The Venetian School Of Painting

"The Venetian School of Painting" by Evelyn March Phillipps is a significant work that delves into the rich artistic heritage of Venice during the Renaissance. Published in 1893, Phillipps provides an insightful analysis of the unique characteristics, techniques, and masterpieces of the Venetian School. The book begins by contextualizing the emergence of the Venetian School within the broader artistic landscape of Renaissance Italy. Phillipps explores the historical, cultural, and geographical factors that contributed to the distinctiveness of Venetian art, such as the city's maritime trade, multicultural influences, and Byzantine heritage. Phillipps then delves into the lives and works of key artists associated with the Venetian School, including Giovanni Bellini, Titian, Giorgione, Tintoretto, and Veronese. Through detailed examinations of their paintings, she highlights the innovative use of color, light, and composition that characterized Venetian art. Additionally, Phillipps provides insights into the artists' individual styles, influences, and contributions to the development of Venetian painting. Throughout the book, Phillipps contextualizes Venetian art within its social, political, and religious milieu. She explores how Venetian painting reflected the city's unique cultural identity, religious piety, and aristocratic patronage. Moreover, Phillipps examines the role of Venetian artists in shaping the visual culture of their time and their impact on subsequent generations of painters. "The Venetian School of Painting" is accompanied by illustrations of artworks by Venetian masters, allowing readers to visually appreciate the beauty and mastery of the paintings discussed. Phillipps's prose is both informative and engaging, making the book accessible to art enthusiasts and scholars alike. Overall, "The Venetian School of Painting" serves as an invaluable resource for anyone interested in understanding the artistic legacy of Venice during the Renaissance and the enduring influence of the Venetian School on the history of art.

Excerpt from The Venetian School of Painting Many visits to Venice have brought home to me the fact that there exists, in English at least, no work which deals as a whole with the Venetian School and its masters. Biographical catalogues there are in plenty, but these, though useful for reference, say little to readers who are not already acquainted with the painters whose career and works are briefly recorded."Lives" of individual masters abound, but however excellent and essential these may be to an advanced study of the school, the volumes containing them make too large a library to be easily carried about, and a great deal of reading and assimilation is required to set each painter in his place in the long story. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Venetian School of Painting Many visits to Venice have brought home to me the fact that there exists, in English at least, no 'work which deals as a whole with the Venetian School and its masters. Biographical catalogues there are in plenty, but these, though useful for reference, say little to readers who are not already acquainted with the painters whose career and works are briefly recorded. Lives of individual masters abound, but however excel lent and essential these may be to an advanced study of the school, the volumes containing them make too large a library to be easily carried about, and a great deal of reading and assimilation is required to set each painter in his place in the long story. Crowe and Caval caselle's History of Painting in North Italy still remains our sheet anchor; but it is lengthy, over full of detail of minor painters, and lacks the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This dazzling survey of 16th-century Venetian painting captures the striking colors and revolutionary characteristics of one of art history's greatest chapters. It is hard to imagine more profoundly influential artists than the Venetian painters of the 16th century. Whether creating sweeping devotional altarpieces or intimate portraits, the Venetian painters changed the way artists employed color and composition. These defining qualities are on brilliant display in this book that covers fascinating aspects of the work of Titian, Veronese, Tintoretto, Lorenzo Lotto, Jacopo Bassano, and many others. More than one hundred paintings, drawings, and prints are reproduced in stunning detail. Side-by-side comparisons draw readers into the conversations between Venetian artists as they tackled similar subjects and vied for commissions. The book opens with fascinating essays about the history of 16th-century Venice, the Venetian School of painting, and the techniques of the Venetian masters. As beautiful as it is informative, this book features all of the excitement and splendor of one of the most prolific and important chapters in the history of European art.

Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.

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