The Virginian

This groundbreaking novel is considered by many to be one of the most important early entries in the western genre. Recounting in rich detail the daily life of a foreman on a vast ranch in Wyoming, this gripping tale has sparked imaginations for more than a century, inspiring at least six film and television versions.

Ireland in the Virginian Sea: Colonialism in the British Atlantic

In the late sixteenth century, the English started expanding westward, establishing control over parts of neighboring Ireland as well as exploring and later colonizing distant North America. Audrey Horning deftly examines the relationship between British colonization efforts in both locales, depicting their close interconnection as fields for colonial experimentation. Focusing on the Ulster Plantation in the north of Ireland and the Jamestown settlement in the Chesapeake, she challenges the notion that Ireland merely served as a testing ground for British expansion into North America. Horning instead analyzes the people, financial networks, and information that circulated through and connected English plantations on either side of the Atlantic. In addition, Horning explores English colonialism from the perspective of the Gaelic Irish and Algonquian societies and traces the political and material impact of contact. The focus on the material culture of both locales yields a textured specificity to the complex relationships between natives and newcomers while exposing the lack of a determining vision or organization in early English colonial projects.

Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.

This carefully crafted ebook: "WESTERN CLASSICS COLLECTION: The Promised Land, The Virginian, Lin McLean, Red Man and White, The Jimmyjohn Boss, Napoleon Shave-Tail, Hank's Woman, A Kinsman of Red Cloud, Padre Ignacio and more" is formatted for your eReader with a functional and detailed table of contents: Lin McLean The Virginian: A Horseman of the Plains Red Man and White Red Man and White Little Big Horn Medicine Specimen Jones The Serenade At Siskiyuo The General's Bluff Salvation Gap The Second Missouri Compromise La Tinaja Bonita A Pilgrim on the Gila The Jimmyjohn Boss A Kinsman of Red Cloud Sharon's Choice Napoleon Shave-Tail Twenty Minutes for Refreshments The Promised Land Hank's Woman Padre Ignacio: or, the Song of Temptation Owen Wister (1860-1938) was an American writer and "father" of western fiction. When he started writing, he naturally inclined towards fiction set on the western frontier. Wister's most famous work remains the novel The Virginian, set in the Wild West. It describes the life of a cowboy who is a natural aristocrat, set against a highly mythologized version of the Johnson County War and taking the side of the large land owners. The Virginian paved the way for many more westerns by such authors as Zane Grey, Louis L'Amour, and several others. It is also widely regarded as being the first cowboy novel.

The code of chivalry, a standard of honor between men and of loyalty and decency between a girl and a man. When Georgiana Stockwell came to the Tonto Basin from the East she had heard neither of chivalry nor of loyalty, she cared only to have the attention of as many men as possible—and to have her own way with them.