The Voice Clinic Handbook 2 Ed

The new, second edition of The Voice Clinic Handbook has been completely updated and expanded, largely rewritten, and features contributions by world-leading voice practitioners from laryngology, voice therapy, osteopathy, singing, psychotherapy, and voice science. Following the principles set by its acclaimed predecessor, the new edition is a manual of good practice in the voice clinic - from measurement and instrumentation, through evaluation and treatment, to considerations for special populations, including singers and voice professionals. Divided into three sections, Part I provides an outline of the structure and function of the vocal tract, Part II addresses common treatment modalities, and Part III outlines the equipment for measuring voice: uses and limitations. The Editors have deliberately steered away from filling the book with everything there is to know about the management of voice problems. This is about practical, everyday management of voice and has been carefully and deliberately designed following feedback from voice clinic team members on what they have found useful and what works best for them. It is not intended to be a cover-to-cover read; it is more for dipping into in order to inform your own speciality or even clarify what it is that your colleagues in other specialities have to offer. In short, it contains pretty much everything you need to know in your everyday clinical practice.

Now softcover binding, the second edition of The Voice Clinic Handbook has been completely updated and expanded, largely rewritten, and features contributions by world-leading voice practitioners from laryngology, voice therapy, osteopathy, singing, psychotherapy, and voice science. Following the principles set by its acclaimed predecessor, the new edition is a manual of good practice in the voice clinic - from measurement and instrumentation, through evaluation and treatment, to considerations for special populations, including singers and voice professionals. Divided into three sections, Part I provides an outline of the structure and function of the vocal tract, Part II addresses common treatment modalities, and Part III outlines the equipment for measuring voice: uses and limitations. The Editors have deliberately steered away from filling the book with everything there is to know about the management of voice problems. This is about practical, everyday management of voice and has been carefully and deliberately designed following feedback from voice clinic team members on what they have found useful and what works best for them. It is not intended to be a cover-to-cover read; it is more for dipping into in order to inform your own speciality or even clarify what it is that your colleagues in other specialities have to offer. In short, it contains pretty much everything you need to know in your everyday clinical practice.

The first half of this book provides an outline of the structure and function of a voice clinic, a review of the structure and function of the vocal tract and an outline of the most common forms of voice disorder likely to be encountered in a clinic. It also provides brief descriptions of the various forms of therapy available for the treatment of non-cancerous voice disorder and suggests appropriate treatment modalities. The second half of the book is based in science and contains an overview of the instrumentation available for the investigation and documentation of voicing.

Treatment of Voice Disorders, Second Edition presents the entire range of behavioral, medical, and surgical voice treatment options from the perspective of a variety of specialist practitioners with exceptional breadth and clarity. As suggested in the opening chapter, contemporary treatment of voice disorders draws on interdisciplinary expertise, and the book is true to that perspective. The team approach to voice treatment is realized through the contributions of laryngologists, speech-language pathologists, singing voice specialists, nurses, physiotherapists, acting voice trainers, and others. The reader will find discussion of various treatment procedures, including surgical, pharmacological, and behavioral. This text presents essential information that allows for the effective interaction of various specialties. For example, behavioral specialists can draw on the information that is given on surgery, trauma and injury, and medications. This book is at once a template for team-based treatment and a deep informational resource for treatment alternatives. Its scope and depth make it a book that the voice specialist will want to keep close at hand. New to this edition: New content on topics such as technology in the studio and pedagogy for children.Many topics have been expanded to highlight current practices, to include information published since the previous edition, and to present current management approaches.Chapters have been rewritten extensively to include the most current techniques and to reflect the latest beliefs and practices, as well as the most recent information from the evolving literature in this field.Chapter 16 on nutrition has been completely rewritten and includes important changes in criteria and strategy, reflecting developments in nutritional science over the past decade.New material on topics such as choral pedagogy for geriatric singers, laryngeal manipulation, and cosmetic procedures and their implications for voice professionals. Treatment of Voice Disorders, Second Edition is ideal for speech-language pathology students and clinicians and is suitable for classroom use as well as for reference. It is an essential volume for anyone concerned with voice disorders.

