The Veiled War

Dive into this fun steampunk fantasy featuring quirky characters, snappy banter, and set in a world that's a cross between Victorian London and the tropics. Adelma is out of action Longinus is going on a blind date And the Varanguards are suspended Things are taking a turn for the disturbing in Damsport. Rory and Longinus have their hands full. Adelma is in a bad way, and it will take a lot of work to bring her back to herself. On top of which, Longinus has to prepare for a blind date. The premium matchmaking service he joined assures him that she’s his soulmate. The pressure in selecting the right outfit is, therefore, immense. Distracted and occupied, it takes Rory and Longinus a while to realise that a number of worrying changes are slowly happening in Damsport. On top of which the Marchioness refuses to see anyone, and Lady Martha is nowhere to be found. What is happening in the Mansion? And who or what is behind the odd changes taking place in the city? Rory and Longinus are about to face some challenging times—and not just because Longinus is determined to make avocado shirts the next hot fashion item. Read The Veiled War now to escape into another fun adventure. The Veiled War is book 8 in a complete 9 book steampunk fantasy series. Other books in the series: #1 The Bloodless Assassin #2 The Black Orchid #3 The Slave City #4 The Doll Maker #5 The White Hornet #6 The Shadow Palace #7 The Opium Smuggler #8 The Veiled War #9 The Rising Rooks Keywords: Fantasy Books, Top Rated Books, Epic Fantasy Books, Epic Fantasy, Steampunk Books, Best Rated Steampunk Books, Fantasy action adventure, quirky characters, banter, snarky fantasy, fantasy humor, Strong female lead, fantasy steampunk, snappy banter, funny fantasy, fantasy with strong female lead, magic, original world-building, full length fantasy, humorous fantasy books, steampunk, gaslamp fantasy, historical fantasy, humorous fantasy, funny fantasy, quirky fantasy, quirky characters, Fantasy female lead, Fantasy female character, fantasy female protagonist, fantasy strong female character, unlikely friendship, banter, snark, snarky, humour, alchemist, fantasy assassin, fun read, fast read. Perfect for fans of: Lindsay Buroker, Terry Pratchett, Gail Carriger, Shelley Adina, Joseph Lallo, Tilly Wallace, CJ Archer

Since the beginning of time, the angelic forces of the High Heavens and the demonic hordes of the Burning Hells have been locked in the Eternal Conflict for the fate of all Creation. That struggle has now spilled over into Sanctuary -- the world of men. Determined to win mankind over to their respective causes, the forces of good and evil wage a secret war for mortal souls. This is the tale of the Sin War -- the conflict that would forever change the destiny of man. The demon-backed Triune has fallen. All that now stands in Uldyssian's path to freeing humanity is the Cathedral of Light and its charismatic leader the Prophet. But the Prophet is actually the renegade angel Inarius, who sees the world he created as his uncontested domain. Facing a cunning foe that would just as readily see Sanctuary destroyed than let it slip from his grasp, Uldyssian is blind to the others who would possess his world. Both the Burning Hells and the High Heavens now know of Sanctuary...and their warring hosts of demons and angels will stop at nothing to claim it. An original tale of swords, sorcery, and timeless struggle based on the bestselling, award-winning M-rated computer game from Blizzard Entertainment. Intended for mature readers.

Burning the Veil draws upon sources from newly-opened archives, exploring the "emancipation" of Muslim women from the veil, seclusion and perceived male oppression during the Algerian War of decolonization. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture, and destruction of villages. This book examines the roots of this contradiction in the theory of "revolutionary warfare", and the attempt to defeat the National Liberation Front by penetrating the Muslim family, seen as a bastion of resistance. Striking parallels with contemporary Afghanistan and Iraq, French "emancipation" produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why attempts to Westernize Muslim women ended in catastrophe has contemporary relevance and will be important to students and academics engaged in the study of French and colonial history, feminism, and contemporary Islam.

