The Unesco Courier

Throughout UNESCO's 75 years of existence, never before has the Courier, UNESCO's flagship magazine, published an anthology, in book form, with such scope and scale. These two volumes bring together some of the great thinkers and pioneering minds of recent times who have led important discussions on society's pressing challenges. UNESCO Courier: Transforming Ideas will lead you through an exciting, magical and thought-provoking adventure into UNESCO's past, present and future

Throughout UNESCO's 75 years of existence, never before has the Courier, UNESCO's flagship magazine, published an anthology, in book form, with such scope and scale. These two volumes bring together some of the great thinkers and pioneering minds of recent times who have led important discussions on society's pressing challenges. UNESCO Courier: Transforming Ideas will lead you through an exciting, magical and thought-provoking adventure into UNESCO's past, present and future

Throughout UNESCO’s 75 years of existence, never before has the Courier, UNESCO’s flagship magazine, published an anthology, in book form, with such scope and scale. These two volumes bring together some of the great thinkers and pioneering minds of recent times who have led important discussions on society’s pressing challenges. UNESCO Courier: Transforming Ideas will lead you through an exciting, magical and thought-provoking adventure into UNESCO’s past, present and future

In spring 2020, the health crisis linked to the COVID-19 (coronavirus) pandemic brought the whole world to a standstill. But the illicit trafficking of cultural property has not stopped. On the contrary. Traffickers of cultural goods have taken advantage of reduced security at archaeological sites and museums to engage in illegal excavations and thefts, with impunity. The figures prove it: the attraction for mosaics, funerary urns, sculptures, statuettes, or ancient manuscripts has never been greater. The pressure of this demand has helped fuel the illegal market in artworks and antiquities, which now operates largely online – via platforms that often pay scant attention to the original provenance of the objects.