Singing and Teaching Singing: A Holistic Approach to Classical Voice, Fourth Edition continues to be a beloved resource for singers and their teachers, speech-language pathologists, and laryngologists and an adopted text for instructors and students in voice, singing, and performing arts courses. Janice L. Chapman is able to draw on her experiences as a singer with some of the world's leading opera companies to present a teaching technique specifically focusing on voice in the areas of classical and opera singing. Interspersed with the concepts and components of Chapman's methods are vignettes from her life and career, animated by her conversational and vibrant style to guide (and entertain) the reader through the book in a step-by-step fashion. Now expand to include joint authorships with Dr. Ron Morris, the fourth edition draws on his experience as a speech and language therapist, audiologist, and singer, and widens the scope of the book to view current studio teaching practices through a scientific lens. The philosophy of teaching presented combines three main facets: Holistic, Physiological, and Incremental. The Holistic segment emphasizes that the act of singing involves the whole person (i.e., body, mind, spirit, emotion, and voice); the Physiological segment stresses anatomy, muscular function, and effects of muscular interactions so that students and teachers alike can understand and visualize the functional workings of the torso, larynx, and the vocal tract and their impact on good singing practices; and the Incremental section shows that the act of singing and the teaching of singing can be broken down into manageable components that have a natural hierarchy that eventually interact and interlock. This teaching model provides a framework to master one element at a time, with the resulting effect of a complete and integrated mastery of technique. Chapman recommends this framework for rehabilitative work with the dysfunctional singer, for working with the developing singer, and for the ongoing development and maintenance of the technically able professional singer. This highly-readable text includes contributions from renowned voice professionals, case studies, evidence-based and practical examples, exercises, and videos. New to the Fourth Edition: * New editor and co-author, Ron Morris, BSpThy (Hons); MMusStud (Voice), MSPAA, MASA (CC), PhD * The addition of completely new chapters on Laryngeal Registration, Vocal Acoustics and Acoustic Registration * Clarifications and exercises by Dr. Ron Morris on the use of the Accent Method breathing as a highly effective remedial and training technique * Expanded and updated information on Breathing and Support, Vocal Acoustics, Registers (Laryngeal and Acoustic), Teaching and Learning, Hearing and Singing, and Manual Therapy * Exercises have been significantly expanded and now are contained in a chapter of their own, which includes some information on lesson structure and practice * Significant updates reflect the current state of research and the latest advances in voice science and pedagogy have been referenced throughout * A new glossary has been added for ease of reading and clarification of pedagogical terms used in the text

Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.

This third volume in Scott-Brown's Otorhinolaryngology 8e covers the sub specialty areas of Head and Neck Surgery, and Plastic Surgery. It is available either as a single volume specialty reference book, or as part of the classic and authoritative 3 volume " Scott-Brown" set. Edited by renowned experts, and including chapter contributions from leading clinicians, Volume 3 Head and Neck and Plastic Surgery is current, authoritative, and of wide clinical application.

Singers must equip themselves with enough knowledge to clearly convey specific sensations and difficulties with their instrument. Understanding of potential dangers and disorders, familiarity with a variety of medical procedures, and comprehension in various facets of diagnosis and treatments empower singers to "own," just like other musicians, their instrument. The Owner's Manual to the Voice provides singers with the knowledge necessary to communicate effectively and in intelligent terms about their instrument, especially when conversing with medical professionals. Beginning with an overview of the vocal anatomy, lead author Rachael Gates, and co-authors L. Arick Forrest, M.D. and Kerri Obert, M.A., C.C.C/S.L.P, proceed through detailed discussions of caring for the voice and common causes of vocal changes and problems before guiding the reader through the process of choosing, talking to, and working with an ENT. In so doing, they give insights that any professional voice user - whether singer, actor, broadcaster, politician, teacher, preacher, or lawyer - will find helpful if not essential.