The Urban Church Imagined

Explores the role of race and consumer culture in attracting urban congregants to an evangelical church The Urban Church Imagined illuminates the dynamics surrounding white urban evangelical congregations’ approaches to organizational vitality and diversifying membership. Many evangelical churches are moving to urban, downtown areas to build their congregations and attract younger, millennial members. The urban environment fosters two expectations. First, a deep familiarity and reverence for popular consumer culture, and second, the presence of racial diversity. Church leaders use these ideas when they imagine what a “city church” should look like, but they must balance that with what it actually takes to make this happen. In part, racial diversity is seen as key to urban churches presenting themselves as “in touch” and “authentic.” Yet, in an effort to seduce religious consumers, church leaders often and inadvertently end up reproducing racial and economic inequality, an unexpected contradiction to their goal of inclusivity. Drawing on several years of research, Jessica M. Barron and Rhys H. Williams explore the cultural contours of one such church in downtown Chicago. They show that church leaders and congregants’ understandings of the connections between race, consumer culture, and the city is a motivating factor for many members who value interracial interactions as a part of their worship experience. But these explorations often unintentionally exclude members along racial and classed lines. Indeed, religious organizations’ efforts to engage urban environments and foster integrated congregations produce complex and dynamic relationships between their racially diverse memberships and the cultivation of a safe haven in which white, middle-class leaders can feel as though they are being a positive force in the fight for religious vitality and racial diversity. The book adds to the growing constellation of studies on urban religious organizations, as well as emerging scholarship on intersectionality and congregational characteristics in American religious life. In so doing, it offers important insights into racially diverse congregations in urban areas, a growing trend among evangelical churches. This work is an important case study on the challenges faced by modern churches and urban institutions in general.

Explores the role of race and consumer culture in attracting urban congregants to an evangelical church The Urban Church Imagined illuminates the dynamics surrounding white urban evangelical congregations’ approaches to organizational vitality and diversifying membership. Many evangelical churches are moving to urban, downtown areas to build their congregations and attract younger, millennial members. The urban environment fosters two expectations. First, a deep familiarity and reverence for popular consumer culture, and second, the presence of racial diversity. Church leaders use these ideas when they imagine what a “city church” should look like, but they must balance that with what it actually takes to make this happen. In part, racial diversity is seen as key to urban churches presenting themselves as “in touch” and “authentic.” Yet, in an effort to seduce religious consumers, church leaders often and inadvertently end up reproducing racial and economic inequality, an unexpected contradiction to their goal of inclusivity. Drawing on several years of research, Jessica M. Barron and Rhys H. Williams explore the cultural contours of one such church in downtown Chicago. They show that church leaders and congregants’ understandings of the connections between race, consumer culture, and the city is a motivating factor for many members who value interracial interactions as a part of their worship experience. But these explorations often unintentionally exclude members along racial and classed lines. Indeed, religious organizations’ efforts to engage urban environments and foster integrated congregations produce complex and dynamic relationships between their racially diverse memberships and the cultivation of a safe haven in which white, middle-class leaders can feel as though they are being a positive force in the fight for religious vitality and racial diversity. The book adds to the growing constellation of studies on urban religious organizations, as well as emerging scholarship on intersectionality and congregational characteristics in American religious life. In so doing, it offers important insights into racially diverse congregations in urban areas, a growing trend among evangelical churches. This work is an important case study on the challenges faced by modern churches and urban institutions in general.

This text aims to equip the urban churches to live up to their potential, and face the challenges, of their particular environment. Issues at the core of successful church life, such as worship, scripture, faith-sharing, peace-making, are all addressed.

Long considered the lifeblood of black urban neighborhoods, churches are thought to be dedicated to serving their surrounding communities. But Omar McRoberts's work in Four Corners, a tough Boston neighborhood containing twenty-nine congregations, reveals a very different picture.

Provides a timely portrait of young Black Christians and how digital technology is transforming the Black Church They stand at the forefront of the Black Lives Matter movement, push the boundaries of the Black Church through online expression of Christian hip hop, and redefine what it means to be young, Black, and Christian in America. Young Black adults represent the future of African American religiosity, yet little is known regarding their religious lives beyond the Black Church. Networking the Black Church explores how deeply embedded digital technology is in the lives of young Black Christians, offering a first-of-its-kind digital-hip hop ethnography. Erika D. Gault argues that a new religious ethos has emerged among young adult Blacks in America. To understand Black Christianity today it is not enough to look at the traditional Black Church. The Black Church is itself being changed by what she calls digital Black Christians. The volume examines the ways in which Christian hip hop artists who have adopted Black-preaching-inspired spoken word performances create alternate kinds of Christian communities both inside and outside the walls of traditional Black churches. Framed around interviews with prominent Black Christian hip hop artists, it explores the multiple ways that digital Black Christians construct religious identity and meaning through video-sharing and social media. In the process, these digital Black Christians are changing Black churches as institutions, transforming modes of religious activism, inventing new communication practices around evangelism and Christian identity, and streamlining the accessibility of Black Church cultural practices in popular culture. Erika D. Gault provides a fascinating portrait of young Black faith, illuminating how the relationship between religion and digital media is changing the lived experiences of a new generation of Black Christians.

2021 Catholic Media Association Award honorable mention award in liturgy Authenticity is a value difficult to define but impossible to ignore in contemporary life. The desire for authentic experience pervades art, music, food, dating, marketing, and politics. Worship is no exception: Vatican documents, megachurch websites, pastors, and liturgy planners all make competing claims to offer the genuine article. But what makes liturgy authentic? What distinguishes real celebration from artificial spectacle, heartfelt prayer from empty ritualism, a living tradition from both stagnation and gimmickry? Can today’s Christians perform the liturgy so that it is not a mere performance but a sincere offering of their whole selves? In this book, Nathaniel Marx argues that the defining characteristic of authentic liturgy is harmony. Authentic liturgy happens when the minds of participants are in tune with their voices. The call for worshipers to harmonize their inward and outward offerings of prayer is discernible in the Bible, in the history of Christian prayer, and in diverse efforts to invigorate communal worship today. Marx’s argument unfolds the meaning of this call to authentic worship through a provocative and wide-ranging study incorporating scriptural exegesis, liturgical history, anthropology of ritual, and philosophy of action. He argues that authenticity is not a modern buzzword but an ancient virtue essential to worshiping in a spirit of communion.

This book compiles essays by over thirty urban pastors, community organizers, seminary professors, and church leaders. Their essays seek to present creative opportunities for urban ministries to bring hope and renewal to their congregations and communities.

In 1972, Italo Calvino published Invisible Cities, a literary book that masterfully combines philosophy and poetry, rigid structure and free play, theoretical insight and glittering prose. The text is an extended meditation on urban life, and it continues to resonate not only among literary scholars, but among social scientists, architects, and urban planners as well. To commemorate the 50th anniversary of Invisible Cities, this collection of essays serves as both an appreciation and a critical engagement. Drawing from a wide array of disciplinary perspectives and geographical contexts, this volume grapples with the theoretical, pedagogical, and political legacies of Calvino’s work. Each chapter approaches Invisible Cities not only as a novel but as a work of evocative ethnography, place-writing, and urban theory. Fifty years on, what can Calvino’s dreamlike text offer to scholars and practitioners interested in actually existing urban life?