The Unincorporated War

The Kollin brothers introduced their future world, and central character Justin Cord, in their Prometheus Award-winning novel The Unincorporated Man. Justin created a revolution in that book, and is now exiled from Earth to the outer planets, where he is an heroic figure. The corporate society which is headquartered on Earth and rules Venus, Mars, and the Orbital colonies, wants to destroy Justin and reclaim hegemony over the rebellious outer planets. The first interplanetary civil war begins as the military fleet of Earth attacks. Filled with battles, betrayals, and triumphs, The Unincorporated War is a full-scale space opera that catapults the focus of the earlier novel up and out into the solar system. Justin remains both a logical and passionate fighter for the principles that motivate him, and remains the most dangerous man alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

WINNER OF THE PROMETHEUS AWARD FOR BEST NOVEL Dani and Eytan Kollin's The Unincorporated Man is a provocative social/political/economic novel that takes place in the future, after civilization has fallen into complete economic collapse. This reborn civilization is one in which every individual is incorporated at birth, and spends many years trying to attain control over his or her own life by getting a majority of his or her own shares. Life extension has made life very long indeed. Now the incredible has happened: a billionaire businessman from our time, frozen in secret in the early twenty-first century, is discovered and resurrected, given health and a vigorous younger body. Justin Cord is the only unincorporated man in the world, a true stranger in this strange land. Justin survived because he is tough and smart. He cannot accept only part ownership of himself, even if that places him in conflict with a civilization that extends outside the solar system to the Oort Cloud. People will be arguing about this novel and this world for decades. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

With their "talent for epic storytelling" (The Sunday Denver Post), Prometheus Award-winning authors Dani Kollin and Eytan Kollin conclude their thought-provoking science fiction saga with The Unincorporated Future. Sandra O'Toole is the president of the Outer Alliance, which stretches from the asteroid belt to the Oort Cloud beyond Pluto. Resurrected following the death of Justin Cord, the unincorporated man, O'Toole has become a powerful political figure and a Machiavellian leader determined to win the Civil War against the inner planets at almost any cost. And the war has been going badly, in part because of the great General Trang, a fit opponent for the brilliant J. D. Black. Choices have to be made to abandon some of the moral principles upon which the revolution was founded. It is a time of great heroism and great betrayal, madness, sacrifice, and shocking military conflict. Nothing is predictable, even the behavior of artificial intelligences. There may be only one way out, but it is not surrender. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

There's a civil war in space and the unincorporated woman is enlisted! Dani Kollin and Eytan Kollin's thought-provoking epic series, which began with the Prometheus Award-winning novel The Unincorporated Man, continues. The award-winning saga of a revolutionary future takes a new turn. Justin Cord, the unincorporated man, is dead, betrayed, and his legacy of rebellion and individual freedom is in danger. General Black is the great hope of the military, but she cannot wage war from behind the President's desk. So there must be a new president, anointed by Black, to hold the desk job, and who better than the only woman resurrected from Justin Cord's past era, the scientist who created his resurrection device, the only born unincorporated woman. The perfect figurehead. Except that she has ideas of her own, and secrets of her own, and the talent to run the government her way. She is a force that no one anticipated, and no one can control. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A meditation on the nature of betrayal, the constraints of identity, and the power of narrative, the lyric monologues in Troy, Unincorporated offer a retelling, or refraction, of Chaucer’s tragedy Troilus and Criseyde. The tale’s unrooted characters now find themselves adrift in the industrialized farmlands, strip malls, and half-tenanted “historic” downtowns of south-central Wisconsin, including the real, and literally unincorporated, town of Troy. Allusive and often humorous, they retain an affinity with Chaucer, especially in terms of their roles: Troilus, the good courtly lover, suffers from the weeps, or, in more modern terms, depression. Pandarus, the hard-working catalyst who brings the lovers together in Chaucer’s poem, is here a car mechanic. Chaucer’s narrator tells a story he didn’t author, claiming no power to change the course of events, and the narrator and characters in Troy, Unincorporated struggle against a similar predicament. Aware of themselves as literary constructs, they are paradoxically driven by the desire to be autonomous creatures—tale tellers rather than tales told. Thus, though Troy, Unincorporated follows Chaucer’s plot—Criseyde falls in love with Diomedes after leaving Troy to live with her father, who has broken his hip, and Troilus dies of a drug overdose—it moves beyond Troilus’s death to posit a possible fate for Criseyde on this “litel spot of erthe.”