With the invasion of Dara complete, and the Wall of Storms breached, the world has opened to new possibilities for the gods and peoples of both empires as the sweeping saga of the award-winning Dandelion Dynasty continues in this third book of the “magnificent fantasy epic” (NPR). Princess Théra, once known as Empress Üna of Dara, entrusted the throne to her younger brother in order to journey to Ukyu-Gondé to war with the Lyucu. She has crossed the fabled Wall of Storms with a fleet of advanced warships and ten thousand people. Beset by adversity, Théra and her most trusted companions attempt to overcome every challenge by doing the most interesting thing. But is not letting the past dictate the present always possible or even desirable? In Dara, the Lyucu leadership as well as the surviving Dandelion Court bristle with rivalries as currents of power surge and ebb and perspectives spin and shift. Here, parents and children, teachers and students, Empress and Pékyu, all nurture the seeds of plans that will take years to bloom. Will tradition yield to new justifications for power? Everywhere, the spirit of innovation dances like dandelion seeds on the wind, and the commoners, the forgotten, the ignored begin to engineer new solutions for a new age. Ken Liu returns to the series that draws from a tradition of the great epics of our history from the Aeneid to the Romance on the Three Kingdoms and builds a new tale unsurpassed in its scope and ambition.

The galaxy stands on the brink of war, yet hope remains that the vast web of schemes can be exposed before it’s too late, in this astounding space opera from the acclaimed game, Twilight Imperium The balance of power is shifting, with bold new alliances, unknown invaders, and the rumored return of the galaxy’s ancient masters. When black-ops spy Amina Azad saves a Hacan ambassador from assassination, she draws him into her investigation of a vast conspiracy: unseen forces are destabilizing the whole galaxy, at the worst possible time. Pursued by agents from dozens of other factions, they can only make progress by allying with their apparent enemies. But even they might be compromised – duped into action by a secret puppet-master. How can they trust an alliance when they can’t trust themselves?

In The Veiled Mirror and the Woman Poet, Elizabeth Dodd explores the lives and work of four women poets of the twentieth century - H. D., Louise Bogan, Elizabeth Bishop, and Louise Gluck. Dodd argues that sexist and male-dominated cultural forces in their personal and professional lives challenged these women to find a unique mode of expression in their poetry, a practice Dodd defines as personal classicism. Dodd uses the term personal classicism to examine modern and contemporary poetry that appears torn between two major modes of poetic sensibility, the Romantic and the Classical. While the four poets she addresses exhibit a poetic sensibility that is primarily Romantic - valuing Wordsworth's "spontaneous overflow of powerful feelings"; adopting a natural, spoken tone; and relying on personal subject matter - they have nonetheless employed masking and controlling strategies that are more nearly Classical. Combining feminist theory and biographical studies with close readings of individual poems, Dodd moves historically from H. D., one of the best-known Imagists, through the Confessional movement, to the major contemporary poet Louise Gluck. In the final chapter Dodd brings us to the present, where she finds women writers still struggling with the recent Confessional legacy of such highly anthologized poets as Anne Sexton and Sylvia Plath. The Veiled Mirror and the Woman Poet combines thoughtful consideration of both formal and theoretical issues in a graceful prose that reaffirms poetry as an art vitally connected to life. It will be of significant interest to students of modern and contemporary poetry, as well as to those concerned with women's studies.

Troy, New York, 1853. Two Irish immigrants—a man and a woman—die shortly after drinking beer poured by a neighbor. Was it poisoned? And if so, was their slayer the beautiful mistress of an important Democratic politician? Many Trojans soon answer yes to both questions, but others question the guilt of the glamorous accused. Rumored to be the once-respectable Miss Charlotte Wood, a former student at Emma Willard's elite Troy Female Seminary and the runaway wife of a British lord, her identity remains in doubt, and the air of mystery is only heightened by her decision to remain hidden behind a veil during her trial, which earns her the nickname "The Veiled Murderess." As the affair widens to include the antebellum social and political worlds of Troy and Albany, the blossoming scandal threatens important people on both sides of the Atlantic. Drawing on newspapers, court documents, and other records of the time, Jeanne Winston Adler attempts to come to an understanding of the truth behind the strange affair of the veiled murderess. In the process, she addresses a number of topics important to our understanding of nineteenth-century life in New York State, including the changing roles of women, the marginal position of the Irish, and the contentious political firmament of the time.

The acclaimed classic novel and fan favorite—the far-future story of one man's quest to discover the truth behind a galactic war hero.