-step instructions and (on average) 16 images in progress. The artists featured include Botticelli, Delacroix, Gauguin, Velazquez, Wright of Derby, Jacques-Louis David, Rossetti and Vermeer. An additional demonstration features a modern-day portrait. Subjects of various ages, sexes and ethnicity help the developing portraitist get to grips with portraying most skin types in painting. As well as these demonstrations, preliminary sections offer guidance on the art materials required, preparing for oil painting and a personal view of portrait painting. At the back of this book can be found remedial techniques for portraiture, a troubleshooting guide and a glossary. These features make this book an invaluable guide for the beginner wishing to build confidence as well as the developing portraitist. My other book, 'Skin Tones in Oil: 10 Step by Step Guides from Old Masters' similarly explores portraiture but also the figure. Additional oil painting techniques are explained via the source material of artists including Da Vinci, Michelangelo and Rubens. A troubleshooting guide for the portraitist is also available. 'Why do my Skin Tones Look Lifeless Plus 25 Solutions to Other Portrait Painting Peeves' helps with common problems such as mixing skin tones, hair, eyes and shadows plus much more. Dimensions of large edition: 10x8in and 96 pages. The author has a Bachelor’s degree from Kingston University and a PCET teaching qualification from Warwick.

Learn how to mix skin colours, paint hair and techniques for painting eyes in this oil painting book. Portrait painting is often seen as the last frontier of representational art as every detail has huge consequences upon whether a portrait looks like the person depicted. The beginner need not venture far before encountering a possible minefield of problems. Common issues might be why a portrait painting looks childish, eyes look like marbles, hair looks like a wig or noses appear skewed. Such frustrations and many others might be encountered by professional and amateur portraitists alike, whether it is to capture the highlights in eyes or to make skin tones appear three-dimensional. It is all part of learning to paint. If the issue persists, however, the problem is likely to become a creative block in portraiture. This is where this book comes in. Each issue is tackled candidly and in-depth, consisting of a description of the issue concerned, suggested solutions via the art materials required and painting exercises. In total, 26 “peeves” associated with portraiture are tackled within this book. A myriad of other matters relating to portraiture are explained, including suggested pigments to use for ethnic subjects, painting from life, portrait photography and more – in total, with countless colour images. Sections I and II within the after matter of this book provides step-by-step demonstrations for first-time explorers of skin tones. Some of the images within this book can be found in my other Oil Painting Medic Book, Portrait Painting in Oil: Ten Step by Step Guides from Old Masters. Other images have been sourced from my fine art paintings and commissions. My other book on portraiture, Portrait Painting in Oil 10 Step by Step Guides offers in-progress demos on painting old master subjects, such as that from Botticelli, Rossetti, Vermeer, Gauguin and more. Dimensions of large edition: 10x8in and 84 pages. The author has a BA Hons Degree in Fine Art from London as well as a PCET teaching qualification from Warwick.

Professional painting instructor Lea Colie Wight demystifies the formulaic process of oil painting into a simple approach to help you paint confidently and accurately in full color. Develop a core foundational skill set to develop your paintings and discover a signature way of working from life that can be applied to figure painting, portraits, landscapes and still life. Though the focus is on oils, the methods in this book can be applied to all painting mediums including as acrylic, pastel and watercolor. • Informative lessons and simple exercises help to build confidence and lay the foundations for successful oil painting • Learn a straightforward system for painting realistically with a focus on accurate color. • 4 full-length step-by-step demonstrations show how to paint a figure, a portrait, a still life and a landscape

Indeed why do clouds sometimes look like cotton wool in landscape paintings? And why do mountains sometimes end up resembling pointed cones topped with cream? This handy-sized artbook aims to offer guidance.Such frustrations and many others are occasionally encountered by professional landscape artists and novices alike, whether it is to capture a bright sunset or the greens of foliage. It is all part of learning to paint.If the issue persists, however, the problem is likely to become a creative block. This is where this book comes in.With no-nonsense and at times direct advice, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises, as well as an oil painting demonstration.In total, twenty-six common "peeves" associated with landscape painting are tackled within this book, including why shadows look like black splodges, trees like lollypops and why flowers look garish. In five clear sections, a myriad of other matters relating to landscape painting are explained, such as the colour theory, the rules of perspectives and introductory chapters on the essentials of oil painting, in total, with around 120 colour illustrations and several diagrams.The chapters offering solutions to common problems are:1. I haven't the room or funds to pursue oil painting.2. Oil painting techniques for landscape art seems complicated.3. I don't have the confidence to begin landscape painting.4. My landscape painting looks childish.5. How do I loosen my style for expressive. landscapes?6. How do I get smooth effects for water and skies?7. What do I do about background to my landscape paintings?8. How do I erase a mistake from my painting?9. Painting impasto uses too much pigment10. Why do my landscape paintings look dull?11. Why are my colour mixes dirty?12. Why do my greens look artificial?13. My landscape paintings look insipid.14. My skies are bland and empty.15. My clouds look like cotton wool.16. My moonlit landscapes look dingy.17. My sunset paintings look tarnished.18. My landscape scenes lack depth and drama.19. My trees look like lollypops.20. How do I make water look like water?21. The ripples in my lake painting look harsh.22. My flower studies are garish23. My shadows look like black splodges.24. How do I darken the colour of snow?25. The perspectives of my buildings look crooked.26. My mountains resemble pointed cones.An oil painting demonstration.If the problem sought after is not in this book, it might be in my other Oil Painting Medic book, Why do my Ellipses look Like Doughnuts?Book's dimensions: 5.75inx8.75in (140mmx220mm), 167 pages, 25,000 words, 120 colour illustrations and 10 black and white diagrams.

This essential oil painting instruction book guides the portraitist via in depth step-by-step instructions on how to paint Leonardo da Vinci’s angel that can be seen within his masterpiece, The Angel of the Rocks. With numerous colour images.