The Vanishing

From New York Times bestselling author Jayne Ann Krentz comes a gripping new romantic suspense trilogy fraught with danger and enigma. Decades ago in the small town of Fogg Lake, The Incident occurred: an explosion in the cave system that released unknown gases. The residents slept for two days. When they woke up they discovered that things had changed—they had changed. Some started having visions. Others heard ominous voices. And then, scientists from a mysterious government agency arrived. Determined not to become research subjects of strange experiments, the residents of Fogg Lake blamed their “hallucinations” on food poisoning, and the story worked. But now it has become apparent that the eerie effects of The Incident are showing up in the descendants of Fogg Lake.… Catalina Lark and Olivia LeClair, best friends and co-owners of an investigation firm in Seattle, use what they call their “other sight” to help solve cases. When Olivia suddenly vanishes one night, Cat frantically begins the search for her friend. No one takes the disappearance seriously except Slater Arganbright, an agent from a shadowy organization known only as the Foundation, who shows up at her firm with a cryptic warning. A ruthless killer is hunting the only witnesses to a murder that occurred in the Fogg Lake caves fifteen years ago—Catalina and Olivia. And someone intends to make both women vanish.

Recently widowed and rendered penniless by her Ponzi-scheming husband, Julia Bishop is eager to start anew. So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired . . . and who the world believes is dead. When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

#1 NEW YORK TIMES BESTSELLER ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES * THE WASHINGTON POST * NPR * PEOPLE * TIME MAGAZINE* VANITY FAIR * GLAMOUR 2021 WOMEN'S PRIZE FINALIST “Bennett’s tone and style recalls James Baldwin and Jacqueline Woodson, but it’s especially reminiscent of Toni Morrison’s 1970 debut novel, The Bluest Eye.” —Kiley Reid, Wall Street Journal “A story of absolute, universal timelessness …For any era, it's an accomplished, affecting novel. For this moment, it's piercing, subtly wending its way toward questions about who we are and who we want to be….” – Entertainment Weekly From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white. The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins. As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

What is a novel? What is a revolution? Is there anything new under the sun? In these essays, poet and critic Cam Scott contemplates the novel in various guises--as culture and technology; as a labyrinth, series, list, and sect. Far from an academic typology, these discrete and overlapping studies are excerpted from the activity of a politically interested readership, for whom literature makes real demands of the one world that it describes. Includes writings on Dennis Cooper, Guy Hocquenghem, Dionne Brand, Gail Scott, Robert Glück, Kevin Killian, Renata Adler, Renee Gladman, Ted Rees, Lyn Hejinian, Harryette Mullen, and Jordy Rosenberg.

A New York Times Book Review Editors’ Choice An essential book for those coping with Alzheimer’s and other cognitive disorders that “reframe[s] our understanding of dementia with sensitivity and accuracy . . . to grant better futures to our loved ones and ourselves” (The New York Times). An estimated fifty million people in the world suffer from dementia. Diseases such as Alzheimer's erase parts of one's memory but are also often said to erase the self. People don't simply die from such diseases; they are imagined, in the clichés of our era, as vanishing in plain sight, fading away, or enduring a long goodbye. In On Vanishing, Lynn Casteel Harper, a Baptist minister and nursing home chaplain, investigates the myths and metaphors surrounding dementia and aging, addressing not only the indignities caused by the condition but also by the rhetoric surrounding it. Harper asks essential questions about the nature of our outsized fear of dementia, the stigma this fear may create, and what it might mean for us all to try to “vanish well.” Weaving together personal stories with theology, history, philosophy, literature, and science, Harper confronts our elemental fears of disappearance and death, drawing on her own experiences with people with dementia both in the American healthcare system and within her own family. In the course of unpacking her own stories and encounters—of leading a prayer group on a dementia unit; of meeting individuals dismissed as “already gone” and finding them still possessed of complex, vital inner lives; of witnessing her grandfather’s final years with Alzheimer’s and discovering her own heightened genetic risk of succumbing to the disease—Harper engages in an exploration of dementia that is unlike anything written before on the subject. A rich and startling work of nonfiction, On Vanishing reveals cognitive change as it truly is, an essential aspect of what it means to be mortal.

