The Value Of Style In Fiction

This is the first book to demonstrate the value of prose analysis across dozens of significant authors.

Demonstrates the importance of attending to literary style in Victorian novels and provides exemplary readings of major novelists.

Describes the ways in which the techniques of linguistic analysis and literary criticism can be combined, and illuminated, through the linguistic study of literary style, and draws on the prose fiction of the last 150 years to demonstrate the approach.

With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book presents new research on the crucial role that imagination plays in contemporary philosophy of fiction. The first part of the book challenges the main paradigm set by Kendall Walton and Gregory Currie, according to which there is a necessary connection between fiction and a prescription that we engage imaginatively with its content. The contributors address the fundamental questions of how we can define fiction, and especially whether we can define fiction in terms of imagination. The second part focuses on a distinct but related question: can we point to some distinctive experiential features of our engagement with fiction? In the third part, the focus lies on the cognitive value of fiction and on the role that imagination plays in that respect. The chapters in this part discuss the cognitive value of fiction with respect to issues such as the training of the faculty of imagination, phenomenal experience, empathy, and the emotions. The Philosophy of Fiction will be of interest to scholars and advanced students working in aesthetics, philosophy of mind, epistemology, and literary studies. Chapter 13 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Marrying lyrical close reading with critical awareness, Novel Style argues for the ethical value of elaborate styles of writing and demonstrates that artistic excessiveness can provide dynamic responses to the moral complexities of our times.

Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.

The Art of Fiction Henry James - World-renowned novelist and short story author Henry James offers practical advice and considerable insight on what makes quality fiction, and how good writers can create it.A common theme seen in Henry James' works is contrasting the naivete and untrammeled freedom of the New World with the knowledgeable but corrupt nature of Europe and the Old World. Beginning with short stories while in his 20s, James quickly gained a reputation as a skilled wordsmith and compelling narrator. His innovative style was emblematic of new forms of penmanship which partly displaced and partly accentuated the prevalent Romantic and Victorian literary forms.Much of Henry James teaching contains his opinions on the nature and purpose of fiction. His theories about what a novel should present - as entertainment, as art, and as a reflection upon the author - offer readers thoughtful and informed analysis of creative writing. What roles that characters should take, and how description should reflect such characters and their surroundings and doings, are also considered.In differentiating how people tell stories to one another day-to-day, and how a professional storyteller should put his tale to paper, James offers a distinctive and valuable opinion on the subject. While aspects of his thought belong to their time, the view of an experienced and lauded author on the subject of writing good stories both short and long holds certain value to aspiring authors and enthusiastic readers to this day.