For fans of Ender’s Game, Red Rising, and The Hunger Games comes an explosive, epic science fiction debut... Cities vanished, gone in flashes of world-shattering destruction. An alien race had come to make Earth theirs, bringing a power so far beyond human technology it seemed like magic. It was nearly the end of the world—until we learned to seize the power, and use it to fight back. The war has raged for five centuries. For a cadet like Jax, one of the few who can harness the enemy’s universe-altering force, that means growing up in an elite military academy, training for battle at the front—and hoping he is ready. For Naomi, young nomad roaming the wilds of a ruined Earth, it means a daily fight for survival against the savage raiders who threaten her caravan. When a new attack looms, these two young warriors find their paths suddenly intertwined. Together with a gifted but reckless military commander, a factory worker drafted as cannon fodder, a wild and beautiful gunfighter, and a brilliant scientist with nothing to lose—they must find a way to turn back the coming invasion, or see their home finally and completely destroyed.

Experimental and visual poems diving into the history and culture of the poet's homeland, Guam. This book is the fifth collection in Craig Santos Perez's ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guåhan (Guam), and the culture of his indigenous Chamoru people. "Åmot" is the Chamoru word for "medicine," commonly referring to medicinal plants. Traditional Chamoru healers were known as yo'åmte; they gathered åmot in the jungle and recited chants and invocations of taotao'mona, or ancestral spirits, in the healing process. Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of åmot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders.

Balancing the Tides highlights the influence of marine practices and policies in the unincorporated territory of American Sāmoa on the local indigenous group, the American fishing industry, international seafood consumption, U.S. environmental programs, as well as global ecological and native concerns. Poblete explains how U.S. federal fishing programs in the post–World War II period encouraged labor based out of American Sāmoa to catch and can one-third of all tuna for United States consumption until 2009. Labeled "Made in the USA," this commodity was sometimes caught by non-U.S. regulated ships, produced under labor standards far below continental U.S. minimum wage and maximum work hours, and entered U.S. jurisdiction tax free. The second half of the book explores the tensions between indigenous and U.S. federal government environmental goals and ecology programs. Whether creating the largest National Marine Sanctuary under U.S. jurisdiction or collecting basic data on local fishing, initiatives that balanced western-based and native expectations for respectful community relationships and appropriate government programs fared better than those that did not acknowledge the positionality of all groups involved. Despite being under the direct authority of the United States, American Sāmoans have maintained a degree of local autonomy due to the Deeds of Cession signed with the U.S. Navy at the turn of the twentieth century that created shared indigenous and federal governance in the region. Balancing the Tides demonstrates how western-style economics, policy-making, and knowledge building imposed by the U.S. federal government have been infused into the daily lives of American Sāmoans. American colonial efforts to protect natural resources based on western approaches intersect with indigenous insistence on adhering to customary principles of respect, reciprocity, and native rights in complicated ways. Experiences and lessons learned from these case studies provide insight into other tensions between colonial governments and indigenous peoples engaging in environmental and marine-based policy-making across the Pacific and the globe. This study connects the U.S.-American Sāmoa colonial relationship to global overfishing, world consumption patterns, the for-profit fishing industry, international environmental movements and studies, as well as native experiences and indigenous rights. Open Access publication of this book was made possible by the Sustainable History Monograph Pilot, an initiative sponsored by the Andrew W. Mellon Foundation.