"Daniel Pauly is a friend whose work has inspired me for years." —Ted Danson, actor, ocean activist, and co-author of Oceana "This wonderfully personal and accessible book by the world’s greatest living fisheries biologist summarizes and expands on the causes of collapse and the essential actions that will be required to rebuild fish stocks for future generations.” —Dr. Jeremy Jackson, ocean scientist and author of Breakpoint The world’s fisheries are in crisis. Their catches are declining, and the stocks of key species, such as cod and bluefin tuna, are but a small fraction of their previous abundance, while others have been overfished almost to extinction. The oceans are depleted and the commercial fishing industry increasingly depends on subsidies to remain afloat. In these essays, award-winning biologist Dr. Daniel Pauly offers a thought-provoking look at the state of today’s global fisheries—and a radical way to turn it around. Starting with the rapid expansion that followed World War II, he traces the arc of the fishing industry’s ensuing demise, offering insights into how and why it has failed. With clear, convincing prose, Dr. Pauly draws on decades of research to provide an up-to-date assessment of ocean health and an analysis of the issues that have contributed to the current crisis, including globalization, massive underreporting of catch, and the phenomenon of “shifting baselines,” in which, over time, important knowledge is lost about the state of the natural world. Finally, Vanishing Fish provides practical recommendations for a way forward—a vision of a vibrant future where small-scale fisheries can supply the majority of the world’s fish. Published in Partnership with the David Suzuki Institute

Japan today is haunted by the ghosts its spectacular modernity has generated. Deep anxieties about the potential loss of national identity and continuity disturb many in Japan, despite widespread insistence that it has remained culturally intact. In this provocative conjoining of ethnography, history, and cultural criticism, Marilyn Ivy discloses these anxieties—and the attempts to contain them—as she tracks what she calls the vanishing: marginalized events, sites, and cultural practices suspended at moments of impending disappearance. Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early twentieth-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins. She then traces the obsession with the vanishing through a range of contemporary reconfigurations: efforts by remote communities to promote themselves as nostalgic sites of authenticity, storytelling practices as signs of premodern presence, mass travel campaigns, recallings of the dead by blind mediums, and itinerant, kabuki-inspired populist theater.

'Think Wuthering Heights or Jane Eyre, but ten times darker, and you have The Vanishing … as dark and eerie and gothic as the Yorkshire Moors it is set on. One to curl up by the fire with on a windy night’ Stylist On top of the Yorkshire Moors, in an isolated spot carved out of a barren landscape, lies White Windows, a house of shadows and secrets. Here lives Marcus Twentyman, a hard-drinking but sensitive man, and his sister, the brisk widow, Hester. When runaway Annaleigh first meets the Twentymans, their offer of employment and lodgings seems a blessing. Only later does she discover the truth. But by then she is already in the middle of a web of darkness and intrigue, where murder seems the only possible means of escape. Already a Sunday Times bestselling author with her first novel, The Vanishing confirms Sophia Tobin as a major talent. Stunning, twisting historical fiction for all fans of Jessie Burton and Tracy Chevalier. ‘Undeniably page-turning’ Mail on Sunday ‘Entertaining’ Times ‘Vivid, absorbing and wonderfully gothic, with shades of Sarah Waters and Emily and Charlotte Brontë’ Kate Riordan ‘Brilliantly Brontë-esque. Perfect reading for a stormy night’ Anna Mazzola ‘A vivid sense of the period … which stays with the reader long after the final page’ the i ‘The plotting is skilful, with a network of lies being woven so that no one, characters or readers, can be sure of the truth’ Daily Express ‘Atmosphere aplenty and some real surprises’ Daily Mail ‘Echoes Wuthering Heights with its setting and sense of intrigue’ Red ‘An atmospheric tale of betrayal and revenge’ woman&home ‘A thrilling, atmospheric page-turner’ Metro 'Playful and menacing, The Vanishing is a pitch perfect evocation of a classic nineteenth century Gothic novel which confirms Sophia Tobin as a writer of the highest calibre' William Ryan, author of The Constant Soldier