The Uncommon Reader

From one of England’s most celebrated writers, a funny and superbly observed novella about the Queen of England and the subversive power of reading When her corgis stray into a mobile library parked near Buckingham Palace, the Queen feels duty-bound to borrow a book. Discovering the joy of reading widely (from J. R. Ackerley, Jean Genet, and Ivy Compton-Burnett to the classics) and intelligently, she finds that her view of the world changes dramatically. Abetted in her newfound obsession by Norman, a young man from the royal kitchens, the Queen comes to question the prescribed order of the world and loses patience with the routines of her role as monarch. Her new passion for reading initially alarms the palace staff and soon leads to surprising and very funny consequences for the country at large. With the poignant and mischievous wit of The History Boys, England’s best-loved author Alan Bennett revels in the power of literature to change even the most uncommon reader’s life.

One of The Sunday Times' (U.K.) Books of the Year "Garnett's life will not need to be written again." —Andrew Morton, Times Literary Supplement A penetrating biography of the most important English-language editor of the early twentieth century During the course of a career spanning half a century, Edward Garnett—editor, critic, and reader for hire—would become one of the most influential men in twentieth-century English literature. Known for his incisive criticism and unwavering conviction in matters of taste, Garnett was responsible for identifying and nurturing the talents of a generation of the greatest writers in the English language, from Joseph Conrad to John Galsworthy, Henry Green to Edward Thomas, T. E. Lawrence to D. H. Lawrence. In An Uncommon Reader, Helen Smith brings to life Garnett’s intimate and at times stormy relationships with those writers. (“I have always suffered a little from a sense of injustice at your hands,” Galsworthy complained in a letter.) All turned to Garnett for advice and guidance at critical moments in their careers, and their letters and diaries—in which Garnett often features as a feared but deeply admired protagonist—tell us not only about their creative processes, but also about their hopes and fears. Beyond his connections to some of the greatest minds in literary history, we also come to know Edward as the husband of Constance Garnett—the prolific translator responsible for introducingTolstoy, Dostoevsky, and Chekhov to an English language readership—and as the father of David “Bunny” Garnett, who would make a name for himself as a writer and publisher. “Mr. Edward Garnett occupies a unique position in the literary history of our age,” E. M. Forster wrote. “He has done more than any living writer to discover and encourage the genius of other writers, and he has done it without any desire for personal prestige.” An absorbing and masterfully researched portrait of a man who was a defining influence on the modern literary landscape, An Uncommon Reader asks us to consider the multifaceted meaning of literary genius.

A dark and intricate fantasy, City of the Uncommon Thief is the story of a quarantined city gripped by fear and of the war that can free it. "Guilders work. Foundlings scrub the bogs. Needles bind. Swords tear. And men leave. There is nothing uncommon in this city. I hope Errol Thebes is dead. We both know he is safer that way." In a walled city of a mile-high iron guild towers, many things are common knowledge: No book in any of the city's libraries reveals its place on a calendar or a map. No living beasts can be found within the city's walls. And no good comes to the guilder or foundling who trespasses too far from their labors. Even on the tower rooftops, where Errol Thebes and the rest of the city's teenagers pass a few short years under an open sky, no one truly believes anything uncommon is possible within the city walls. But one guildmaster has broken tradition to protect her child, and now the whole city faces an uncommon threat: a pair of black iron spikes that has the power of both sword and needle on the rib cages of men has gone missing, but the mayhem they cause rises everywhere. If the spikes are not found, no wall will be high enough to protect the city—or the world beyond it. And Errol Thebes? He's not dead and he's certainly not safe.

A literary journey around Calgary as seen through the eyes of writers, from its frontier beginnings to today's contemporary city. Shaun Hunter tours readers and urban explorers through a place that has captivated writers since 1792. She has selected excerpts from over 150 novels, stories, poems and essays that sing the city's human and natural terrain, plumb its past, and question its prevailing mythologies. Writers take us beyond the city's familiar stereotypes of cowboys and oil barons and reveal Calgary's multiple worlds and its interiors. They explore the city's perpetual motion of extreme, unpredictable weather and a boom-and-bust economy. Through writers' eyes, we travel into the inner sanctums of the oil patch, and see the layers of the world-famous Calgary Stampede. Coming-of-age stories show the way this place shapes identity; poems and prose tease meaning and metaphor from a city perched on the dynamic edge of prairie and foothills. Alongside each excerpt, Hunter presents delightful and informative connections between place and story. A timeline anchors the passages and marks significant moments in its literary history. Maps and an index invite readers to find their own trails through a complex and storied city.

M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres – horror and science fiction, fantasy and travel writing – just as his characters occupy the no man’s land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world’s financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house… these are weird stories for weird times. ‘M. John Harrison’s slippery, subversive stories mix the eerie and familiar into beguiling, alarming marvels. No one writes quite like him; no one I can think of writes such flawless sentences, or uses them to such disorientating effect.’ – Olivia Laing, author of The Lonely City ‘These stories map a rediscovered fictional hinterland, one tucked behind the glossier edifices of modernity and genre with views down alleyways into pubs and flats where Patrick Hamilton glares balefully at J. G. Ballard.’ – Will Eaves, author of This is Paradise ‘M. John Harrison moves elegantly, passionately, from genre to genre, his prose lucent and wise, his stories published as SF or as fantasy, as horror or as mainstream fiction. In each playing field, he wins awards, and makes it look so easy. His prose is deceptively simple, each word considered and placed where it can sink deepest and do the most damage.’ – Neil Gaiman, author of American Gods ‘With an austere and deeply moving humanism, M. John Harrison proves what only those crippled by respectability still doubt – that science fiction can be literature, of the very greatest kind.’ – China Miéville, author of Perdido Street Station

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

A collection of seventeen wonderful short stories showing that the legendary Tom Hanks is as talented a writer as he is an actor. “Reading Tom Hanks's Uncommon Type is like finding out that Alice Munro is also the greatest actress of our time.” —Ann Patchett, bestselling, Pulitzer Prize–winning author of The Dutch House A gentle Eastern European immigrant arrives in New York City after his family and his life have been torn apart by his country's civil war. A man who loves to bowl rolls a perfect game--and then another and then another and then many more in a row until he winds up ESPN's newest celebrity, and he must decide if the combination of perfection and celebrity has ruined the thing he loves. An eccentric billionaire and his faithful executive assistant venture into America looking for acquisitions and discover a down and out motel, romance, and a bit of real life. These are just some of the tales Tom Hanks tells in this first collection of his short stories. They are surprising, intelligent, heartwarming, and, for the millions and millions of Tom Hanks fans, an absolute must-have!

A collection of Bennett’s diaries and essays, covering 2005 to 2015 Alan Bennett’s third collection of prose, Keeping On Keeping On, follows in the footsteps of the phenomenally successful Writing Home and Untold Stories. Bringing together the hilarious, revealing, and lucidly intelligent writing of one of England’s best-known literary figures, Keeping On Keeping On contains Bennett’s diaries from 2005 to 2015—with everything from his much celebrated essays to his irreverent comic pieces and reviews—reflecting on a decade that saw four major theater premieres and the films of The History Boys and The Lady in the Van. A chronicle of one of the most important literary careers of the twentieth century, Keeping On Keeping On is a classic history of a life in letters.