The Unnatural And Accidental Women

Surrealist dramatization of a notorious case involving mysterious deaths on Vancouver's Skid Row. Cast of 11 women and 2 men.

Miners, people of Hiroshima, and others labour under the false sun of uranium. Cast of 5 women and 12 men.

Roads, Mobility, and Violence in Indigenous Literature and Art from North America explores mobility, spatialized violence, and geographies of activism in a diverse archive of literary and visual art by Indigenous authors and artists. Building on Raymond Williams’s observation that "traffic is not only a technique; it is a form of consciousness and a form of social relations," this book pulls into focus racial, sexual, and environmental violence localized around roads. Reading this archive of texts next to lived struggles over spatial justice, Rymhs argues that roads are spaces of complex signification. For many Indigenous communities, the road has not often been so open. Recent Indigenous writing and visual art explores this tension between mobility and confinement. Drawing primarily on the work of Marie Clements, Tomson Highway, Marilyn Dumont, Leanne Simpson, Richard Van Camp, Kent Monkman, and Louise Erdrich, this volume examines histories of uprooting and violence associated with roads. Along with exploring these fraught histories of mobility, this book emphasizes various ways in which Indigenous communities have transformed roads into sites of political resistance and social memory.

Despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women’s Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of twentieth and twenty-first century Canada. Closely analyzing dramatic texts by Monique Mojica, Marie Clements, and Yvette Nolan, MacKenzie explores representations of gendered colonialist violence in order to determine the varying ways in which these representations are employed subversively and informatively by Indigenous women. These plays provide an avenue for individual and potential cultural healing by deconstructing some of the harmful ideological work performed by colonial misrepresentations of Indigeneity and demonstrate the strength and persistence of Indigenous women, offering a space in which decolonial futurisms can be envisioned. In this unique work, MacKenzie suggests that colonialist misrepresentations of Indigenous women have served to perpetuate demeaning stereotypes, justifying devaluation of and violence against Indigenous women. Most significantly, however, she argues that resistant representations in Indigenous women’s dramatic writing and production work in direct opposition to such representational and manifest violence.

Explores how women playwrights illuminate the contemporary world and contribute to its reshaping

The hilarious New York Times bestselling phenomenon and the perfect funny gift! The Darwin Awards II: Unnatural Selection brings together a fresh collection of the hapless, the heedless, and the just plain foolhardy among us. Salute the owner of an equipment training school who demonstrates the dangers of driving a forklift by failing to survive the filming of his own safety video. Gawk at the couple who go to sleep on a sloping roof. Witness the shepherd who leaves his rifle unsecured—only to be accidentally shot by one of his own flock. With over one hundred Darwin Award Winners, Honorable Mentions, and debunked Urban Legends, plus science and safety tips for avoiding the scythe of natural selection, The Darwin Awards II proves once again how uncommon common sense can be.

"An angry, humorous and loving search for the truth behind the myth and legend of the 'Indian princess.' With her powerful words, Monique Mojica lays bare the hearts and minds of Pocahontas, Malinche, Sacajawea and the uncounted native women who first met and fought the European invasion of our lands. Moving across and through time, Mojica engages our imagination, our spirit, and invites us to witness this time-travel of exploding illusions and delusions, to the triumph and honesty of survival"-Beth Brant-- Back cover.

A multilayered drama based on the persona of famed Ojibwa artist Norval Morrisseau. Cast of 5 women and 4 men.