The Undercurrent

Humane, thought provoking, and moving, this hybrid literary portrait of a place makes the case for radical close readings: of ourselves, our cities, and our histories. The Undercurrents is a dazzling work of biography, memoir, and cultural criticism told from a precise vantage point: a stately nineteenth-century house on Berlin’s Landwehr Canal, a site at the center of great historical changes, but also smaller domestic ones. The view from this house offers a ringside seat onto the city’s theater of action. The building has stood on the banks of the canal since 1869, its feet in the West but looking East, right into the heart of a metropolis in the making, on a terrain inscribed indelibly with trauma. When her marriage breaks down, Kirsty Bell—a British-American art critic, adrift in her midforties—becomes fixated on the history of her building and of her adoptive city. Taking the view from her apartment window as her starting point, she turns to the lives of the house’s various inhabitants, to accounts penned by Walter Benjamin, Rosa Luxemburg, and Gabriele Tergit, and to the female protagonists in the works of Theodor Fontane, Irmgard Keun, and Rainer Werner Fassbinder. A new cultural topography of Berlin emerges, one which taps into energetic undercurrents to recover untold or forgotten stories beneath the city’s familiar narratives.

A blisteringly paced novel full of thrills, twists, and surprises, Undercurrent unfolds with possibilities that are both gripping and unsettling. Sixteen-year-old Callum Harris never wanted to move to Crystal Falls. Neither did Cole, his brawny and fearless older brother. With the recent separation of their parents, the brothers have had quite enough change of late. But the move turns out to be only the first of many changes in Callum's life. After he plunges headlong over the falls, he wakes up in the hospital to find that life is no longer what it once was: his squabbling parents appear to have reconciled; his brother, an unrepentant jock and serial dater, is paralyzed and bed-ridden in a makeshift hospital room at home; and even Callum himself, always studious and unpopular, is now the object of desire for the two hottest girls in school. As he adjusts to this surreal new life--a life both exhilarating and terrifying--Callum struggles to reconcile his past memories with a dangerous and uncertain present. Who is he? Where is he? And what, exactly, has he become?

Eighteen-year-old Julianne De Marchi is different. As in: she has an electrical undercurrent beneath her skin that stings and surges like a live wire. She can use it—to spark a fire, maybe even end a life—but she doesn’t understand what it is. And she can barely control it, especially when she’s anxious. Ryan Walsh was on track for a stellar football career when his knee blew out. Now he’s a soldier—part of an experimental privatised military unit that has identified Jules De Marchi as a threat. Is it because of the weird undercurrent she’s tried so hard to hide? Or because of her mother Angie’s history as an activist against bio-engineering and big business? It’s no coincidence that Ryan and Jules are in the same place at the same time—he’s under orders to follow her, after all. But then an explosive attack on a city building by an unknown enemy throws them together in the most violent and unexpected way. Paula Weston, author of the much-admired Rephaim series, returns with a standalone work: a futuristic thriller that is only slightly futuristic—but utterly and undeniably thrilling. Great writing, heart-burning characters, probing questions about where technology is taking us—and a plot that zips and zings like an electrical current itself. This is a great young-adult writer at the peak of her powers.

The water belongs to itself. undercurrent reflects on the power and sacredness of water—largely underappreciated by too many—whether it be in the form of ocean currents, the headwaters of the Fraser River or fluids in the womb. Exploring a variety of poetic forms, anecdote, allusion and visual elements, this collection reminds humanity that we are water bodies, and we need and deserve better ways of honouring this. Poet Rita Wong approaches water through personal, cultural and political lenses. She humbles herself to water both physically and spiritually: “i will apprentice myself to creeks & tributaries, groundwater & glaciers / listen for the salty pulse within, the blood that recognizes marine ancestry.” She witnesses the contamination of First Nations homelands and sites, such as Gregoire Lake near Fort McMurray, AB: “though you look placid, peaceful dibenzothiophenes / you hold bitter, bitumized depths.” Wong points out that though capitalism and industry are supposed to improve our quality of life, they’re destroying the very things that give us life in the first place. Listening to and learning from water is key to a future of peace and creative potential. undercurrent emerges from the Downstream project, a multifaceted, creative collaboration that highlights the importance of art in understanding and addressing the cultural and political issues related to water. The project encourages public imagination to respect and value water, ecology and sustainability. Visit downstream.ecuad.ca.

It is 1988 as Dr. Paul Karan prepares to travel from Trinidad to Washington, DC, for a job interview. After he boards the plane, Paul senses something is amiss but settles in for the long flight. When a man seated next to him clutches his chest, Paul tends to him as the plane reroutes to Caracas. But what Paul does not know is that fate has just intervened and transformed his life forever. When the plane lands, uniformed officers wrongly arrest Paul for smuggling drugs. Although he denies involvement, Paul is interrogated and thrown into prison. After he is slowly tortured, Paul is offered a deal to treat AIDS patients by day and supply the drugs that contribute to their decline by night. As he ascends to become a cartel leader, his double life becomes unbearable. Can he and his family escape alive or will his past return to haunt him? The Undercurrent is the thrilling tale of a doctor's quest to reject his new and unwanted destiny as a drug smuggler.

The Undercurrent by Robert Grant is about a couple and their life together as newlyweds, which does not altogether go as planned. Excerpt: "Those whom God has joined together let no man put asunder." It seemed to the bride that the Rev. George Prentiss laid especially solemn stress on these words, and as she listened to the announcement that, forasmuch as Emil Stuart and Constance Forbes had consented together in holy matrimony, he pronounced them to be man and wife, her nerves quivered with satisfaction at the thought that she was Emil's forever."